Judging by appearance, the two girls in this cabinet card portrait are sisters. The older child is wearing a necklace and both children are wearing bows in their hair. The girls are dressed fashionably. The photographer is Charles E. Long who operated in London, England. He has posed the siblings in a typical studio pose. This image is one of countless cabinet card photos with images of fur covered chairs and tables topped with books.
Two women pose for their portrait at the studio belonging to W. Allderige in Plainville, Connecticut. One of the ladies is holding a tennis racquet but she is holding it in a way that may indicate that she was not a tennis player. Since she is not displaying a proper grip of the racquet, the tennis racquet may just be a prop in the photographers studio. The previous owner of this photograph contended that the two women in this image are actually cross dressing men. Perhaps the former owner was just trying to increase the sales value of the photograph. I would be interested in hearing the opinion of some of the visitors to the cabinet card gallery on this matter. Research discovered some information about photographer William Allderige. He was born in Birmingham, England in 1854. He worked as a shipping clerk for a carrying company and then as a cashier and bookkeeper for a railway company. In 1856 he immigrated to the United States and settled briefly in Northampton, Massachusetts. He then moved to New York City where he studied photography and when proficient, he returned to Northampton and became a traveling photographer. His next business move was to open photography studios in Connecticut. In 1859 he opened a studio in Plainville which he operated for over forty years. He ran a studio in New Britain from 1870 through 1877 which his son took over and operated until 1898. In 1886 he started a studio in Farmington. Allderige was very busy conducting business but he still found time to marry Sarah Dawson in 1848.
An adolescent girl holds a rolled paper as she poses for her portrait at the Hearn Studio in Union City, Pennsylvania. Is that a graduation certificate that she is holding? She is dressed fashionably. Her hat is strategically placed beside her. Her jewelry includes a necklace, bracelet, and a ring. Interestingly the photographer placed two faux rocks in front of her ankles so that her shoes cannot be seen. Is the photographer hiding something? Note the plants in the planter and the art object on the stage beside her. What exactly is that artistic piece? J. P. Hearn was a native of Devonshire, England, where he was born in 1846. He immigrated to Ottawa, Canada with his brother John in 1872. He later moved to St. Catherine where he studied photography with G.F. Maitland. His next stop was Buffalo, New York. In 1875 he came to Union City and opened a photographic gallery which was destroyed in the “Brooklyn Fire” of 1879. After the fire, he was able to successfully rebuild his business in Union City. He married Canadian, Annie McClelland in 1878. Research found another cabinet card that indicates that at some point in time, Hearn operated studios simultaneously in the Pennsylvania cities of Union City and Spartansburg.
SWEET LITTLE GIRL IN GINGHAM AND LACE IN FORT WAYNE, INDIANA GROWS UP TO BECOME A MEMBER OF THE FOREIGN SERVICE
A sweet looking little girl wearing gingham and lace poses for her portrait at the studio of F. Schanz in Fort Wayne, Indiana. She is wearing a high collar dress and the beginning of a smile. Note her wide eyes. The reverse of the photograph identifies the young subject as being Ruth Wheelock. To view other photographs by Felix Schanz and to learn more about him, click on the category “Photogapher: Schanz”. Research reveals that Ruth Wheelock grew up to live an interesting life. She was born 6/29/1891. Her father, Kent Kane Wheelock (1857-1928), was a physician living in Fort Wayne. Ruth’s mother was Matilda Henderson (1858-1958). A Fort Wayne newspaper story (1907) reports that Ruth attended school out of state in Staunton, Virginia. After finishing school she did a lot of traveling abroad which is reflected in her many passport applications that can be found in the archives. Records indicate that at least through 1919 she spent much time working and traveling through Europe. She spent time in France, Spain, Italy, and likely other countries. She held a number of interesting jobs. She was a Spanish correspondent and translator with a large publishing house (in Buffalo, NY). She worked as a clerk in American Embassies in Europe. The 1920 census reveals that she was a clerk in the American embassy in Italy. She held the same job title at the American Embassy in Germany, according to the 1930 census. She also worked as a French correspondent for the Society of Fatherless Children in France. In addition, she worked as a teacher of language at the European School of Music. Ruth Wheelock lived what appears to be a very interesting life. She never married and died in Easton, Maryland on 8/11/1957.
An adolescent girl, holding a basket of flowers, poses for her portrait at Castro Brothers studio in Matanzas, Cuba. The girl is wearing a bracelet and clutches flowers in her left hand. Interestingly, the Cabinet Card Gallery has a cabinet card in its collection taken by a Matanzas photographer named C. Ruiz de Castro. It is unknown whether C. Ruiz de Castro is one of the Castro brothers who created the cabinet card above. To view other Cuban cabinet cards, click on the category “Cuba”.
This cabinet card portrait features a pretty young girl celebrating her communion by being photographed by A. Alvarez at his studio in Santiago de Cuba. Santiago de Cuba is the second largest city in Cuba and is located in the southeastern part of the island. The Battle of San Juan Hill was fought in this area. The 1898 battle marked the defeat of Spain in the Spanish American War. This photograph was likely taken only a few years after this war ended. To view other vintage Cuban photographs, click on the cabinet card gallery category “Cuba”.
This cabinet card portrait features “Little Ollie” and her mandolin. At least I think her instrument is a mandolin. Confirmation from a cabinet card gallery visitor would be appreciated. This little girl performer is adorable. She is wearing a cute hat and her jewelry includes a necklace and bracelet. The reverse of the photograph has an inscription stating “From Little Ollie Herself”. Benjamin J. Falk (1853-1925), a noted celebrity photographer, produced this photograph. His studio was located on Broadway in New York City. The image is numbered on the bottom right hand corner.To view more photographs by this photographer, click on the category “Photographer: Falk”. Research revealed not further information about “Little Ollie”. However, a different photograph of her, also by Falk, is in the collection of the Library of Congress.
A handsome young Victorian couple pose for their portrait at the Wood studio in Geneva, New York. The gentleman in the photograph has a long mustache, a handkerchief rises from his jacket pockent, and he is displaying the chain to his pocket watch. He sits in a interesting chair that seems to be braided and designed with just one arm. The young woman is wearing a lot of jewelry including a ring, pin, and earrings. Her figure appears to be enhanced by a corset. The reverse of the cabinet card reveals some information about the photographer. Theo. H. Wood’s studio was located at 4 & 6 Seneca Street in Geneva. Theodore Wood was born in England in 1844 and immigrated to the United States in 1850. He is listed as a photographer in Geneva City directories from 1901 until 1905. The 1907 directory reports his occupation as “retired”. Wood also makes appearances in the 1900 and 1910 US census. In both surveys he is listed as single and as living as a lodger in a boarding house.
This cabinet card portrait features a smiling young woman wearing unusual attire. Is she wearing a uniform? If her clothing is a uniform, is she wearing it for work or is she part of a sports team? Note that her cap matches her jacket and that the style of her blouse is atypical for the cabinet card era. Hopefully, some cabinet card gallery’s visitors will leave a comment speculating or informing the rest of us about the fashion worn in this photograph. The Hawkins studio, located in Montpelier, Ohio, produced this image. Research reveals that there was a photographer in Montpelier named George B. Hawkins. At some point, there was a studio in Montpelier called Hawkins & Marsh. It is likely that George Hawkins once partnered with Mr. Marsh. The reverse of the cabinet card has an inscription which states “Cousin to Marian” and “Kelly-girl”. Clearly, the subject of this portrait is a cousin to Marian and it is likely that the subject’s last name is “Kelly”. The term “Kelly-girl” took a different meaning many years after this photograph was taken. In 1946, Russell Kelly started a business providing temporary employees to local Detroit businesses. His employees called themselves “Kelly Girls” to distinguish themselves from their temporary office coworkers. Russell Kelly’s novel business idea gave birth to the modern staffing business.
This cabinet card portrait features a young boy dressed up for his confirmation and holding a religious book. Note his huge bow tie. He is wearing two ribbons pinned to his jacket. One of the ribbons has the printed name “St. Mary’s Church”. The reverse of the photograph has an inscription stating “Willie Butler”. Young Master Butler posed for this image at Ettlin’s Portraits which was located at 17 Chatham Square in New York City. William A. Ettlin is listed in the 1902 and 1905 New York City directory as well as in Trow’s Business Directory of 1898.