THEODOR MOMMSEN: GERMAN CLASSICAL SCHOLAR, NOBEL PRIZE WINNER AND MAN FOR ALL SEASONS

Theodor Mommsen (1817-1903) is pictured in the Cabinet card photographed by Giacomo Brogil in Firenze, Italy. Mommsen was a German classical scholar, historian, jurist, journalist, politician, archaeologist, and writer.  He is considered the greatest classicist of the 19th century. He was a great scholar of Roman History. He won the Nobel Prize in 1902. He was a member of the German and Prussian Parliaments. Mark Twain wrote of meeting him on his European tour of 1892. The photograph is from the Photographs of Celebrities collection of Charles L Ritzmann.

ROSE LEMOINE: PRETTY THEATER ACTRESS AND POSSIBLE MODEL FOR THE “GIBSON GIRL”

Theater actress Rose Lemoine is the subject of this Cabinet Card photographed by the Dana studio of New York. The photograph was part of the Charles L. Ritzmann collection. Ritzmann was a famous importer of theatrical photographs. The attractive Ms Lemoine was thought by some to be the model or the “Gibson Girl”. This upset some Americans because Lemoine was from Cuba, not the United States and the “Gibson Girl” was illustrator Charles Dana’s personification of the feminine ideal. The “Gibson Girl” was a popular figure for twenty years (about 1890-1910). Lemoine’s mother was Cuban and her father was a French coffee planter. In 1903, the New York Times mentions Lemoine as appearing in a Broadway play called “The Best of Friends”. Also appearing in that play was Lionel Barrymore and Agnes Booth.

Effie Ellsler: Stage Actress

 

This is a Cabinet card portrait of stage actress Effie Ellsler (1855?-1942). She was born in Cleveland, Ohio where her parents were actors and ran a leading playhouse. She made her debut as a child and as an adult had opportunities to act with Edwin Booth, Lawrence Barrett and other celebrities during their Cleveland tours. Ellsler came to New York in 1880 and was a sensation in her first part in the title role of Hazel Kirke. She played that role for three years but than made a series of poor starring role choices in a number of melodramas. For most of the 1890′s she toured in road companies. She later played with Maxine Elliott in the Merchant of Venice.  Ellsler’s last hit was in the Bat (1920). This Cabinet card portrait is from the esteemed studio of Charles Ritzmann of  New York City.