Benjamin J. Falk, New York City theatrical photographer, produced this cabinet card portrait of English actress FFolliott Paget. She is dressed to look her best; wearing pearls and a fur coat. Ms Paget appeared in fourteen Broadway plays including “What Every Woman Knows” ((1908-1909) and “The Rivals” (1912).
FFOLLIOTT PAGET
JENNIE JOYCE: TROUBLED STAGE STAR PHOTOGRAPHED BY FALK FOR NEWSBOY
This photograph, by celebrity photographer B. J. Falk, features stage star Jennie Joyce. She was photographed for the Newsboy tobacco company and the image was used as a premium to reward purchasers for buying Newsboy products. The image has a copyright date of 1891 and is number 307 in the Newsboy series. This photograph is risque for its era. Miss Joyce is showing much of her nearly bare legs and is exhibiting a sexually provocative pose. The New York Times (1892) published an article reporting that Jennie Joyce was sued by her husband for divorce. John E. Stanley’s request for a divorce was uncontested. The newspaper described Jennie Joyce as a variety actress and singer. An 1899 article in the same newspaper reported a story about problems in the marriage of Joyce and sportsman Phil Daly Jr.. Daly had told Joyce that he would be out all night but according to plan, returned home at two in the morning only to find his wife with another man (Phillip Wood). Daly fired a number of shots at Wood but missed. Daly’s parting shot was to file for divorce and end his five year marriage. The bad publicity caused by Joyce’s marital problems cause her to speculate in another 1899 Times article that she planned to leave the United States to perform pantomime in London until the fallout from her divorce had diminished. An additional conflict was in the news when the New York Times (1901) printed a story about Joyce successfully suing theatre manager, Alexander Hashim for unpaid salary. Jennie Joyce was clearly a gossip magnet for the press and she provided them with a lot of material.
JULIA MARLOWE: ESTEEMED AMERICAN STAGE ACTRESS
Julia Marlowe (1865-1950) was born in England and as a young child moved to the United States with her family. In her early teens she began her theatrical career with a juvenile opera company. She began playing Shakespeare in her home town of Cincinnati, Ohio. She made her Broadway debut in 1895 and by the end of her career, had appeared in more than 70 Broadway productions. Her first husband was actor, Robert Tabor. Their marriage lasted six years. In 1904 she appeared in “When Knighthood was in Flower”. Great success in this play brought her financial independence. Earlier, in 1903, she appeared in ‘The Cavalier” and “Ingomar”. The New York Sun wrote about her performance in “Ingomar”; “There is not a woman player in America or in England that is – attractively considered- fit to unlace her shoe”. In 1904 she began a partnership with actor E. H. Sothern. They toured the United States performing various plays of Shakespeare. They were managed by Charles Frohman and later, the Shubert brothers. They were considered to be among the major Shakespearian actors of the day. In 1906, Marlowe played in “Jeanne d’Arc” and also as Salome in “John the Baptist”. Later, Sothern and Marlowe played in London but were not terrific box office successes there. In 1911 Marlowe and Sothern married each other. In 1920 and 1921, they made eleven phonograph recordings for the Victor Company. The top Cabinet Card was produced by Newsboy as a premium for their tobacco products. The photographer was Falk and the image is from 1892.
The second portrait of Julia Marlowe has a notation on the reverse of the card stating “Julia Marlowe Tabor”. Therefore, this photograph was likely taken during the time of her marriage to Tabor (1894-1900). The photographic studio that produced this portrait is Klein & Guttenstein of 164 Wisconsin Street, in Milwaukee, Wisconsin. Klein and Guttenstein were leading photographers of their time. Wilson’s Photographic Magazine (1902) reveals that the two men were very active in the Photographers Association of Wisconsin and other photography organizations. The photographers were considered part of a network of photographers skilled at producing publicity images of theatrical and vaudeville stars to be used in national magazines and other publications. The New York Public Library has a collection of portraits of actress Blanche Bates; produced by Klein & Guttenstein. The University of Pennsylvania Library has one of Klein & Guttenstein’s portraits of Julia Marlowe.
The third portrait of Julia Marlowe in the cabinet card gallery collection is photographed by Sarony, the famed celebrity photographer located in New York City. This cabinet card is signed by the actress and dated 1890. Additonal photographs by Sarony can be viewed by clicking on the category “Photographers: Sarony”.
The fourth portrait of Miss Marlow features her in role in the production of “Countess Veleska”. The play was adapted for a German work, “The Tall Prussian”, by Rudolph Stratz. The play opened in New York in 1898 at the Knickerbocker Theatre. The review in the New York Times (1898) stated that the “drama was made wholly interesting by the personal charm and sincerity of Miss Marlowe”. In a sarcastic tone, the reviewer comments about Marlowe’s co star, Bassett Roe. The reviewer states that Roe has only two qualities of the man he was playing, “height and good looks”. The reviewer continues his scathing description of Roe; “The only time he actually warmed up was when he accidentally set his hair on fire. Even then he would have let it burn if Miss Marlowe had not gone to his rescue.” The photographic studio that produced the “Countess Veleska” cabinet card was Pach Brothers of New York City. Pach Brothers were photographers known for their photographs of celebrities of their era. To see additional photographs by the Pach Brothers, click on this site’s category of “Photographers: Pach Brothers”.
The fifth portrait of Julia Marlowe appears to be a photograph of the actress in costume for an unknown stage production. The image was photographed by Ye Rose Studio of Providence, Rhode Island. The reverse of the card indicated that the studio was opened in 1886. The studio was located in the Conrad building in downtown Providence. The building still exists. Other photographs by the Ye Rose Studio can be viewed by clicking on the category “Photographer: Ye Rose”.
Portrait number six is an excellent example of the beauty of Julia Marlowe. This image, from 1888, captures Ms. Marlowe at the young age of twenty-three. The photographer of this portrait was B. J. Falk, a celebrity photographer located in New York City, New York. To view other photographs by Falk, click on the category “Photographer: Falk”.
The seventh portrait is another example of a B. J. Falk image. The photograph features a costumed Julia Marlowe in the production of “Cymbeline“. Cymbeline is a play by William Shakespeare that was based on legends about the early Celtic British King, Cunobelinus. The play deals with themes that include innocence and jealousy. Ms. Marlowe plays Imogen, the King’s daughter. Her expression in the photograph shows fear and concern as she looks at someone or something in the distance. Her left hand shades her eyes while her right hand clutches her belted dagger. A stamp on the reverse of this cabinet card reveals that it was formerly owned by Culver Pictures of New York City, New York. Culver Pictures has been collecting photographs and illustrations from the 19th and first half of the 20th century, since 1926. These pictures are used in books, films, and other forms of media. At the time that this cabinet card was stamped by the company, Culver Pictures was located in New York City.
Portrait number eight is a close-up photograph of Miss Marlowe. The photographer of this cabinet card is the studio of Rose & Sands whose gallery was located in Providence, Rhode Island. Note that photograph number five also came from the Rose studio, but at that time, the gallery was called, the Ye Rose studio. The Wilson’s Photographic Magazine (1899) reports that Rose and Sands were the proprietors of Ye Rose. A humorous headline in a photography magazine stated “Providence Provides for All, And Rose Provides for Providence”. Print on the reverse of this cabinet card reveals that the Rose & Sands studio was opened in 1886 and that it specialized in “High Class Portraits from Cabinet to Life Size”. Also of interest, like photograph number seven, there is a stamp on the reverse of the photograph with the name “Culver Pictures Inc”.
Photograph number nine features the beautiful Miss Marlowe displaying a mischievous smile. Note her engaging large eyes. She is wearing a somewhat revealing dress (for the cabinet card era) and has a wonderful hat atop her head. This cabinet card photograph was published in 1888 by Benjamin Falk of New York City. The image is marked with the number sixty-nine.
KATHARINE GREY (1873-1950): THEATRE ACTRESS
Katherine Grey (1873-1950) was an American theatre actress who appeared in more than 25 Broadway shows between 1895 and 1940. In the top cabinet card, she is photographed by Sarony, of New York City, the famed theatrical portrait photographer. Note the daisies on her hat.In the bottom cabinet card, Grey is photographed by celebrity photographer B. J. Falk, also of New York City. In this image she is holding the bottom of her dress in her right hand. The photograph is dated 1893.
RADIANT ACTRESS: CISSY FITZ GERALD (ONE OF THE GAIETY GIRLS)
B. J. Falk, the celebrity photographer from New York City, produced this cabinet card portrait of Cissy Fitz Gerald (1873-1941). Fitz Gerald was an English American vaudeville and film actress, dancer, and singer. She appeared in both silent and sound films. Her first movie was made in 1896 by Thomas Edison. In 1914 she signed with the Vitagraph company. The IMDb lists a filmography of seventy films spanning from 1914-1932. Her movies included a film series entitled “Cissy”. Her nickname was “girl with the wink”. She is described by the website of the Victoria and Albert Museum (London, England) as one of the original “Gaiety Girls” of the 1890′s. These actresses tended to appear in the choruses of productions. The web based museum exhibit describes the “Gaiety Girls” as “fashionable elegant young ladies and not at all like the corseted actresses from the burlesques”. The exhibit also declares that the “Gaiety Girls” were polite, beautifully dressed and well behaved young women, who were much sought after by the ‘stage door Johnnies’ of the 1890′s”. As apparent in the photograph; Ms Fitz Gerald was quite a beautiful woman and had a beautiful smile. She was, simply put, a radiant woman. This photograph was formerly owned by Culver Service, a company that commercially provided celebrity photos to different modes of media. The photographs reverse has a stamp indicating ownership by the Culver company. To view other photographs by B. J. Falk, click on the category “Photographer: Falk”.
PAULINE HALL (1860-1919): BEAUTIFUL MUSICAL THEATRE STAR
The top cabinet card features Pauline Hall (1860-1919), one of the most popular turn of the century prima donnas. She began her career as a dancer in Cincinnati, Ohio at age 15. She joined the Alice Oats Opera Company but left to tour in plays with famed actress Mary Anderson. By 1880, she worked for well known producer Edward Everett Rice in musical productions. Early in their association, he gave her a role in “Evangeline”. Her shapely figure allowed her to take male roles as she did in “Ixion” (1885). Her greatest success came in the title role of the first American production of ”Erminie” (1886). She played in more than two dozen Broadway operettas. Her final role was in the “Gold Diggers” (1919). This photograph was taken by famed celebrity photographer, Elmer Chickering of Boston, Massachusetts. Other photographs by Chickering can be seen by clicking on Cabinet Card Gallery’s category of “Photographer: Chickering”. The second cabinet card, photographed by B. J. Falk, of New York City, captures Pauline Hall in stage costume. The photograph is #305 in a series from Newsboy. The tobacco company (Newsboy) gave away cabinet cards as a premium with the purchase of their products. This cabinet card shows a copyright date in the 1890′s. The exact date has become illegible over time. To view other Newsboy or Falk cabinet cards, click on the categories “Photographer: Falk” or “Photographer: Newsboy”. The third cabinet card portrait was also photographed by Falk. Ms. Hall looks quite beautiful in this image. She is wearing earrings and an interesting hat. The photograph is a bit risque. Much of her neck and shoulders are exposed. In addition, her dress accentuates and reveals significant cleavage. Is the material at the base of her scoop neckline part of her dress; or was it added in order to make the photograph less provocative? Perhaps a visitor to the cabinet card gallery will be able to provide an explanation.
CHARLES J. FOLGER: SECRETARY OF THE TREASURY UNDER PRESIDENT CHESTER ARTHUR
UThis cabinet card features Charles James Folger (1818-1884) who was an American lawyer and politician. He served as Secretary of the Treasury under President Chester Arthur. Folger was born in Nantucket, Massachusetts but lived most of his life in Geneva, New York. He attended Hobart College. His political career includes judgeships and some terms in the New York State Senate (1862-1869). While in the state senate, he served four years as President Pro Tempore. In 1869 he left state government after being appointed by President Ulysses Grant as the Assistant U.S. Treasurer. In 1870, he became a judge of the New York Court of Appeals and eventually became the Chief Judge. H eft the judgeship in 1881 to serve as Secretary of the Treasury, and during that tenure, he ran for Governor in New York against future U.S. President, Grover Cleveland. Folger had many accomplishments and he has just added a new honor to his legacy. Folger’s wonderful muttonchops, qualifies him to join the facial hair elite in the category of “Beards (Only the Best)”. Click on the category to view unusual styles of facial hair. This portrait was photographed by Falk, a well known New York City, celebrity photographer. To view other photographs by Falk, click on the category “Photographer: Falk”. A stamp on the reverse of this cabinet card reveals that it was formerly owned by Culver Pictures of New York City, New York. Culver Pictures has been collecting photographs and illustrations from the 19th and first half of the 20th century, since 1926. These pictures are used in books, films, and other forms of media. At the time that this cabinet card was stamped by the company, Culver Pictures was located in New York City.
UNIDENTIFIED ACTRESS PHOTOGRAPHED BY FALK IN NEW YORK CITY
This cabinet card features an unidentified flower adorned actress. She is photographed by Falk, a well known celebrity photographer in New York City. The photograph is dated 1886. To view other photographs by Falk, click on the category “Photographer: Falk”.
PORTRAIT OF AN UNIDENTIFIED ACTRESS
This pretty woman sat for this cabinet card portrait in the New York City studio of celebrity photographer, B. J. Falk. The photograph is a bit risque for its time. The young woman is showing her bare arms and her shoulder is also exposed. To increase the sexual tension in this photograph, the actress is projecting a “come hither look”. To view other photographs by Falk, click on the category “Photographer: Falk”.
MINNIE DUPREE: AMERICAN STAGE AND FILM ACTRESS
Minnie Dupree (1873-1943) was an American stage and film actress. She was born in La Crosse, Wisconsin. She made her acting debut in a touring company in 1887. In 1888, she was a sensation in a small role in William Gillette’s New York play. “Held by the Enemy”. This role propelled her into a number of supporting roles with the some of the leading actors of the day. She finally got a starring role in the 1900 production of “Women and Wine”. Many other leading roles followed as well as a number of notable successes. However, critics agreed that her later career was less successful than her early and middle career. Dupree also made a small number of films including “The Young in Heart” (1938). Costars in this film included Janet Gaynor, Douglas Fairbanks Jr., Billie Burke, and Paulette Goddard. This cabinet card photograph captures Miss Dupree holding her had and looking dreamily away from the camera. The photograph was taken by celebrity photographer, B. J. Falk. Falk’s address is listed as 949 Broadway, New York City. However, there is a light stamp over the Broadway address indicating that the studio had “removed” to 13 & 15 West 34th Street, New York City. To see other photographs by Falk, click on the category “Photographer: Falk”.
