This Newsboy cabinet card features a portrait of actress, Frances Everett. The photograph is number 329 of a series of images published by Newsboy to distribute as a premium with their tobacco products. The photograph was taken by B. J. Falk and has a copyright of 1891. The cabinet card has a stamp from the Theatral (Theatrical?) Photo. Company of New York City. Miss Everett holds a string instrument (mandolin?) and is dressed in a rather risque costume for her era. She is also wearing a great smile. Preliminary research found no biographical information about Miss Everett or the Theatral Photo Company.
Johnston Forbes-Robertson (1853-1937) was a celebrated English actor and theater manager. He was considered to be one of the finest actors of his time. He was particularly noted for his portrayal of Hamlet. He did not profess a passion for his acting profession. He was born in London. His father was a journalist and theater critic. He had ten siblings and four of them pursued acting. His original interest was to become an artist, but to support himself financially he entered acting. He worked with Sir Henry Irving for some time as a second lead actor. He then became a lead actor. His starring roles included Dan’l Druce, Blacksmith and The Parvenu (1882). George Bernard Shaw wrote the part of Caesar for him in Caesar and Cleopatra. Forbes Robertson acted in a number of Shakespeare plays and also appeared a number of times with actress Mary Anderson in the 1880′s. In 1900 he married the American actress, Gertrude Elliott (1874-1950). In 1930, Forbes Robertson was knighted. This cabinet card portrait was produced by photographer Benjamin Falk who’s studio was located in New York City. Forbes Robertson is captured in costume in this image. The reverse of the photo is stamped “J. M. Russell 126 Tremont Street, Boston”.
These cabinet cards features Lulu Glaser (1874-1958), a Pennsylvania born actress and singer. She came to Broadway with no previous professional experience when she was hired to play in the chorus of ”The Lion Tamer (1891)”. She was also given the role of understudy to the Prima Donna. After the star fell ill, Lulu Glaser took over the role and began a meteoric rise to stardom. For the next twenty plus years, Glaser played many roles in such productions as “The Merry Monarch” (1892), “Erminie” (1893), “The Little Corporal” (1898), and “Miss Dolly Dollars” (1895). She achieved her greatest success in “Dolly Varden” (1902). Lulu Glaser was a beautiful woman and this portrait confirms that assessment.
In the top photograph she is holding a fan and her expression could be described as coy. She is adorned with a great deal of jewelry including multiple rings, a hair pin and a pin on the midsection of her dress. The photographer of this image, as well as the next four images, is Morrison, of Chicago, Illinois. The photographs have a copyright date of 1894. Morrison was a well known celebrity photographer and his studio was housed in the Haymarket Theatre. To view other photographs by Morrison, click on this site’s category “Photographer: Morrison”.
The sixth photograph of Glaser is by celebrity photographer, Falk, of New York City, New York. This photograph is copyrighted 1893. The seventh photograph, also by Falk, captures Glaser in costume for an unknown titled play. She is holding a whip and not looking particularly friendly. The image looks like it would be appropriate accompanying an ad on one of the controversial sections of Craig’s List. The photograph is dated 1892. To see other photographs by Falk, click on the category “Photographer: Falk”.
Photograph number eight captures Lu Lu Glaser in the same costume she is wearing in photograph number five. The eighth photo was published by Newsboy as a premium used to accompany the sale of their tobacco products. The image is number 118 of a series of celebrity photographs. To view other Newsboy photographs, click on the cabinet card gallery category “Photographer: Newsboy”.
This cabinet card portrait features pretty celebrated Italian ballerina, Carlotta Brianza (1867-c.1933). Note that the jewelry that is hanging from her necklace is shaped like a horse. It is also worth mention that this photograph is somewhat risque for the era. Brianza was born in Milan, Italy and was the prima ballerina at La Scala before going to Russia. She created a sensation in Luigi Manzotti’s ballet “Excelsior” as the Spirit of Light. She went to Russia in 1887 after completing a US tour. She was acclaimed for her work in “Sleeping Beauty” and “Esmerelda”. She returned to the west in 1891 when she became the prima ballerina for the Vienna Opera. She died in Paris under suspicious circumstances that suggest she committed suicide. This portrait was produced by celebrity photographer Benjamin J. Falk of New York City. To view other photographs by Falk, click on the category “Photographer: Falk”.
Stage actress Violet Lloyd poses for celebrity photographer Benjamin J. Falk at his New York City studio. Ms. Lloyd is adorned with flowers in her hair and looks quite beautiful as she poses with her rather large fan. Violet Lloyd was an English actress and singing comedienne. The New York Times (1896) published a favorable review of ”The Geisha”, a play appearing at Daly’s Theater. The critic wrote that ”The greatest individual hit last night was made by Violet Lloyd, an English Soubrette (female stock character in opera and theater)……….She is a piquant (engagingly provocative) little person, with a droll (amusing in an odd way) but pretty face, sufficient voice, a sense of humor, and plenty of agility”. It is clear that turn of the century newspaper writers were either better writers than today’s journalists, or else, their editors were more likely to encourage and expect higher quality writing. As a result, newspaper articles had a more literary style and used advanced vocabulary. Please forgive me for providing the definitions of some of the words in the quotation; I couldn’t stop myself. A stamp on the reverse of this cabinet card indicates that it was once part of the collection of Charles L. Ritzmann. Other photographs from Ritzmann can be viewed by clicking on the category “Charles Ritzmann Collection”.
Benjamin J. Falk, New York City theatrical photographer, produced this cabinet card portrait of English actress FFolliott Paget. She is dressed to look her best; wearing pearls and a fur coat. Ms Paget appeared in fourteen Broadway plays including “What Every Woman Knows” ((1908-1909) and “The Rivals” (1912).
This photograph, by celebrity photographer B. J. Falk, features stage star Jennie Joyce. She was photographed for the Newsboy tobacco company and the image was used as a premium to reward purchasers for buying Newsboy products. The image has a copyright date of 1891 and is number 307 in the Newsboy series. This photograph is risque for its era. Miss Joyce is showing much of her nearly bare legs and is exhibiting a sexually provocative pose. The New York Times (1892) published an article reporting that Jennie Joyce was sued by her husband for divorce. John E. Stanley’s request for a divorce was uncontested. The newspaper described Jennie Joyce as a variety actress and singer. An 1899 article in the same newspaper reported a story about problems in the marriage of Joyce and sportsman Phil Daly Jr.. Daly had told Joyce that he would be out all night but according to plan, returned home at two in the morning only to find his wife with another man (Phillip Wood). Daly fired a number of shots at Wood but missed. Daly’s parting shot was to file for divorce and end his five year marriage. The bad publicity caused by Joyce’s marital problems cause her to speculate in another 1899 Times article that she planned to leave the United States to perform pantomime in London until the fallout from her divorce had diminished. An additional conflict was in the news when the New York Times (1901) printed a story about Joyce successfully suing theatre manager, Alexander Hashim for unpaid salary. Jennie Joyce was clearly a gossip magnet for the press and she provided them with a lot of material.
Katherine Grey (1873-1950) was an American theatre actress who appeared in more than 25 Broadway shows between 1895 and 1940. In the top cabinet card, she is photographed by Sarony, of New York City, the famed theatrical portrait photographer. Note the daisies on her hat.In the bottom cabinet card, Grey is photographed by celebrity photographer B. J. Falk, also of New York City. In this image she is holding the bottom of her dress in her right hand. The photograph is dated 1893.
B. J. Falk, the celebrity photographer from New York City, produced this cabinet card portrait of Cissy Fitz Gerald (1873-1941). Fitz Gerald was an English American vaudeville and film actress, dancer, and singer. She appeared in both silent and sound films. Her first movie was made in 1896 by Thomas Edison. In 1914 she signed with the Vitagraph company. The IMDb lists a filmography of seventy films spanning from 1914-1932. Her movies included a film series entitled “Cissy”. Her nickname was “girl with the wink”. She is described by the website of the Victoria and Albert Museum (London, England) as one of the original “Gaiety Girls” of the 1890′s. These actresses tended to appear in the choruses of productions. The web based museum exhibit describes the “Gaiety Girls” as “fashionable elegant young ladies and not at all like the corseted actresses from the burlesques”. The exhibit also declares that the “Gaiety Girls” were polite, beautifully dressed and well behaved young women, who were much sought after by the ‘stage door Johnnies’ of the 1890′s”. As apparent in the photograph; Ms Fitz Gerald was quite a beautiful woman and had a beautiful smile. She was, simply put, a radiant woman. This photograph was formerly owned by Culver Service, a company that commercially provided celebrity photos to different modes of media. The photographs reverse has a stamp indicating ownership by the Culver company. To view other photographs by B. J. Falk, click on the category “Photographer: Falk”.
The top cabinet card features Pauline Hall (1860-1919), one of the most popular turn of the century prima donnas. She began her career as a dancer in Cincinnati, Ohio at age 15. She joined the Alice Oats Opera Company but left to tour in plays with famed actress Mary Anderson. By 1880, she worked for well known producer Edward Everett Rice in musical productions. Early in their association, he gave her a role in “Evangeline”. Her shapely figure allowed her to take male roles as she did in “Ixion” (1885). Her greatest success came in the title role of the first American production of ”Erminie” (1886). She played in more than two dozen Broadway operettas. Her final role was in the “Gold Diggers” (1919). This photograph was taken by famed celebrity photographer, Elmer Chickering of Boston, Massachusetts. Other photographs by Chickering can be seen by clicking on Cabinet Card Gallery’s category of “Photographer: Chickering”. The second cabinet card, photographed by B. J. Falk, of New York City, captures Pauline Hall in stage costume. The photograph is #305 in a series from Newsboy. The tobacco company (Newsboy) gave away cabinet cards as a premium with the purchase of their products. This cabinet card shows a copyright date in the 1890′s. The exact date has become illegible over time. To view other Newsboy or Falk cabinet cards, click on the categories “Photographer: Falk” or “Photographer: Newsboy”. The third cabinet card portrait was also photographed by Falk. Ms. Hall looks quite beautiful in this image. She is wearing earrings and an interesting hat. The photograph is a bit risque. Much of her neck and shoulders are exposed. In addition, her dress accentuates and reveals significant cleavage. Is the material at the base of her scoop neckline part of her dress; or was it added in order to make the photograph less provocative? Perhaps a visitor to the cabinet card gallery will be able to provide an explanation.