This studio portrait captures a slouching dad pulling his daughter on a sled. Dad is wearing a suit, hat, and gloves while the child is bundled up in a winter jacket and warm winter cap. She is holding the sleds steering rope. She won’t go far on the sled considering it is atop straw instead of snow. Dad has assumed a very awkward slouching position for this photograph. Perhaps he is disabled. It is also possible that the photographer did a poor job of posing the father. In fact, the photographer, S. P. Gaugler, shows little skill in his production of this photograph. The subject of this photograph is actually the owner of the Bellevue, Ohio studio that produced this image. According to the previous owner of this photograph, the album that this cabinet card was taken from indicated that the subject is Simon Peter Gaugler and the little girl is his oldest daughter, Edith. It is surprising that a photographer would do such a poor job of posing for this photograph. The 1880 US census lists Simon Gaugler (1840-1915) as residing in Bellevue, Washington and working as a photographer. He was forty years old and living with his 27 year-old wife Lorinda. The couple had married in 1874 and were raising a four year-old daughter (Edith) with the help of a live-in servant. The 1900 census found the couple still residing in Bellevue and living with their 15 year-old daughter (Ethel). Simon continued to work as a photographer. By the time 1910 arrived, Simon and Lorinda were living in Lyme, Ohio with their daughter Ethel and her husband John. Simon was still operating a photo gallery even though he was seventy years old. In 1914 Lorinda died in Bellevue and a year later, Simon passed away in Atlanta, Georgia. He had moved to Georgia to be with his daughter Edith, the adult version of the little girl pictured above. Edith Gaugler (1876-1960) had become Mrs. Frederick Schanck on 9/10/99. At the time of their marriage, she was a school teacher and her groom was a telegraph operator and clerk. Census data reveals that the couple lived in Lyme, Ohio (1900), and moved to Atlanta, Georgia sometime before 1920. The couple still lived in Atlanta at the time of the 1940 US census.
Two young women pose for their portrait in Newport, Pennsylvania. Both women are grasping one end of a fan that they hold behind their heads. Their raised arms highlight their hour glass figures which are given an assist by the corsets they are wearing. The photographer is named William Easter Lenney. He was located in Newport in the early 1890′s and moved to Atlanta, Georgia where he became a well known portrait photographer between 1894 and 1920. He and his family then moved to California.
FAMOUS CIVIL WAR PHOTOGRAPHER CAPTURES TWO WOMEN MAKING A FASHION STATEMENT IN SNOWY PAINESVILLE, OHIO
This cabinet card features two woman dressed in their winter cloaks and hats. They are in the studio of G. N. Barnard in Painesville, Ohio. The photograph has some special effects in the form of fake falling snow. The factor that makes this photograph most special, is the photographer’s life story. George N. Barnard (1819-1902), was a pioneer of nineteenth century photography. At age 23 he was producing daguerrotypes and four years later he opened his first studio in Oswego, New York. An 1853 grain elevator fire occurred in Oswego, and Barnard captured the fire with his camera. Some historians consider these photographs the first news photography in history. In 1854 he opened a short lived studio in Syracuse, New York. He then moved to New York City where he worked on stereoscopes for Edward Anthony’s Studio in 1859 .Soon, he was hired by Matthew Brady as a portrait photographer and Brady sent him to Washington D.C. to photograph Abraham Lincoln’s 1861 inauguration as President of the United States. He later became part of “Brady’s Photographic Corps” to photograph the Civil War. Barnard is best known for his work in the civil war (1861-1865). He was the official army photographer for the Military Division of the Mississippi, commanded by Union General William T Sherman. Barnard’s book “Photographic Views of Sherman’s Campaign” is a photographic record of Sherman’s destructive Atlanta Campaign and subsequent March to the Sea. After the war, Barnard opened a studio in Chicago in 1869. The studio was destroyed in the “Great Fire” of 1871. He proceeded to take photographs of the rebuilding of Chicago over the next few years; providing a terrific record of that process. In 1884, Barnard opened his Painesville, Ohio studio; which brings us back to the cabinet card image of the two ladies in the snow.