An adorable little girl poses for her portrait at Lenhart’s Studio in Allentown, Pennsylvania. She is wearing a cute bonnet and is clutching her prized doll. A look at her eyes reveals that she is taking in the entire scene around her. She is sitting on a large cushion on what appears to be a wicker chair. To view other images by Thomas Lenhart and to learn more about him, click on the category “Photographer: Lenhart”.
A LADY AND HER VIOLIN IN ALLENTOWN, PENNSYLVANIA (PORTRAIT BY THE ARTIST ARLINGTON NELSON LINDENMUTH)
A woman poses for her portrait at the Lindenmuth Studio in Allentown, Pennsylvania. She likely viewed her self as foremost, a musician. She chose to pose herself, or approved the photographers instructions, to pose sitting and holding her violin and bow. The photographer, Arlington Nelson Lindenmuth (1856-1950) is a noted American landscape and portrait painter. He worked in Allentown which is located in the Lehigh Valley area of Pennsylvania. He was a member of the Baum Circle which was a group of artists who were influenced by the work of Pennsylvania impressionist painter Walter Emerson Baum. Lindenmuth studied painting under Peter Alfred Gross and also in Europe. His paintings were exhibited in Philadelphia and New York City. He also painted a number of murals which still can be seen in a number of Allentown’s buildings. Lindenmuth is also known as one of the pioneer photographers in the Lehigh Valley. He operated a photography studio in Allentown for a number of decades. Interestingly, in addition to running a photography business, Lindenmuth taught art from his photography studio. In 1882 he worked for the Eastman Kodak Company as a traveling salesman. He was a great advocate of art appreciation. He was a proponent for the Allentown Art Museum. One of his sons, Raphael Tod Lindenmuth, had much success as an artist. Below is an example of a painting by Arlington Nelson Lindenmuth. To view other photographs by Lindenmuth, click on the category “Photographer: Lindenmuth”.
This cabinet card portrait features an adorable baby wearing a long gown. The baby is perfectly posed. This is one of the most alert babies that I’ve ever seen photographed on a cabinet card. The image has great clarity. The talented photographer who produced this photograph is F. N. Warmkessel. He operated as a photographer in Allentown in the 1880′s and 1890′s.
The “Murray Sisters” assume an adorable pose at the Shadle & Busser studio in York, Pennsylvania. The girls appear to be entertainers, likely singers, dancers, or a combination of both. The sisters were probably teenagers at the time of this portrait. Research yielded no identifying information about these photogenic girls. A casual review of theater periodicals (1908-1913) uncovered an act called the “Murray Sisters” but it is not certain that they are one and the same as the girls in this image. This act toured the country and the sisters were described as operatic singers. The oldest sister was named Marion and the youngest was named Vic or Victoria. To learn about the Shadle & Busser studio and to view other photographs from their studio, click on the category “Photographer: Shadle & Busser”.
The Thomas B. Cowan studio captured these two wasp waisted women in a touching pose.The thin waists possessed by these two women didn’t come from spending hours at the gym and at palates classes. Tight fitting corsets are the likely causes of their remarkable figures. The young ladies have a family resemblance and it is quite possible that they are sisters. Thomas B. Cowan operated his studio in Jennette, Pensylvania.
This photograph captures a Riverside Fire Department member in his dress uniform. The photographer is John D. Strunk and his studio operated in Reading, Pennsylvania. To view other photographs by Strunk, click on the cabinet card gallery category “Photographer: Strunk”. To view other portraits of firemen, click on the category “Firemen and Policemen”.The fireman seen in this portrait wears a cap with an insignia stating “Riverside” and “11″. He is also wearing special fire department buttons on his jacket. He sports a handsome mustache.
I wanted to utilize a headline for this entry that stated “Eerie Child in Erie” but this child is too adorable to be described as “eerie”. What a shame! It would have been a clever headline. This photograph captures a well dressed child with long rolls of curls and a terrific smile. I believe the child is a boy and he is holding what appears to be a walking stick or a riding crop. This cute child is wearing a short suit and high topped shoes. The photographer is F. J. Weber who operated photography studios from the 1870′s to at least through the 1890′s in Erie. During part of that time, Weber’s firm was called F. J. Weber& Brother. His brother’s name was Charles H. Weber. In their book “The Photographic Experience 1839-1914: Images and Attitudes” (1994), Henisch and Henisch cite Weber & Brother as having a warning printed on the reverse of their CDVs which cautioned people not to use fly-by-night photographers. The warning stated “Do not trust your pictures to be copied by travelling photographer bummers who make great promises and generally deliver very poor work”.
J. W. Clark, a photographer from Mendota, Illinois, produced this lovely portrait of a young couple. The pair are beautifully dressed and are wearing flowers. This photograph is likely their wedding portrait. Note the young man’s striped suit and long coat. In addition, take notice of the beautiful stitching near the hem of the woman dress. J. W. Clark was born in Lewisburg, Pennsylvania in 1852. In 1881 he began to operate a photography business, succeeding J. L. Gurrard.