A member of the Salvation Army poses for his portrait at the Dodge studio in Ipswich, Massachusetts. He is wearing a “S” pin identifying his affiliation with the religious/community service group. He is also wearing a ribbon which asserts that “Jesus is Mighty to Save”. The Cabinet Card Gallery has a wonderful collection of photographs of Salvation Army members and to view them, click on the category “Salvation Army”. George K. Dodge is listed as a a photographer in a number of Ipswich business directories from 1888 through 1896. He may have served in the 99th New Hampshire infantry as a musician between 1861and 1862. His military service is likely but not confirmed.
This cabinet card photograph features a Salvation Army officer and a middle aged woman. It is not clear whether she is a Salvation Army worker because unlike the gentleman, she is not wearing an insignia of the organization. The gentleman has a “S” badge on each shoulder and a “Salvation Army” band on his hat. The woman is holding what appears to be a worn prayer book. This photograph was taken at the J. H. Lemaitre & Company studio in Toronto, Canada. The cabinet card gallery has an extensive collection of photographs of uniformed Salvation Army workers. Click on the category “Salvation Army” to view the collection.
A young man wearing a salvation army sweater (note the lettering on the garment), poses for his portrait at the Kopke studio in Brooklyn, New Yok. He is holding two newspapers, one of which is the “War Cry”. The “War Cry” is the official salvation army news publication. Its first publication date in the United States was 1881. I can not identify the second newspaper. Hopefully a member of the cabinet card gallery community (visitors) will be able to assist in identifying the name of the second newspaper. To view other photographs by Kopke, click on the category “Photographer: Kopke”.
This cabinet card features a group portrait of five members of the Salvation Army. Four men and a woman, most of them wearing Salvation Army badges, pose for an unknown photographer at an unknown location. Three of the men are holding their uniform hats while the woman member is holding a tambourine and wearing her hat. The man on the left in the back row has a special hat (perhaps he holds higher rank than the others) and is wearing a sweater that has embroidered letters that say “Salvation Army” and a religious motto, “It is Finished”. The hats display a slogan that appears to say “Prepare to Meet Thy God”. The Cabinet Card Gallery has a large collection of Salvation Army photographs which can be viewed by clicking on the category “Salvation Army”.
A young man wearing a Salvation Army uniform poses for his portrait at the Cottage Gallery in Marshalltown, Iowa. The photographer is named Beverage. The uniform is well decorated with Salvation Army identification. He is wearing a badge on his jacket, S’s on his collars,a badge on his hat, and lettering stating Salvation Army on a band around his hat. An inscription on the reverse of the cabinet card states that the subject’s name is “Charlie Phillips” and that he is the brother of the writer’s mother, “Uncle Charlie”. The 1890 Iowa census reveals that a Charlie Phillips, born in Marshalltown, was living in Lake Creek, Iowa. This eighteen year old young man, may be the subject of this photograph. The 1900 United States census reports that Maurice C. Beverage was born in 1841 in the state of Maine and was living with his 20 year old daughter in Marshalltown. He was of Scottish and French Canadian descent. The census listed his occupation as a photographer. Beverage began his photography career in Oconto, Wisconsin. In 1871 he was married to Hattie Crum and they had four children. The Oconto shop was at the corner of Maine and Section Streets. He worked in Oconto between 1869 and 1876. he then moved to Marshalltown where he opened the Beverage Cottage Gallery. He had partnerships there with Benjamin Jarvis and S. E. Jessup. In 1931, Beverage’s obituary appeared in the Times Republican, a Marshalltown newspaper. The obituary states that Beverage lived in Canada from infancy to age 15, when he went to Michigan, and then Oconto where he learned photography. He ran the Cottage Gallery from 1876 until 1912. His son Herbert Morris Beveridge was a photographer in Butte, Montana in 1900. The Cabinet Card Gallery has a large collection of Salvation Army cabinet cards. To view these photographs, click on the category “Salvation Army”.
Five women pose for their photographic portrait at the O’Donnell studio in Morris Run, Pennsylvania. The women are all dressed in a uniform that appears to be consistent with the garb of the Salvation Army. However, none of the women seem to be wearing the customary badge that members of the organization usually wear. Comments in regard to whether their band is part to the Salvation Army, would be welcomed. Three of the ladies are holding guitars. The other two may be singers but one would expect that they would be holding tambourines as is the style in many music themed salvation army cabinet cards. The photographer is likely Stewart J. O’Donnell who is listed in the 1899 Hamilton Township business directory. O’Donnell’s studio was located in Morris Run, which is part of Hamilton Township and Tioga County. The area was known for its coal mining.
The top Cabinet Card is an image of two Salvation Army workers photographed by Suddard of Fall River, Massachusetts. The young couple are both in uniform; he has a tambourine and she is holding a trumpet. It is interesting to note that he is wearing a late 1800′s version of an embossed tee shirt. His shirt’s lettering states “NO CROSS NO CROWN”. A present day, non religious meaning of this saying would be “no pain, no gain”. The motto on the shirt was a widely used expression and an early user of the phrase was William Penn, the founder of the Quaker colong of Pennsylvania. The second photograph, also by Suddard, shows the same couple in a different studio setting. Once again, the couple is attired in a salvation army uniform. The gentleman is wearing a different style uniform than he wore in the top photograph. In the bottom photograph, the woman has taken possession of the tambourine and the man is holding papers. These two cabinet cards were purchased more than two years apart and I am fairly certain that they were purchased from different sellers. Amazingly, these images have ended up together again. A third cabinet card image by Suddard can be found elsewhere in the Cabinet Gallery. It can be accessed by clicking the category “Photographers: Suddard”.
A young man, wearing a salvation army uniform, poses for his portrait at a studio in Philadelphia, Pennsylvania. The man has long hair and a great mustache. The photographer of this image was Frank A. Kroneberger (1847-?). The photographer’s studio was located at 1313 and 1315 Columbia Avenue. Kroneberger was born in Maryland and was of German heritage. He appears in the 1900 census as living in Philadelphia and working as a photographer. He was listed as being married to Henrietta Kroneberger since 1870 and as having three daughters (age 16 to age 21). Kroneberger had longevity in the field of photography. He is listed in various directories (from 1877 to 1918) as being a photographer. He appears to have started his career in Chester, Pennsylvania. To view other images of Salvation Army workers, click on the category “Salvation Army”.
This photograph presents a bit of a mystery. What organization does this couple represent? Their uniforms appear to be salvation army garb. However, many salvation army workers wore the letter “S” on their collar while this couple has the letter “F” on their collars. Many salvation army members wore a collar badge with “Salvation Army” written on it. The gentleman in this image doesn’t appear to be wearing such a badge, but the woman may have one, but it is unreadable. The individuals each have a bar on their shoulders which may indicate a higher than basic rank. Note the wire rim glasses that the gentleman is wearing and the magazine that he is holding. The reverse of the photograph has the name Swanson written on it. The photographer who produced this image is James E. Purdy.The reverse of the photograph indicates that Purdy was the successor to Hastings, the former operator of the studio. Purdy’s studio was located at 146 Tremont Street, in Boston, Massachusetts. He operated his studio in Boston between 1896 and 1930. He was a popular photographer in Boston. He was considered to be in the same caliber as the celebrated photographer, Chickering (to view photographs by Chickering, click on cabinet card gallery’s category “Photographer: Chickering”). One of the many famous people he photographed was Winston Churchill, who was in Boston (1900) lecturing about the Boer War. This is not the same Winston Churchill who so ably led Great Britain.
This photograph, by Dillon, features two young woman in their Salvation Army uniforms. Dillon’s studio was located in Chicago, Illinois. The woman’s Salvation Army brooches are worn at their collar. Note that one of the woman is wearing spectacles. The name “Walker” is written twice on the back of the photograph. The names appear directly above and below each other which likely indicates that each woman is named Walker, and that they are sisters. To view other photographs of Salvation Army workers, click on the category “Salvation Army”. The photographer of this image may have been S. W. Dillon, who was the Vice President of the Chicago Photographers Club, according to an article in The Photo Beacon (1897).