This family portrait features a mother and father along with their five children. Mom and one of her daughters are holding umbrellas while dad balances a book on his knee. The eldest son is wearing a sailor suit and has his arm wrapped around his little brother who is sitting on a tricycle. Another brother stands alone on the opposite side of the wall than where the rest of his family is located. Does this have some psychological meaning, or is this just where he was posed by the photographer. The photographer is the Perez studio which was located in San Paulo, Brazil.
A curly haired young boy with tightly pursed lips poses for his portrait at the carpeted Rino studio in St. Louis, Missouri. The studio was located at 801 Franklin Avenue at the time this photograph was taken. Even though the boy in this image projects a less than desirable expression, this is a wonderful portrait of a turn of the century tricycle. August Rino is listed in “Pioneer Photographers from the Mississippi to the Continental Divide” (2005). Rino was active in Chicago between about 1858 and 1860 and operated in St. Louis between 1860 and 1875.
Photographer P. Veling & Bro produced this portrait of a boy and his tricycle. Note the clarity of the trike in this image. The child is dressed adorably and is wearing a wonderful hat. This studio photograph was taken in Beaver Dam, Wisconsin. The photographer, Peter Veling was born in Germany in 1855. He immigrated to the United States as a baby. He married his wife, Theresa, in 1881. He is listed as a photographer in the 1880, 1900, and 1910 US censuses. However, the 1920 census indicates that Veling had became the postmaster of Beaver Dam.
A little girl sits high atop a giant tricycle in this cabinet card photograph by Andreas Brandmo. Brandmo’s studio was located in Montevideo, Minnesota. The little girl won’t be able to ride very far on her monster bike. Unfortunately her feet do not seem to reach the bike’s pedals. She also doesn’t look particularly comfortable on her perch, as she poses for the photographer. The 1900 United States census reveals that Brandmo was born in Norway in 1855. He came to the United States in 1882 and married his wife Martha in 1885. Apparently, Brandmo and his wife were producing children at a rapid pace. After 15 years of marriage, the couple had eight children spanning between three and twelve years of age. The census also indicated that Brandmo’s niece, Lucy Husaby, worked as a photographer in his studio. The family lived in Appleton, Minnesota. Research found that Brandmo operated his Montevideo studio between 1886 and 1896. It was also reported that he ran a gallery in Appleton in 1898. At some point he had a partner and their studio was named Brandmo & Lodgaard. The 1910 census reveals that Andreas Brandmo changed his name to Andrew Brandmo. Perhaps when he realized he had eight children and a wife depending on him, he changed his name and entered the Federal Witness Protection Program. More likely though, he probably Americanized his name for business purposes. The 1910 census also notes that his son Alf, had joined him in the business and was working as a photographer.
This cabinet card features a well dressed young boy posing next to a wooden tricycle in the Jenness Studio, in Clinton, Massachusetts. The lad is wearing a suit, bow tie, and hat. Note the decorated wooden handlebars on the tricycle and the fancy seat. The first tricycle was invented in 1680 by a disabled German man who wanted to maintain his mobility. There were many versions invented over time until Starley developed the first rotary chain drive tricycle in 1877. After the introduction of this model, tricycle riding became very popular. Tricycles and bicycles can be found in many cabinet card photographs. To view examples of such images, click on the category of “Bicycle”.
This cabinet card captures two young children posing for photographer, J. W. Souder, of St. Joseph, Missouri. The children are adorable and they are most probably, siblings. The boy is wearing a bow tie and the girl is riding a tricycle. John W. Souder’s photography business was listed in St. Joseph directories between 1887 and 1896. It is unknown whether he was there during other years.
A young lad, Marcus Ainey poses for his Cabinet Card photograph for the Hawkins Brothers who were traveling photographers. Marcus is looking quite serious as he rests his arm on the handlebars of his prized tricycle. He is dressed up for the occasion wearing an interesting cap and outfit. He has his handkerchief neatly tucked into his pocket ready for any nasal emergencies.
This Cabinet card is an image of a cute long and curly haired boy posing with his tricycle. The tricycle is very clear in this image. The boy is posing in front of a backdrop of a rural farm scene. The young lad is well dressed and is holding an interesting hat. The hat has a style that is similar to a modern day horseback riding helmet. The photographer is Shane of Philadelphia, Pennsylvania.
This is a wonderful Cabinet card of a young boy on his tricycle posing in the studio of H. Osterhout in Middletown, New York. Check out the details of the tricycle. In addition, note the young boys outfit. He is wearing a terrific hat, a bow tie or scarf, and great shoes. What is on his lap? It looks like a skirt. Is this young boy actually a young girl? What do you think?