This cabinet card portrait features four Indian men posing for their portrait at the Holland studio in Boston, Massachusetts. These visitors are wearing their traditional clothing, including turbans. At least one of the men is barefoot. One of the men is holding a paper while another is holding a book. Could it be a prayer book? These men may be Sikhs. The previous owner of this photograph suggested that the seated men are Sikhs and the other two men are Burmese attendants. Hopefully, someone from the cabinet card gallery’s vast unpaid research department will be able to specify the ethnicity of the subjects of this photograph. It is is interesting to note that the photographer’s studio is located on Temple Place. Could there be a Hindu temple nearby? The photographer of this terrific image is Henry F. Holland (1853?-1911?). He entered the world of Boston photography when he became a partner with George P. Roberts in 1886. Their studio was located at 10 Temple Place (the same address as this image). The partners designed their own back drops and their studio was a great success; at one time employing 25 people. The gallery was advertised as “the finest studio in New England” and Holland’s business motto was “Realism in Photography”. Apparently Holland should have practiced realism in business because the gallery eventually went bankrupt. Speculation is that a poor investment in a printing business led to the collapse of Holland’s studio. His partner, Mr. Roberts, left the firm in 1888, two years before the bankruptcy. Holland was buoyant and by 1891 had established a new photography studio called “Ye Holland Studio” which he opened on Washington Street in Boston. He soon left the studio for his son’s Tom and C. E. to manage. Holland than entered business in another field for which he had much passion. He formed the Freeman-Holland Company and became involved in the electricity business. He became the local general manager of the National Electrical Manufacturing Company. He also combined his interest photography and technology by becoming a photographer of industrial equipment.
The young wedding couple pictured in this portrait are well dressed and quite attractive. The pretty bride looks terrific in her wedding gown and bridal veil. She is holding a bouquet of flowers in her white gloved hand. The handsome groom is holding a pair of white gloves. One suspects that this couple is well-to-do judging by their appearance. This cabinet card portrait was taken by the studio of Otto Witte who operated his photography business in Berlin, Germany.
A well dressed scholarly looking young man poses for his portrait at the Siegel Cooper studio in Chicago, Illinois. The man is wearing a thin bow tie and a surplus of pins. He has a pin on the lapel of his jacket and a larger pin on the lapel of his vest. He is also sporting a pocket watch. Also take note of his wire rim glasses. The studio that produced this photograph was located in the Siegel Cooper department store. The cabinet card gallery has developed a nice collection of images from this studio. To view these images, click on the category “Photographer: Siegel Cooper”.
The handsome man in this cabinet card portrait is well dressed and well groomed. He has a terrific mustache and big hair. His striped tie is quite lovely but quite loud and he may be in danger of being ticketed by the fashion police for wearing a striped tie with a plaid jacket. Gideon H. Appelquest (1859-1902) immigrated from Sweden in 1876 and settled in Middletown. He was a photographer in the town from the 1880’s until about the time of his death. His wife Emily, took over the studio after Gideon’s death and operated it for another two years. The couple had two children; Jerome (born 1888) and Alva or Olga (born 1891). To view more photographs from this studio, click on the category “Photographer: Appelquest”.
A pretty well dressed young woman poses for her portrait at the Anderson studio in San Francisco, California. She is wearing a beautiful dress with a large bow and a feathered hat sits atop her head. She is also wearing what appears to be diamond earrings and a collar pin. I would guess, and it’s only a guess, that the woman in this photograph is an actress. The woman’s beauty, attire, and poise leads me to hypothesize her theatrical background. Perhaps a visitor to the cabinet card gallery will recognize her and be able to provide the rest of us with her identity. The photographer of this image is Hugh S. Anderson. He was born in Scotland sometime between 1820 and 1828. Anderson was a California photographer who operated studios in Eureka (1858-1865), Hydesville (1859-1860), San Francisco (1866-c1895), and Petaluma (1875). The Valencia Street studio that produced this photograph operated between 1879 and 1884.
This exceptional cabinet card portrait features a young girl wearing a Tyrolean costume and playing a mandolin. She looks absolutely adorable. The photograph comes from photographer F Valery who operated a studio in Beckenham, England. When Frederick Valery went home to his wife and family, he was no longer Frederick Valery. Instead he became James Frederick Lowrie. Apparently, Frederick Valery was Lowrie’s “nom de camera”. Lowrie was born in London in 1853. He was married to Millie (1855-?) and the couple had two sons and one daughter. Lowrie was a photographer from at least 1901 through 1907. The British Journal of Photography (1906) reported the “sudden death” of Mr. Lowrie. He had two studios, one in Beckenham, and the second one in Bromley. The journal states that Lowrie “dropped dead” while photographing a girl in his Bromley studio. He was 53 years old at the time of his death. His cause of death was heart disease. If this image is typical of his work, Lowrie certainly was a gifted photographer.
Maggie Mitchell (1832-1918) was a famous American actress, born in New York. Her first regular stage appearance was in “The Soldier’s Daughter” at the Chambers Street Theatre in 1851. Her first major success was as star of “Oliver Twist”. She has been described as small, agile and energetic, with a special talent for comedy. In 1860, she appeared in “Fanchon, The Cricket” which was adapted for her from a George Sand novel. She performed in this and other plays in front of President Abraham Lincoln. The photographer of the top image was celebrity photographer, Mora, of New York City. To view other photographs by Mora, click on Cabinet Card Gallery’s category, “Photographer: Mora”. The second portrait of Miss Mitchell was taken by the esteemed Philadelphia photographic studio, Gilbert & Bacon. This cabinet card image shows Maggie displaying a “come hither” expression. To view more photographs by this studio, click on the category “Photographer: Gilbert & Bacon”. ADDENDUM: A knowledgeable visitor to Cabinet Card pointed out that the second photo of Miss Mitchell is actually actress Lotta Crabtree (see comment below). A bit of research confirmed his astute observation. Lotta Crabtree, a woman who led a very interesting life, will receive her own entry in the cabinet card gallery in the next few days.
The young girl in this cabinet card photograph looks absolutely adorable in her lace dress and cute hat. She is holding a fan and wearing a paper garland of flowers. This sweet child was photographed by George Frank who’s studio was located in Gateshead, England. An image of the reverse of this cabinet card can be found below. This is an excellent example of some of the better advertising employed by photographers to symbolize their artistry.
Celebrity photographer John Kimball Stevens photographed this pretty young woman in his studio located in the McVickers Theatre Building in Chicago, Illinois. The woman is wearing a high collar dress with an accompanying collar pin. She has a serious but unfocused expression. To view more of Stevens images and to learn more about him, click on the category “Photographer: Stevens”. This photograph measures approximately 8 1/4″ x 3 1/4″; not a standard cabinet card sized photograph.