strunkA nicely but blandly dressed couple pose for their portrait at the Strunk studio in Reading, Pennsylvania. The couple do an excellent job of hiding their emotions as they pose for this portrait. John D. Strunk was a talented and prolific photographer. The Cabinet Card Gallery has a large collection of his photographs. To view these images and to learn more about him, click on the category “Photographer: John D. Strunk”.


Published in: on May 21, 2015 at 12:00 pm  Comments (2)  
Tags: ,



This cabinet card portrait features an adorable baby standing on a chair. The baby is wearing a ring with an attached bracelet. The child looks a bit fearful as she poses at the Chase gallery. The photo studio had three locations, all in Ohio. There were galleries in Newark, Granville, and Thornville. The advertising on the front of the photograph indicates that the photograph was taken in 1893. The reverse of the photograph has an inscription which is difficult to read (see image below). The child’s first name is clearly Ray. Research suggests that the baby is Ray Mc Slyer who was born in Ohio in 1892. Frank Chase (1863-1941) worked as a photographer in Cleveland, Ohio in 1884 and then in Newark between 1885 and a least 1905. He worked in Newark with his father, George W. Chase (1839-1925) except in the mid 1890’s when he operated a studio in nearby Granville.

chase 1

Published in: on May 20, 2015 at 5:07 pm  Leave a Comment  
Tags: , , , ,


cute girl

A little girl dressed in big girl clothing looks adorable as she posed in the Marceau & Bellsmith studio in Cincinnati, Ohio. The child is wearing an elaborate hat and a large collar pin. She is also wearing a very cute expression which includes a half smile. Colonel Theodore C. Marceau (1859-1922) operated a studio at 285 Fifth Avenue in New York City. The studio was known for producing many celebrity portraits. Marceau was also known for pioneering the creation of national chains of photographic studios in the 1880’s. He became nationally known at the ripe young age of twenty-two when he served as a US government phot0grapher in Santiago, Chile. He was part of an 1882 expedition that recorded the movement of Venus. Later, he served on the staff of Governor Foraker of Ohio, then Governor Markham of California. After leaving public service he lived in Cincinnati (1885-1886) and executed a business strategy that he repeated several times over the years. He would capitalize and build photographic studios, take on a talented local photographers as a partner, build the business, and then sell it to his partner. His first venture took place in Cincinnati and his partner was Randolph “Ralph” P. Bellsmith. The pair produced the photograph seen above. Marceau eventually had branches in Indianapolis, San Francisco, and Boston. His partner in San Francisco was Frederick Bushnell who later built his own chain of studios on the west coast. In 1891 Marceau married a widow named Amanda Fiske and their marriage had a deleterious effect on Marceau’s finances and emotional well being. The marriage was of short duration and Marceau took on his wife’s debts and was rewarded by her habitual infidelity. Marceau took custody of his son and became embroiled in publicity generating divorce proceedings that lasted four years. In 1900 Marceau made New York City his primary operation. For about ten years he ran the Otto Sarony and the Marceau Studios out of New York. Using the Sarony name caused Marceau to fight Jonathan Burrow (purchaser of the Napoleon Sarony Studio) in court. Marceau was described as a skilled raconteur and he became very active in the photography world in New York. In 1905 he cofounded the Professional Photographers Society of New York with Pirie McDonald. Marceau, MacDonald, and B. J. Falk organized the Copyright League to give photographers stronger rights protection of their work. Marceau was quite successful financially. He employed profits from his studios to buy a large amount of New York City real estate. His name appeared in New York’s “Blue Book”. His estate was worth millions of dollars upon his death. His son, a Yale trained lawyer, took over the operation of his father’s studio after his father died but he sold it in 1922. To view the work of Marceau’s Cincinnati partner and to learn more about him, click on the category “Photographer: Bellsmith”.



soulfulThis vintage photograph found it’s way into the Cabinet Card Gallery on merit. The image features a beautiful African American woman with incredibly soulful eyes. She is well dressed in her winter coat and hat. The photograph measures about 3″ x 4.75″. The photo is likely trimmed but does not appear so.

Published in: on May 13, 2015 at 12:03 pm  Leave a Comment  
Tags: ,



This cabinet card portrait features a well dressed and handsome couple posing at Edy Brothers studio in London (Ontario), Canada. The studio was located at 214 Dundas Street. The gentleman is holding some papers on his lap. The attractive young woman appears to appreciate jewelry. She is wearing a necklace and a ring. Edy Brothers Studio was a family run business for several decades between the 1860’s and teh early 1920’s in Brantford and London, Ontario. James Newbury Edy (1843-1890) and William Daniel Edy (1832-1911) were the original partners that started the business. William’s son Leslie Eli Edy (1864-1919) ran the business in the early 1900’s. The next proprietor was Franklin William Edy who operated the studio until it’s closure in 1922.

Published in: on May 12, 2015 at 12:04 pm  Leave a Comment  
Tags: , , , ,


share cropper

Once again I could not resist putting a non cabinet card photograph in the Cabinet Card Gallery. I will use the same excuse I always use. This photograph is truly special and I want to share it with the gallery’s visitors and followers. This vintage real photo postcard captures a young family sitting in a field. Capture is definitely the right word. The photographer did an exceptional job of capturing the emotional state of the family members. The mother and father in this image are both quite attractive despite being dressed in their work clothing. Many photographic subjects of this era dressed in their finest clothing when being photographed. There is an implication that this family is a poor family. The words “tenant farmer”and “share cropper” come to mind. Both husband and wife look intensely worried. The wife also looks quite determined. Are they worried about a failed crop? Are they worried about the bank foreclosing on their farm? The older child in this photograph is adorable despite the fact that she is eyeing the photographer with a great deal of suspicion. This postcard was produced by CYKO sometime between 1904 and the 1920’s. The postcard is in good condition (see scan). The postcard was found in Bessemer,Alabama which is about 18 miles southwest of Birmingham. If the photograph was taken in the area of Bessemer, it is interesting to note that truck farming was one of the occupations associated with that town around the time that this postcard portrait was taken.

Published in: on May 11, 2015 at 9:01 am  Comments (2)  


st bernard

This stereo card is offers an adorable photograph of a little girl looking up in awe at a large St. Bernard. The dog looks friendly enough and the child does not seem intimidated. In fact the caption on the card indicates that the girl asks “Aren’t you big enough to talk? I am”. The little girl sits on a Persian rug holding a doll in her lap. There is also a toy block and another doll in the foreground of the photograph. Since this is the Cabinet Card Gallery and not the Stereo Card Gallery, a few words about Stereo cards may be in order. Stereo cards have a pair of photographs which give a three dimensional view when looked at through a Stereo Card viewer. This form of photography was in it’s prime between 1870 and 1920. A popular producer of these cards was Underwood & Underwood Publishers. Two brothers, Elmer Underwood (1859-1947) and Bert Elias Underwood (1862-1943), formed the company in Ottawa, Kansas in 1881. They later moved to Baltimore and later New York City (1891). At one point in time, Underwood & Underwood was the largest publisher of stereoviews in the world (10 milion views a year). This particular view was one of their publications.

Published in: on May 10, 2015 at 5:13 pm  Comments (2)  


afr am coupleThis vintage photograph features an African American man and woman. The pair dressed up in their fanciest clothing to pose for this portrait. The man is wearing a plaid suit and a vest. The couple may be husband and wife though the man looks significantly older than the woman. The woman has her left hand on the man’s shoulder in a display of affection. The subjects of this photograph as well as the photographer are unidentified.This photograph measures about 4″x 5″.

Published in: on May 9, 2015 at 12:00 pm  Leave a Comment  


family of five

This cabinet card portrait is of European origin but I am clueless about determining it’s nationality. Hopefully, a member of the cabinet card gallery’s research department (the gallery’s visitors) will leave a comment telling us the photo’s national origin. There is evidence (an inscription) on the reverse of the photograph that will help someone with the identification (see image below). The photograph itself features what appears to be a family of five. Perhaps the adult in the photograph is the children’s grandmother but it is possible that she is their mother. The two girls sitting on the wall look incredibly adorable as they sit nearly on top of each other in a show of affection. The child wearing the fez appears to be a boy. I can not determine what he is holding in his left hand. The object looks like it could be the hilt of a sword (hopefully a toy). Perhaps a cabinet card gallery visitor can determine what exactly the lad is holding. Grandma, or is it Mom, appears quite proud of her brood of children.

family of five 1

Published in: on May 8, 2015 at 12:00 pm  Comments (1)  



This vintage photograph is a cartes de visite (pre cabinet card era). The image captures a German officer looking quite handsome in his fine uniform. Note his long coat and cap. He is holding his dress gloves in is left hand. The photographer of this cdv is Emil Burger and his studio was located in Ulm, Germany. Ulm is a city in the federal German state of Baden-Württemberg and is situated on the Danube River.

Published in: on May 7, 2015 at 12:00 pm  Comments (3)  
Tags: ,

Get every new post delivered to your Inbox.

Join 646 other followers