The inscription on the reverse of this cabinet card identifies the subject of this portrait. She is “Mama Brown, friend and neighbor of Annie S. Peters”. The photographer of this photograph is G. W. Dahi… and his studio was located at 925 Pennsylvania Avenue in Washington, D. C.. Dahi… had a second studio located at 821 Broad Street in Richmond, Virginia. If you are wondering why his name is spelled “Dahi…”, let me tell you the answer. The first four letters of the photographers name are “Dahi” and the rest of the letters are unknown because they were removed when the image was taken from the frame or album that used to house it. Note the subjects, ruffles, lace, flowers, and hair ornament. Research did not identify the photographer. There were a number of photographers that operated businesses from the 925 Pennsylvania Avenue address. They included Henry Whitefield Samson (1878), J. D. Merritt, G. W. Davis, and Tassert or Fassett. Research also failed to identify Mama Brown. There are a number of Mamie Browns that lived in the Washington D. C. area and it is possible that one of them is the subject of this portrait. Annie S. Peters, Mama Brown’s friend and neighbor, was easy to track down. She appears in a number of US Censuses. Annie was born around 1849 and was married to David W. Peters in 1871.
This cabinet card portrait, photographed by A. D. Burk and Co. presents a gender mystery. A stage performer wearing an effeminate stage costume by today’s standards, is the subject of this portrait. Note the subjects frilly shirt and jacket, and the feathered hat. Also take note of the subjects long curly hair and hanging curls. Are we looking at a handsome actor or a pretty actress? My guess is actress. The photographer, Alcynus D. Burk worked in Cleveland from 1889, when he partnered with David Bailey until 1900 or later.
A very young child, holding a box by the handle, poses for his portrait at the Morse Studio in San Francisco, California. The child is standing in front of a small house. The faux house is a studio prop. Note that that the number “1888” is above the open window. The number likely indicates the year that this portrait was taken. The reverse of the cabinet card has inscription with the name “Lloyd Brundage” and a note that states that Master Brundage was 21 months old at the time he was photographed. Research reveals that the subject of this image, Lloyd Jeffers Brundage was born in San Francisco on New Years day in 1887. He appears in many US censuses. In 1900 he was thirteen years old and living in Bridgeport, California with his father and mother. His father was named Marshal and was a 46 year-old laborer who was a native Canadian. Lloyd’s mother was named Nillie and she was 31 years old and a native Californian. Her maiden name was Smallwood. Lloyd had a five year-old sister named Delphine. The 1920 census found Lloyd living in Chico, California, with his wife Anna. He was employed as an “agriculturist”. Ten years later he was working as a mechanic in an industiral plant. He and his wife remained in Chico. The 1940 census discovers Lloyd working in a governmental general maintenance position. Lloyd died in 1955 in Butte, California. To learn more about the photographer, George Daniels Morse, and to see other examples of his work, click on the category “Photographer: Morse”.
A young couple pose for their wedding portrait in Mankato, Minnesota. The photographer is the Snow Art Gallery. The reverse of the photograph has an inscription that states “Mrs Fred Drury”. Presumably, Mrs Drury is the woman seen in this image. John R. Snow, the proprietor of the Snow Gallery, was born in New Brunswick, Canada, in 1868. At nine years old, he and his family moved to Maine where he finished common school. After graduating, he went to work in a sardine and lobster factory. He left Maine for Wisconsin and it is there that he began his photography career as a tent photographer. He travelled in this capacity and covered the area between Wisconsin and Kentucky. He later had studios in Fort Dodge, Iowa, and Zumbrota, Minnesota. He bought a studio in Mankato in 1893. His addresses in Mankato included 118 East Jackson (1893-1902), and 313 South Front Street (1912-1919). The 1910 US Census lists both John and his wife Margaret as Mankato photographers. Their son, Cecil J. Snow (1894-?), worked as a photographer in Mankato in the 1920’s and 1930’s.
A little boy wearing a sailor suit poses for his portrait in London, England. The boy is adorable and he is posed beautifully sitting on a faux rock with his arms folded against his chest. He is wearing a straw hat and a terrific grin. The photographer is the W & D Downey studio. This studio was well known and highly respected in England. They advertised themselves as photographers specially appointed to photograph the imperial and royal families of Europe. To view other photographs by this studio, click on the category “Photographer: Downey”.
This cabinet card has a lot to say. First, the photograph features an actress named Villa Knox. She appeared in productions in the United States, England, and probably a number of other places. She acted in at least two Broadway shows. She appeared in the musical comedy “Boccaccio” (1898) and in “Apollo, or, The Oracle of Delphi” (1891). Second, the photographer of this image is the well known celebrity photographer, Jacob Schloss. At the time that this photograph was taken, the Schloss studio was located at 467 and 469 Fifth Avenue, between 40th and 41st Streets in New York City.. To view more of his photographs click on the category “Photographer: Schloss”. A third aspect of this photograph is that it has the pencilled name “Daisy Blossom” on the front of the card. Thanks to a little luck in my research, I learned that “Daisy Blossom” is a character in a play called “London Day by Day” (1893) which was reviewed by The Sydney Mail. This portrait likely captures Miss Knox in costume for that role. The fourth interesting fact about this image is the stamp appearing on the front of the card that states “Vignettes All Around For Segar Label”. It appears that this photograph was used as a vignette photograph for a cigar box label. The last feature I will mention concerning this image is that it has all the signs of once residing in someones photograph album. The cabinet card truly tells a number of stories and is in good condition.
An adorable little girl poses for her portrait at Lenhart’s Studio in Allentown, Pennsylvania. She is wearing a cute bonnet and is clutching her prized doll. A look at her eyes reveals that she is taking in the entire scene around her. She is sitting on a large cushion on what appears to be a wicker chair. To view other images by Thomas Lenhart and to learn more about him, click on the category “Photographer: Lenhart”.
Two lovely young women pose next to an open picture book which is sitting atop a stool-like table. The woman are nearly identically dressed. Their style of fashion is conservative. Their heads are close to each other and tilted toward each other. This pose suggests that there is some intimacy between them. Perhaps they are sisters. The photographer of this image is W. Gerlich and some of his photography medals are exhibited at the bottom front of this photograph. The medals are from exhibits held in 1900 and 1901 and this image likely was produced shortly after that time. W. Gerlich conducted his photography business in “Neu Ruppin”, which was a Prussian town in Brandenburg, Germany. The studio was located on a street named for “Paradeplatz”, or Parade Square, which was located in downtown Zurich, Switzerland.
A LADY AND HER VIOLIN IN ALLENTOWN, PENNSYLVANIA (PORTRAIT BY THE ARTIST ARLINGTON NELSON LINDENMUTH)
A woman poses for her portrait at the Lindenmuth Studio in Allentown, Pennsylvania. She likely viewed her self as foremost, a musician. She chose to pose herself, or approved the photographers instructions, to pose sitting and holding her violin and bow. The photographer, Arlington Nelson Lindenmuth (1856-1950) is a noted American landscape and portrait painter. He worked in Allentown which is located in the Lehigh Valley area of Pennsylvania. He was a member of the Baum Circle which was a group of artists who were influenced by the work of Pennsylvania impressionist painter Walter Emerson Baum. Lindenmuth studied painting under Peter Alfred Gross and also in Europe. His paintings were exhibited in Philadelphia and New York City. He also painted a number of murals which still can be seen in a number of Allentown’s buildings. Lindenmuth is also known as one of the pioneer photographers in the Lehigh Valley. He operated a photography studio in Allentown for a number of decades. Interestingly, in addition to running a photography business, Lindenmuth taught art from his photography studio. In 1882 he worked for the Eastman Kodak Company as a traveling salesman. He was a great advocate of art appreciation. He was a proponent for the Allentown Art Museum. One of his sons, Raphael Tod Lindenmuth, had much success as an artist. Below is an example of a painting by Arlington Nelson Lindenmuth. To view other photographs by Lindenmuth, click on the category “Photographer: Lindenmuth”.
This vintage photograph features a handsome family posing for their portrait at the F. A. Free Studio in Davenport, Iowa. This good looking and well dressed couple had their hands full with three children so close in age to each other. It is possible that the two older children are twins. Whatever the case, all three children are adorable. Note their boots, bows, and ruffles. The photographer, Frank A. Free, is the subject of an article in the Quad-City Times (2010). The newspaper reports that a Free Photographic Studio estate sale was being held. Frank Free had already left thousands of portrait negatives to the Putnam Museum (located in Davenport) and to the Davenport Library. Frank died in 1968 and his wife Lois continued operation of the studio through part of the 1990’s. Frank Free’s name is mentioned in a number of photographic journal articles. An article in the Bulletin of Photography (1922) states that he won a silver cup in a photographic exhibition in London. He was also involved at the beginning stages (1909) with a Iowa photographers group called Cameracraftsmen.