This vintage real photo postcard features beautiful stage actress Marie Studholme (1872-1930). The English actress and singer was known for her supporting and starring roles in Victorian and Edwardian musical comedies. Her theater career spanned from 1891 through 1915. Her roles included appearances in “An Artists Model” (1895), “The Messenger” (1900), and “Lady Madcap” (1906). Marie Studholme’s beauty made her one of the most popular postcard models of her time. This postcard was part of the Rotary Photographic Series (no. 4188 A) and was printed in England. Miss Studholme’s portrait was photographed by the celebrated Foulsham & Banfield studio. Although photo postcard portraits of Miss Studholme are common , this particular photograph is uncommon.
This item is a vintage postcard featuring the very attractive theater actress Sybil Arundale (1879-1965). Her stage roles included a number of Shakespeare plays. Her sister Grace was also an actress. The postcard was produced by Philco Publishing Company in London, England. It is number 3005 in a series. The photographer was Alexander Bassano (1829-1913) who was a leading royal and high society photographer located in London.
A lovely couple poses for their portrait at the Stuting and Sohn studio in Barmen, Germany. The man and woman are well dressed. The man is holding reading material on his lap. One of the more remarkable aspects of this image is the gentleman’s interesting mustache. The mustache is bushy and curls wonderfully at each end. The photographer, Stuting, is cited in two photographic journals published in 1890 (American Journal of Photography, The Photographic News). Stuting’s studio was located in Barmen, which merged with four other towns in 1929 to form the city of Wuppertal. Barmen is also known as the birthplace of socialist theorist Friedrich Engels. Finding a photographer in Barmen at the turn of the century must not have been much of a problem. The Cabinet Card Gallery has a number of carte de visite photographs originating from studios in Barmen. Printed on the lower right hand corner of the reverse of this cdv is the number “1907”. This likely represents the date that this photograph was taken despite the fact that most photographers stopped producing carte de visite photographs by that date.
This cabinet card portrait features a thirteen month old baby who an inscriber on the reverse of the photograph describes as the “Sweetest in the world”. The child’s name is written as “Dagmar Albright Games. The child in this photograph does in fact look quite sweet and is flashing a wonderful expression. The kid was born to model. She is standing on a velvet chair and is wearing some sort of a flimsy gown. The photograph was taken at the Busby & Company Studio in Portland, Oregon. Research reveals that according to the the 1910 US Census, Dagmar A. Games was living in Portland (Ward 4), Oregon.. She was 21 years old (born in 1889), unemployed and living in a boarding house. The 1920 census indicates that she was married to Frederick Swanberg who was employed as a manager of an ice company. Dagmar was unemployed and she and her husband were living in San Francisco. Dagmar’s mother, Anna Games, was living with the couple. The 1930 US Census discloses that Dagmar and her mother still lived in San Francisco but Frederick no longer resided with them.
This Carte de Visite features a uniformed young man posing at the Cruf Studio which had galleries in Freiburg, Mannheim, and Basel. The first two cities are in Germany and Basel is located in Switzerlan. An inscription on the reverse of the photograph indicates that the subject is H. Wolff. Mr Wolff is wearing a uniform representing an unknown group. Perhaps he is a student or maybe he works for the railroad. His group affiliation remains unknown for the time being. Looking at the reverse of the photograph also reveals that the Cruf Studio won a number of medals at photographic competitions. The latest medal listed was recieved in 1888 which means that this image dates back to 1888 or later.
This cabinet card features a bride and groom and a couple from their wedding party. The brides gown is a bit unusual. One can find many dark colored wedding dresses but this one seems to be made from an unusual material. Perhaps someone can leave a comment that identifies the fabric. The bride is wearing a very long veil and is also wearing many flowers from her waist to the top of her dress. This photograph was taken by the Oswald Brother’s Studio in Minneapolis, Minnesota. The studio was located at 1227 and 1229 Washington Avenue North from at least 1887 through 1895. Prior to that address, the Oswalds operated out of a gallery at 116 Thirteenth Avenue North. A later location was 1221 Washington Avenue North. Charles Otto Oswald (1859-1940) and Emil C. Oswald (1864-1944) were Swiss born.