This cabinet card portrait, photographed by A. D. Burk and Co. presents a gender mystery. A stage performer wearing an effeminate stage costume by today’s standards, is the subject of this portrait. Note the subjects frilly shirt and jacket, and the feathered hat. Also take note of the subjects long curly hair and hanging curls. Are we looking at a handsome actor or a pretty actress? My guess is actress. The photographer, Alcynus D. Burk worked in Cleveland from 1889, when he partnered with David Bailey until 1900 or later.
This unusual looking gentleman is an English actor and theatre manager named John Hare. John Hare (1844-1921) was born in a town called “Giggleswick”. This is an appropriate name for the birthplace for a man who began his acting career in comic roles. Giggleswick was located in Yorkshire, England. Hare began his acting career in Liverpool in 1864. He is often associated with the plays of T. W. Robertson. Hare managed the Court Theatre (1875-1879), the St. James Theatre (1879-1888), and the Garrick Theatre (1889-1895). His greatest success as an actor was in the play A Pair of Spectacles (1890). This portrait of John Hare likely captures the actor in wardrobe and makeup for one of his productions. However, it is possible that he aged poorly which can be hypothesized because photographs taken of the actor in earlier years show a man with a significantly more pleasing appearance.
French theater actress, Marie Legault, is the subject of this cabinet card photograph by internationally acclaimed celebrity photographer Charles Reutlinger. This image was produced in Reutlinger’s Paris studio in 1880. To view other Reutlinger photographs, click on the category “Photographer: Reutlinger”. Marie Francoise (Maria) Legault (1858-1905) entered the Paris Conservatory in 1872. That same year she finished second in the comedy competition. She was just fourteen years old at the time. She was awarded a stipend to continue her studies and she won the competition the following year. During her theatrical career she appeared at a number of venues including the Gymnase, the Palais-Royal, the Vaudeville, the Comedie-Francaise, and the Theatre Michel in St. Petersburg. Legault created the role of Roxane in Rostand’s Cyrano de Bergerac (1872) and of Marie Louise in L’Aiglon (1900) with Sarah Bernhard. Her obituary appears in the New York Times (1905).
The subjects of this cabinet card portrait are Colonel Reuben Steere (1838-1915) and his wife, Rebecca (1853-1929). Steere is elegantly dressed and has a walking stick. Rebecca has unusually long hair which is displayed prominently. Reuben Steere was a native of Chepachet, Rhode Island. He was 44 inches tall and 43 pounds at maturity. He was a member of the Lilliputian Opera Company. In 1880 he married fellow Lilliputian, Rebecca Ann Myers of Indiana. The couple settled in Chepachet in 1882 and Reuben worked as a truant officer while Rebecca operated a restaurant and confectionary shop. This photograph was produced at the “photo parlors” of Rieman & Company. The studio was located on Montgomery Street in San Francisco, California. The address printed on the front of the photograph notes that the parlors were “Opposite Lick House”. What is Lick House? The name Lick House fosters all sort of silly images in my mind but the history of Lick House is actually quite interesting. James Lick was a renowned craftsman of wood products and a successful businessman. He began building Lick House in 1861. The building was two blocks long and three stories high. It was a luxurious showpiece hotel with 164 high quality rooms. It was considered one of San Francisco’s premier hotels until it burned down to the ground during the 1906 earthquake and fire. Advertising print on the reverse of the photograph includes the following two slogans, “Rieman’s Babies” and “When others fail, try Rieman”. Additional advertising on the reverse of the image are the names George R. Rieman and Fred H. Pray. At one time, Rieman and Pray were partners in operating a photography studio. Writing on the the back of the photograph states the photograph captures “the smallest married couple in the world”. To view other photographs by Rieman click on the category “Photographer: Rieman”.
One wouldn’t think that a man could wear a checkered tie with a checkered jacket and still look dashing, but theater actor H. J. Montague is able to accomplish this feat. The photographer of this cabinet card portrait is theater specialist, Jose Mora. To view more of his celebrity photographs, click on category “Photographer: Mora”. The reverse of this image has an address and a return address as if it had been mailed. However, there is no stamp or postmark. The photograph is addressed to a “Jane Mure” in Philadelphia, Pennsylvania. The script is written in very ornate calligraphy. Surprisingly, both the return and sending addresses have Philadelphia zip codes. Since zip codes are from the twentieth century (1963), it appears that someone may have added the ornate script to give the card more character but wasn’t aware, or not thinking about, the relative recent introduction of the zip code system. Henry James Montague (1844-1878) was the stage name of Henry James Mann. He was an American actor born in England. He appeared in T W Robertson’s comedies in London and in 1870 was a founder of London’s Vaudeville Theater. He came to the United States in 1874 and made quite a splash. He became a matinee idol. George Odell wrote that Montague was “a perfect specimen of refined English Manhood”. He was said to have “made other leading men seem boorish, ill dressed and possibly a bit vulgar”. Montague died quite young, about 34 years old. According to the New York Times (1878) while playing a role in a San Francisco production, he fell extremely ill from a “hemorrhage of the lungs”. He required medical attention from some theater goers and was taken to a hotel to recuperate. He rallied only briefly. During a visit from friends he became acutely ill and his last words as he was dying were reported to be, “It’s no use, I am going boys; God bless you”. The New York Times covered his funeral. Attendees of his funeral include the “A” list of that era’s theater world. Mourners included Lester Wallack, Kate Claxton, Rose Coghlan, and Maud Granger. The afore mentioned three actresses all have portraits that can be viewed in the Cabinet Card Gallery by utilizing the search box.
William McKenzie Morrison produced this cabinet card portrait of actor William Hunter Kendal (1843-1917). Morrison’s studio was housed in the Haymarket Theatre building in Chicago, Illinois. Morrison was known for being a photographer who specialized in taking photographs of celebrities. To view other portraits by Morrison, click on the category of “Photographer: Morrison”. Kendal’s given name was William Hunter Grimston and he was an English actor and manager. He was born in London and had his theatrical debut in Glasgow at age eighteen. Four years later he appeared in London at the Haymarket Theatre. In 1869 he married Madge Robertson (1848-1935) and they performed together for many years. Kendal was a co-partner in managing the St. James Theatre from 1879 through 1888. Between 1889 and 1895, Kendal and his wife toured successfully in the United States and Canada. Their American debut was in “A Scrap of Paper” (1889). The couple retired from acting in 1908.
Johnston Forbes-Robertson (1853-1937) was a celebrated English actor and theater manager. He was considered to be one of the finest actors of his time. He was particularly noted for his portrayal of Hamlet. He did not profess a passion for his acting profession. He was born in London. His father was a journalist and theater critic. He had ten siblings and four of them pursued acting. His original interest was to become an artist, but to support himself financially he entered acting. He worked with Sir Henry Irving for some time as a second lead actor. He then became a lead actor. His starring roles included Dan’l Druce, Blacksmith and The Parvenu (1882). George Bernard Shaw wrote the part of Caesar for him in Caesar and Cleopatra. Forbes Robertson acted in a number of Shakespeare plays and also appeared a number of times with actress Mary Anderson in the 1880’s. In 1900 he married the American actress, Gertrude Elliott (1874-1950). In 1930, Forbes Robertson was knighted. This cabinet card portrait was produced by photographer Benjamin Falk who’s studio was located in New York City. Forbes Robertson is captured in costume in this image. The reverse of the photo is stamped “J. M. Russell 126 Tremont Street, Boston”.
The gentleman featured in this cabinet card portrait looks like someone famous. The photographer of this image is Napoleon Sarony who photographed many celebrities living in or visiting New York City. However, Sarony also photographed many non celebrities so there is no guarentee that the subject of this photograph is someone famous. He certainly does have great facial hair. The reverese of this image is dated 1872. Printing on the reverse indicates that Sarony’s studio was located at 680 Broadway in New York City. The printing lists two names associated with the studio; Napoleon Sarony and Alfred S. Campbell. To view other photographs by Sarony, click on the category “Photographer: Sarony”. To view photographs by Campbell, click on the category “Photographer: A. S. Campbell”.
This cabinet card features celebrated English actor Edward Askew Sothern (1826-1881). Sothern was known for his comic roles in Great Britain and America. He is often associated with his role in “Our American Cousin (1858 ). Sothern complained to his friend, actor Joseph Jefferson, about the smallness of his part in that play. Joseph Jefferson responded with the classic line “There are no small roles, only small actors”. Incidentally, “Our American Cousin” was the play that President Abraham Lincoln was watching when he was assassinated. He began acting as an amateur in 1848. He made his debut in America in 1852. In 1854 he joined the company at Wallack’s Theater and in 1856 he became a member of Laura Keene’s company. He gained fame starring in “Camille (1856) at Wallack’s theater. In 1864 he created the title role in Tom Robertson’s “David Garrick” (1864) at the Haymarket Theater.This comic play was about eighteenth century actor and theater manager, David Garrick. This cabinet card photograph captures him in this role in which he had much success. This image was produced by Napoleon Sarony, famed celebrity photographer. To view other images by Sarony, click on the category “Photographer: Sarony”.