Maggie Mitchell (1832-1918) was a famous American actress, born in New York. Her first regular stage appearance was in “The Soldier’s Daughter” at the Chambers Street Theatre in 1851. Her first major success was as star of “Oliver Twist”. She has been described as small, agile and energetic, with a special talent for comedy. In 1860, she appeared in “Fanchon, The Cricket” which was adapted for her from a George Sand novel. She performed in this and other plays in front of President Abraham Lincoln. The photographer of the top image was celebrity photographer, Mora, of New York City. To view other photographs by Mora, click on Cabinet Card Gallery’s category, “Photographer: Mora”. The second portrait of Miss Mitchell was taken by the esteemed Philadelphia photographic studio, Gilbert & Bacon. This cabinet card image shows Maggie displaying a “come hither” expression. To view more photographs by this studio, click on the category “Photographer: Gilbert & Bacon”. ADDENDUM: A knowledgeable visitor to Cabinet Card pointed out that the second photo of Miss Mitchell is actually actress Lotta Crabtree (see comment below). A bit of research confirmed his astute observation. Lotta Crabtree, a woman who led a very interesting life, will receive her own entry in the cabinet card gallery in the next few days.
Pencilled on the reverse of this cabinet card, is the name Isabel Everson. Preliminary research reveals little information about this actress other than an existence of a tobacco card premium published by Sweet Caporal which has her portrait. In addition, some newspaper articles were found that announce her appearance in various theater production. Further research is required. This cabinet card is by Sarony, famed celebrity photographer located in New York City. To see other examples of Sarony’s photographs; click on the Photographer: Sarony category on this site. The second photograph of Miss Everson is by an unknown photographer. Unfortunately, the bottom of the cabinet card has been trimmed to fit into a frame or album, making it difficult but not impossible to identify the photographer. I attempted to identify the photographer by matching the script on the bottom of the photo with other photographer logos in the cabinet card collection. Unfortunately, I had no luck. Perhaps a cabinet card gallery visitor will be able to accomplish the detective work necessary to make the identification. Note the images found below that identifies Miss Everson as well as the image of the Russell Brothers stamp. Both the inscription and the stamp were located on the reverse of the cabinet card. Miss Everson is wearing a very interesting costume in this cabinet card photograph. It is probably something that she was wearing in a play in which she was appearing. I wonder what the object is that she is holding in her right hand. Does the object relate to her costume? I seem to have more questions than answers about this portrait of Isabel Everson.
A pretty young woman poses for a cabinet card portrait at the Worden studio in Boston, Massachusetts. This profile portrait provides a nice view of her lacy dress and pinned flowers. The reverse of the photograph has an inscription that states “Compliments of Miss Gertrude Foster”. Research was unable to find an actress, dancer, or singer with the name of Gertrude Foster. It seems likely that the Gertrude Foster seen in this cabinet card was not a celebrity. Researching Miss Foster was unproductive because her name is too common in the Boston area. To view more photographs from the Worden studio, click on the category “Photographer: Worden”. ADDENDUM: I stumbled upon some biographical data about Miss Foster. It turns out that Gertrude Foster was a stage actress during the cabinet card era. The Capital (1898) reported that she was the “leading lady actress” at the Alcazar Theater in San Francisco before accepting a place in the touring Belasco & Thall Theater Company. Miss Foster is mentioned again in the San Francisco Call (1900). The newspaper reports her marriage to Edward W. Mansfield who was the manager of the Fisher Opera House in San Diego, California. Apparently Mansfield was smitten with her when they met professionally some years before. Mansfield reportedly waited to pursue her until she had an opportunity to garner some “fame”.
The beautiful woman in this cabinet card portrait is opera singer Isabelle L’Huillier. She made her debut during the 1908/1909 season with the Metropolitan Opera Company as Musetta in “La Boheme”. She concluded the season with a role in “The Bartered Bride”. Miss L’Huillier is beautifully dressed in this photograph. She is wearing a fur and a pretty hat. The photographer of this cabinet card photograph is celebrity photographer Aime Dupont. To learn more about Mr Dupont and to view more of his images, click on the category “Photographer: Dupont”.
This portrait features stage actress May Kohnle. She is wearing a loose fitting bulky dress and a look of impatience. The Washington Times (1904) mentions that Miss Kohnle was part of the cast of “The Show Girl” which was appearing at the Lafayette Opera House. The show was described as “a jolly bit of tomfoolery” and the cast included “30 singing and dancing girls”. May Kohnle was a performer with the Wilbur Opera Company. The company began operating in 1870 and was founded by A. C. Wilbur. Wilbur was considered a fantastic businessman because he provided comic opera at popular prices and managed to be very successful financially. This photograph was taken by Elmer Chickering, a celebrated photographer who operated in Boston, Massachusetts. To learn more about Mr. Chickering and to view other photographs by this photographer, click on the category “Photographer: Chickering”.
New York photographer, Otto Sarony, son of Napoleon Sarony, photographed this pretty caped lady wearing a short tight dress. She is exhibiting quite a seductive pose. Her body language makes this image relatively risque for Sarony’s era. In retrospect, perhaps it is more provocative than risque. Otto Sarony photographed many actresses and the subject of this photograph is, despite being unidentified, most likely a theatrical player. To view other images by Otto Sarony, click on the category “Photographer: Sarony (Otto)”.
This cabinet card portrait features pretty stage actress Nesta Neilson. Preliminary research yielded little information about Miss Neilson. She is cited a number of times as appearing in theatrical newspaper articles but access to these periodicals could not be gained. Perhaps a cabinet card visitor can fill the rest of us in concerning Miss Neilson’s personal and theatrical life. This cabinet card photo was produced by the Natori studio in New York City. Natori photographed a numberof theatrical stars of his era.
Pretty theater actress Marguerite Fish is the subject of this portrait cabinet card by Naegeli whose studio was located in New York City. Miss Fish began her stage career with her mother. They performed as a song and dance team known as Jenny Benson and Baby Benson. Later, she became known as Marguerite Fish and was a comic opera and musical actress. She has a number of mentions in the New York Times for her stage performances. These citations include appearances in “Our Wedding Day” (1887) and “The Crystal Slipper” (1888). Albert Naegeli, the photographer of this image, was a well known New York City photographer during the cabinet card era. To learn more about him and to view more of his photographs, click on the category “Photographer: Naegeli”.
The pretty subject of this cabinet card was photographed by celebrity photographer Napoleon Sarony at his New York City Studio. The woman is probably an actress. Penciled on the reverse of the photograph is the name “Robel”. Preliminary research proved to be unsuccessful in identifying an actress with that name.
This cabinet card portrait features pretty theater actress Nettie Lyford doing her produce shopping at the Whole Foods grocery store in New York City. She was such a fan of the store that she appeared in their advertising for free. Actually, this photograph is a celebrity portrait that was probably taken by famed celebrity photographer Benjamin Falk. The image was likely produced at Falk’s studio in New York City. Miss Lyford is wearing a costume that she probably wore in a stage production. In fact, this very same image appears in Epoch (1892) as part of an article by Morris Bacheller entitled “Favorite Figures of the Stage”. The article reports that the young Miss Lyford “has established herself as one of the comic opera favorites of the Metropolis”. She had made her debut in Charles Hoyt’s farce comedy company in “Rag Baby”. While she was appearing in another Hoyt production, “Lunch Counter Girl” she was seen by Francis Wilson (1854-1935) who hired her to appear in “Oolah” which was a comic opera appearing in New York City in 1887. This cabinet card image was taken during her tenure with Wilson’s opera company. To learn more about Francis Wilson and the play “Oolah”, search for the image of Marie Jansen which appears in the Cabinet Card Gallery. To view more celebrity photographs by Falk, click on the category “Photographer: Falk”.