ETHEL BARRYMORE: STAGE BEAUTY

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Ethel Barrymore (1879-1959) was an outstanding American actress and a member of the famous theatrical Barrymore family. She was born Ethel Mae Blythe in Philadelphia, Pennsylvania. Her parents were actors and she was the sister of John and Lionel Barrymore.  She was the great aunt of modern day actress Drew Barrymore.

Ethel Barrymore was considered by many to be the greatest actress of her generation. She was a major Broadway performer and first appeared there in 1895. She had roles in A Dolls House by Ibsen (1905).  She was a strong supporter of the Actors’ Equity Association and played a major role in the 1919 strike. She played in Somerset Maugham’s comedy, The Constant Wife (1926). She also starred in motion pictures beginning her film career in 1914.  Notable films included None but the Lonely Heart (1944) and The Spiral Staircase (1946). Around 1900, Winston Churchill proposed marriage to Barrymore but she refused. She later married Russell Griswold Colt in 1909 and had three children. She died of cardiovascular disease in 1959 at her home in California. The Ethel Barrymore Theatre in New York City is named in her honor.

The top cabinet card portrait of Ethel Barrymore was photographed by Phillips Photographers of Philadelphia, Pennsylvania. To view other photographs by Phillips, click on the category “Photographer: Phillips”. The second cabinet card image of the actress was produced by Sarony, the famous celebrity photographer who’s studio was located in New York City. To see other Sarony photographs, click on the category “Photographer: Sarony”.

The third portrait of Miss Barrymore appears on a postcard published by the Rotograph Company who operated in  New York City and Germany. This postcard portrait was taken by famed Chicago photographer William Morrison. He is well known for his excellent portraits of theatrical stars. He produced both real photo postcards and cabinet cards. This postcard is number HB/1422 of the “Rotograph Series”. The image on this postcard is color tinted. This postcard has been mailed and postmarked (1907). The reverse of this postcard can be seen below.To view other photographs by Morrison, click on the category “Photographer: Morrison”.

The fourth portrait of Ethel Barrymore is an uncommon one. The image provides a lovely profile view of this legendary actress. If you search for this exact postcard online, you likely won’t find it. This postcard was published by E. Frey & Company who operated in  New York City . Research reveals that postcards displaying the printed name of  “E. Frey” were actually published by the Souvenir Post Card Company which existed between 1905 and 1914. It was located at 268 Canal Street in New York City. The company was purchased by Valentine & Sons and the combined company became Valentine – Souvenir. This postcard was printed in Germany and is in good condition (see scan).

The fifth photograph of Miss Barrymore was published by the Rotograph Company. This postcard portrait was taken by famed Chicago celebrity photographer William Morrison.This postcard is number B 662 of the “Rotograph Series”. The image has excellent clarity.

The sixth image is a vintage real photo postcard portrait of Ethel Barrymore. The postcard was published by Albert Hahn who was based in New York City (200 Broadway) and Hamburg. Hahn operated his company between 1901 and 1919. The postcard was produced in Germany sometime in the decade of 1900-1910. The postcard is part of a series (no. 5271),

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                                            REVERSE OF THIRD IMAGE (ROTOGRAPH POSTCARD)

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                                             REVERSE OF FIFTH IMAGE (ROTOGRAPH POSTCARD)

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                              REVERSE OF THE SIXTH IMAGE (POSTCARD BY ALBERT HAHN)

PORTRAIT OF BEAUTIFUL BRITISH ACTRESS/SINGER: WINIFRED BARNES (PHOTO BY RITA MARTIN)

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This vintage real photo postcard features British actress Winifred Barnes. She is absolutely beautiful and photographer, Rita Martin did a fine job of capturing both her beauty and personality. It is not surprising that Rita Martin produced such a fine photo postcard. Miss Martin was well known for her expertise in taking portraits of theater stars and other celebrities. Other images by Rita Martin can be seen by clicking on the Cabinet Card Gallery’s category “Photographer: Rita Martin”. Barnes made her theatrical debut in a minor role in “Our Miss Gibbs” at the Gaiety Theater in 1909. Great Britain’s National Portrait Gallery has ten portraits of Winifred Barnes including one by Rita Martin. Her obituary appears in the New York Times (1935). The article describes her as a former chorus girl who became a star. She was one of George Edwardes’s leading actresses. Edwardes (1855-1915) was an English theatre manager and producer who received much credit for his contribution to British musical theatre. Many of Barnes’s major roles occurred during the first World War. She scored a huge success in the production of “Betty” (1915) at Daly’s Theatre. After her 1924 marriage to barrister, Roy Faulkner, she became a successful poultry farmer. She also became widely known for her cooking expertise. This photo postcard was produced by Rotary Photo of London and was part of a series (A. 1123-1).

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PORTRAIT OF AN UNIDENTIFIED BEAUTIFUL FASHIONISTA

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This cabinet card portrait features a pretty fashionista photographed by an unknown studio. Perhaps this young lady is a theater actress. This image is consistent with the work of Napoleon Sarony, Jose Mora, and other New York City celebrity photographers. The photograph presents a profile view of this attractive woman.

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Published in: on February 4, 2017 at 12:00 pm  Leave a Comment  
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BEAUTIFUL ANGLO-GERMAN FILM ACTRESS LILLIAN HARVEY

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This vintage real photo postard features Anglo-German actress and singer, Lillian Harvey (1906-1968). Her acting base was in Germany. Harvey was born in Hornsey, England to an English mother and a German father. During World War I her family was “trapped” in Magdeburg, Germany and Harvey was sent to live with her Swiss aunt. After the war she finished school in Berlin and than studied voice and dance at the Berlin State Opera. In 1924 she earned a role as a revue dancer in Vienna. This was followed by her first movie role which was in an Austrian film named “The Curse”. Thereafter, she starred in multiple silent films. Her first leading role was in “The Passion” (1925). Because of her voice training, Harvey was able to make the transition into “talkies”. She and actor Willy Fritsch became the “dream couple” of German movies. The pair acted together in eleven movies. In the 1930’s Harvey’s films appeared in both German and English and she became popular outside of Germany. She went to Hollywood and made four movies for the Fox Film Corporation (this postcard is from that period). In 1935, Harvey returned to Germany. She appeared in several more films and soon she was under the watchful eye of the Gestapo. Harvey had many Jewish friends in the film industry  and she was supportive of them. By 1939, Miss Harvey was forced to leave Germany, leaving behind valuable real estate holdings. She went to France where, in 1940, she made two movies for director Jean Boyer. In 1943 she was stripped of her German citizenship because she had performed for French troops. When southern France was occupied by the Nazis in 1942, she emigrated to the United States. During the war she did some theatre acting and also worked as a homeside volunteer nurse. After the war, Harvey relocated to Paris. She went on a world tour as a singer and in 1949 made appearances in West Germany. She spent her retirement on the French Riviera (Antibes) where she had a souvenir shop and raised snails for escargot. Harvey was married one time. Her four year marriage to theater director Hartvig Valeur-Larsen ended in divorce. Eventually she settled down with her female partner Else Pitty Wirth (1907-2007). Interestingly, the two women are buried together in Antibes. The imdb gives Harvey 54 acting credits between 1925 and 1940. Interestingly, Lillian Harvey’s name is mentioned in Quentin Tarantino’s film  “Inglorious Bastards” (2009). One of her songs is played on a phonograph and in addition one of the characters in the film mentions liking Harvey’s performance in a film and Joseph Goebbels becomes angry and insists her name never be mentioned in his presence. Click on the link below to hear the Lillian Harvey/Willy Fritsch duet used in the Tarantino movie. The 1936 song is titled “Ich Wollt Ich War Ein Huhn” (I Wish I Was A Chicken). Now would be a good time to discuss this postcard portrait of Miss Harvey. She is looking quite decorated in this photograph. She is wearing a garland of leaves in her hair, a very ornate necklace, a number of large bracelets, two giant rings, and a jeweled clasp on her dress near her cleavage. Note her very notable eye lashes. She is wearing a somewhat provocative dress and it is clear that the aim of the photographer is to emphasize Miss Harvey’s sexiness. The photographer and Miss Harvey succeeded in accomplishing this goal. The postcard was published by the German firm Ross Verlag and was part of a series (no. 8679/1). The postcard credits Fox films.

 

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PORTRAIT OF PRETTY FRENCH FILM ACTRESS JOSYANNE

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This vintage real photo postcard features French actress Josyanne (1901-1999) as she appeared in her screen role in the film “Carnelvale di enezia” (1928). The IMDb credits her with 14 film roles between 1924 and 1939 including L’aube de sang (1924), Le costaud des PTT (1931), and Aces of the Turf (1932). This postcard is of Italian origin and was edited by G. B. Falci of Milan. The postcard is part of a series (no. 103). Listed on the front of the photograph is the name Stefano Pittaluga (1887-1932). He was an Italian film producer credited with helping revive the Italian film industry in the late 1920’s and early 1930’s. He began as an owner of cinemas and than expanded to become a powerful distributor of Hollywood movies. Pittaluga further grew his business by becoming a major film producer.

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Published in: on January 13, 2017 at 12:00 pm  Leave a Comment  
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TWO PORTRAITS OF PRETTY EUROPEAN STAGE ACTRESS LIANE HAID (PHOTOS BY ALEXANDER BINDER)

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These vintage real photo postcards features European film star Liane Haid (1895-2000). In the top postcard she poses holding a tennis racket and wearing a hair band to keep her hair out of her eyes. She is quite beautiful but how can we interpret her facial expression. To me, it looks like she is rolling her eyes as if she is bothered by something. Who is Liane Haid? She was born in Vienna, Austria and received training in both dance and singing. She gained the nickname of “Sweet Viennese Girl”. Haid was a prima ballerina, dancer, singer and stage actress. She worked in Budapest and Vienna as a dancer. Her stage career was mostly in Berlin and Vienna. She became a popular pin-up star through the 1920’s and 1930’s. Her first movie role was in a World War I propaganda film. She was employed by UFA and appeared in a number of comedy films  alongside other movie stars including Willi Forst, Bruno Kastner, and Georg Alexander. UFA was a major German Film producer and distributor that operated between 1917 through the end of World War II. Liane Haid refused a number of Hollywood offers but in 1942, she escaped Nazi Germany and went to Switzerland according to Wikipedia, “because of the regime, because everything was bombed, and because all the good directors had left”. Soon thereafter she got married and retired from films. She was married three times. The IMDB web site states that she has 92 film credits from 1915 through 1953. Notable films include “Lady Hamilton” (1921), “Lucrezia Borgia” (1926), and “The Song is Ended” (1930). The photographer of this terrific image was Alexander Binder (1888-1929). He had the largest photo studio in Europe during the late 1920’s and the 1930’s. Many of his entertainment star portraits appear on Ross Verlag postards. It is thought that Binder was of Swiss origin. He was of the Jewish faith. He studied engineering but did not complete his studies. From 1908 to 1910 he studied photography at a school in Munich, Germany. After the completion of his photography studies, he went to Berlin and in 1913 opened his first photography studio. Before long, he became one of the premier photographers in Berlin.  He primarily focussed on fashion and celebrity photography. Since Berlin was the capital of the European film industry, Binder photographed all the stars of the European film industry including, Lilian Harvey, Conrad Veidt, and Lya De Putti. Many of his images were used in popular film portrait postcards. His photographs could be seen in postcards published by Ross Verlag and Photochemie. Binder died in 1929 but new photo cards bearing his signature continued to be published until 1937. It is thought that the real photographer of these new postcards was Hubs Floeter (1910-1974) who was employed at the studio as an operator. The studio continued to be owned by Binder’s widow, Mrs. Binder Alleman and their two daughters. The studio was managed by the Jewish Elisabeth Baroness Vonhedlis Stengel who was later deported to the Theresienstadt concentration camp. In 1938 the Nazi’s closed Binder’s studio and it was later taken over by an Aryan photographer, Karl Ludwig Haenchen . Haenchen continued to produce celebrity portraits for postcards. His publishers included Film-Foto-Verlag. After World War II the studio was taken over by the Hasse und Wiese company.                                                          The second vintage postcard portrait of Miss Haid was also the work of Alexander Binder. The actress looks beautiful in her art deco lace headdress. Her eyes can be described as spell binding. The postcard was published by Germany’s Ross Verlag and is part of a series (no. 544/4). Also credited for this photograph is “Micco Film”. Before working for Micco Film, Haid was employed by Kunstfilm. She was very successful working for the company but in 1920 she sued the company for physically exploiting her (placing her in dangerous situations) and for making her financially responsible for her own makeup and costuming. Haid’s husband, industrialist Fritz  von Haymerle, built her a studio (Micco-Film) in Vienna to further promote her career. 

haid-1                                        REVERSE OF TOP POSTCARD

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                                  REVERSE OF BOTTOM POSTARD

PORTRAIT OF KARINA BALL: BEAUTIFUL ACTRESS AND BREWERY DIRECTOR

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Karina Bell’s beauty is quite apparent in this vintage real photo postcard portrait.  She was born in Hellerup, Denmark in 1898 and died in Denmark in 1979. Bell was a film actress who began her career as a ballet dancer. She made her stage debut in 1919. Most of her films were silent films produced in Sweden, Denmark or Germany. She did appear in two talkies. She was known for her roles in “Little Dorrit” (1924), Klovnen (1926), and “5 Raske Piger” (1933). Bell was one of the most popular stars of the Nordisk Films Kompagni in the 1920’s. She was married in 1934 to Knud Parkov (1894-1949). He was the director of a Danish brewery (Wiibroes Brewery) and a member of the Danish resistance. She retired from acting after she got married. The IMDb gives Karina Bell 20 credits. Her film appearances occurred between 1919 and 1933. Upon her husbands death, Bell took over his director duties at the brewery. This Austrian postcard was produced by Iris Verlag as part of a series (no. 589). The photograph was by Lux-Film.

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SEXUAL CHEMISTRY IN FILM: VIRGINIA VALLI AND GEORGE O’BRIEN (RPPC)

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Can sexual chemistry be photographed? This fantastic vintage real photo postcard provides evidence that the answer is yes. This image captures early film stars George O’Brien and Virginia Valli in an emotionally charged scene in an unknown movie. The pair starred together in at least two silent movies produced by Fox. The films were “Paid to Love” (1927) and “Eastside Westside” (1927). Virginia Valli (1898-1968) was an American stage and film actress. Her early acting experience was with a Milwaukee based stage troupe. Her film career started in the silent film era and ended in the early stages of the talkies (1930’s). She has 65 credits on the IMDB web site. She began her film work with Essanay Studios in her hometown of Chicago in 1916. By the mid 1920’s, she was an established star at Universal Studios. She was the star of  King Vidor’s “Wild Oranges” (1924). Most of her films were produced in the mid 1920’s and include Alfred Hitchcock’s first feature movie, “The Pleasure Garden” (1925). Her first sound picture was in 1929. She left the movie business in 1931 due to her high salary command and declining appeal to audiences. She moved to Palm Springs, California with her second husband, actor Charles Farrell. She was very much part of the social scene there. She died in Palm Springs at age seventy. George O’Brien (1899-1985) was an American actor popular during the silent film era as well as the early talkies era of the 1930’s. He is remembered most for his role in Murnau’s 1927 film “Sunrise: A Song of Two Humans”. He had an active film career which is evident by the fact that the IMDB web site gives him 85 credits. O’Brien was born in San Francisco and his father at one time, was the city’s chief of police.  During World War I, O’Brien was in the US Navy and served on a submarine chaser. He worked as a stretcher bearer for wounded Marines and was decorated for his bravery. Following the war, O’Brien became the light-heavyweight champion of the Pacific Fleet. After completing is service, O’Brien was in his early twenties and he went to Hollywood to seek work as a cameraman. He did find employment in the field and helped film for Tom Mix and Buck Jones. He then entered acting by playing bit parts and by being a stuntman. His first starring role was in “The Man Who Came Back” (1927) where he played opposite Doroth Mackaill. He then appeared in “Iron Horse” by famed director John Ford in which his counterpart was Madge Bellamy. The film was a great success and the experience forged a colloborative relationship with Ford that resulted in O’Brien appearing in nine more of the directors films. He spent much of the 1920’s as a leading man in action and adventure type roles. During the 20’s he received the nickname “the torso” because of his excellent physique. With the arrival of sound, O’Brien appeared predominately in Westerns during the 1930’s and he was considered a major draw. With the arrival of World War II, O’Brien re-enlisted in the US Navy and served as a beachmaster in the Pacific theater. He was decorated several times and when he was discharged he had attained the rank of commander. He later joined the Naval Reserve where he served as a captain. O’Brien’s last leading role was in a film that included the Three Stooges. According to his obituary,  O’Brien was buried at sea courtesy of the US Navy. This real photo postcard was published by Iris Verlag and made in Germany. The postcard is part of a series (no. 5121) and credits Fox Film.
ADDENDUM: After viewing this image, a visitor contacted me to claim that the beautiful woman in this photograph is not Virginia Valli, but instead, it is June Collyer (1906-1968). I was unable to locate information or relevant comparison images to definitively confirm that it is Collyer that is in the photograph, but I did find a film publicity photo identical to the postcard image above. The description of that photo indicates that the pictured woman is Collyer. Collyer was born in New York City and as a society girl was chosen by Allan Dwan (Director, Producer, Screen Writer) to her first starring role in “East Side, West Side. She did eleven silent films and made a successful transition to talkies. In 1928 she was he was one of the thirteen girls selected as “WAMPAS BABY STARS”. In 1930 she appeared in “The Three Sisters” and “Sweet Kitty Bellairs”. From 1930 through 1936 she starred in nineteen films. She took a sabbatical from acting in the 1940’s and did television acting during the 1950’s. June was the sister of radio actor/announcer Bud Collyer (1908-1969). He became a major game show star hosting such programs as “Beat the Clock” and “To Tell the Truth”. June Collyer was married to actor Stu Erwin. In conclusion, I am unsure whether the beautiful woman in this image is Miss Valli or Miss Collyer. It is an answerable question if someone is willing to do the requisite research.

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MYSTERIOUS STAGE ACTRESS: HELENE VERDES

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This vintage real photo postcard features actress Helene Verdes. At least I think that she is a stage actress. Perhaps a cabinet card gallery visitor knows something about her and will leave some biographical information in the form of a comment. I tried to research her but drew blanks. The photograph of Miss Verdes is by Lucien Walery and he certainly is known for his postcard portraits of theatre performers. Miss Verdes apparently didn’t receive much fame from her theatrical endeavors despite her great beauty.  Lucien Walery was a celebrated Paris photographer known for his portraits of artists and cabaret dancers from the city’s music halls. He is very well known for his portraits of Mata Hari and Josephine Baker. Walery did a lot of work in the genre of nude/erotic photography. He photographed the beautiful women of Paris between the early 1900’s and the 1920’s. Apparently there is considerable debate about Walery’s actual identity. Some contend that he was actually Stanislaw Julian Ignacy Count Ostrorog, a British photographer of Polish ancestry who may have moved to Paris in about 1900.  This postcard dates back to the early 1900’s and was published by Marqus Etoile of Paris and is part of a series (no. 310).

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Published in: on December 22, 2016 at 12:00 pm  Comments (4)  
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MARIE PREVOST: SILENT FILM STAR AND UPSETTING SUBJECT OF A SONG BY NICK LOWE

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The pretty actress featured in this vintage real photo postcard is film actress Marie Prevost (1896-1937). She was born in Canada and during her twenty-year career, she made 121 silent and talking movies. She was originally “discovered” by Mack Sennett who inked her to a film contract after she played a bit part in one of his movies. She was only on the set (Keystone Studios) because she was running an errand for the law firm where she was employed as a secretary. She became one of his Bathing Beauties in the late 1910’s. She appeared in dozens of Sennett’s short comedy films. Her first lead role was for Sennett in “Yankee Doodle in Berlin” (1919). She than began to make feature length films for Universal Studios, where she signed for $1,000.00 a week. In 1922 she moved to Warner Brothers where she became one of the studio’s leading ladies (her contract was for $1,500.00 per week). Her movie roles at Warner included “The Beautiful and Damned” (1922), “The Marriage Circle” (1924), and “Kiss Me Again” (1925). Warner Brothers dropped her in 1926 and her career began to diminish as she was offered primarily secondary roles. Her personal life also began to decline, if not plummet. Her mother died in 1926 and her second marriage, to actor Kenneth Harlan, fell apart in 1927. She became very depressed and her symptoms included alcohol abuse and binge eating. In 1928 she was cast in “The Racket” which was directed by Howard Hughes. The pair had a brief affair and when it ended, Prevost fell into an even deeper depression. It became increasingly difficult for her to obtain parts in films and her last film role was in 1936. At the age of 38, Marie Prevost died from acute alcoholism and malnutrition. Her estate was worth just three hundred dollars and her death helped prompt the creation of the Motion Picture & Television Country House and Hospital. The details of Prevost’s death have become a bit of Hollywood legend. She was found in her apartment two days after her death. Also at death scene were empty bottles of alcohol, a promissory note to Joan Crawford, and Prevost’s pet dachshund. She was discovered because neighbors had complained about her dog’s continued barking. The legend claims that by the time she was found, her corpse was half-eaten by Maxie, her dog. It was asserted that this of course was only because the dog was trying to awaken his deceased master. This story is not true, but it appeared in Kenneth Anger’s book “Hollywood Babylon” (1959) and in Nick Lowe’s song “Marie Provost” (1978). The lyrics from Lowe’s song include “She was the winner, That became the doggie’s dinner, She never meant that much to me, Woe, poor Marie”. This postcard was published by A.N. of Paris for Universal Films. It is part of as series entitled “Les Vedettes de Cinema” (The Stars of Cinema). This postcard is the first in the series (No. 1).

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