This cabinet card is absolutely special. Esteemed photographer, Victor (Viktor) Angerer (1839-1894) captures a lovely young girl in her beautiful traditional costume. She is holding a small fan and wearing a fantastic scarf and hairband. I am uncertain about what ethnicity is represented by the girl’s garb. Mr Angerer was a talented and famous photographer. The Austrian photographer was the brother of another highly respected photographer, Ludwig Angerer. Ludwig mentored his brother as a photographer and at one point, the two brothers were partners. Victor opened his own studio in Vienna (1862) and later opened two more. Their locations were Budapest, Hungary; and in the Spa town of Ischl, Austria. Images by Victor are more difficult to find than images by Ludwig. Victor took a number of photographs of the royal family. Perhaps this cabinet card is one of them. Laura Tomicek wrote a thesis about Victor Angerer during her studies at the University of Vienna. She describes him as an important photographer of the 19th century. She reports that he introduced a new photographic style during the last two decades of his life. He focussed on “street life”. That style is similar to “Street Photography” of today. Tomicek states that his photographs during that time “represent an important historical source” about public life in Vienna at the before the turn of the century. SOLD
This cabinet card portrait of a fashionable and attractive young woman is by photographer S. Weitzmann of Vienna, Austria. The image is quite stark because no props are used in the photograph. However, the lighting in the photograph creates an interesting striped effect on the wall behind the subject. The subject is unidentified. She is wearing a loose fitting dress that has a pin on it’s neckline and she is wearing a bracelet and ring. The reverse of the photograph has printing which repeats the address of the photographers studio and also lists a phone number. Research did not reveal when phone service was introduced to Vienna but did discover that international phone service between Vienna and Berlin was introduced in 1894. The date of this photograph remains unknown. To learn about S. Weitzmann and to view more of his photographs, click on the category “Photographer: Weitzmann”. This cabinet card photograph is in very good condition (see scans).
Buy this Vintage Original Cabinet Card (includes shipping within the US) #5291
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This vintage photograph features a pretty woman wearing a fancy dress. The dress has sheer material as well as sequins. The woman appears to be an actress. She seems comfortable in front of the camera. This photograph was taken by the Mertens, Mai & Company studio in Vienna, Austria. The photograph was taken circa 1900. This date was determined by viewing dated comparable photographs by this studio. This vintage portrait photograph measures 4.25 x 8 inches. (SOLD)
A pretty young lady poses for her portrait at the studio of A. Deutsch in Vienna, Austria. The woman is beautifully dressed. Perhaps she is wearing a wedding gown. Her fancy dress indicates that she probably comes from an affluent family. She is holding a bouquet of flowers in one hand and white gloves in the other hand. She is wearing a bracelet on each wrist. She appears to be in her teenage years or slightly older. The reverse of this cabinet card has pretty and unusual advertising for the Deutsch studio. This portrait cabinet card has excellent clarity and is in very good condition (see scans).
Buy this Vintage Cabinet Card photograph (includes shipping within the US) #5126
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These vintage real photo postcards feature pretty Austrian actress Mia May (1884-1980). She was born in Vienna, the daughter of a baker. Her older sister was Mitzi Telmont (1879-1958), also an actress. Mia’s stage debut was when she was five years old. She played child roles until reaching age fourteen. As a teenager she appeared as Herma Angelot and performed as an actress and singer. While a high school student, she took ballet lessons. At age 18, she married Austrian, Julius Otto Mandl. The couple’s baby (Eva Maria Mandl) was born seven weeks later. Mia’s husband changed his name to Joe May, upon his entry into the film business. He became a successful film producer and director. This is how Eva adopted her performer name. She appeared in 44 films between 1912 and 1924. Mia’s daughter, Eva May, also became an actress. In 1912, Joe, Mia, and Eva moved to Berlin, where Joe worked as a film director. In 1912 he directed Mia in a film that launched her acting career. By 1914, little Eva May made her screen debut. Joe began his own film company, May-Film Gmb, in 1915. Mia took the position of Managing Director. In 1918, Mia wrote a screen play for “Your Big Secret”. Her movie career flourished in the 1910’s and early 1920’s. From 1919 to 1920 she was the star of an eight part film series (serial) called “Mistress of the World”. Mia reached a level of popularity equivalant to Asta Nielsen, Pola Negri, and Henny Porten. In 1923, she appeared in a film with a young Marlene Dietrich. Mia stated that Marlene Dietrich was “funny and engaging, attractive and original.” She added, “no man could resist her”. Mia May’s last film appearance was in “The Love Letters of Baroness S” (1924). She retired that same year after her daughter Eva committed suicide. In 1933, after seeing the Nazis gaining power, Mia and Joe May fled to America. The couple opened a restaurant (Blue Danube) in Los Angeles but it failed.
The photo portrait of Eva May seen Postcard 1 was taken by Alexander Binder. The photographer of this terrific image was Alexander Binder (1888-1929). He had the largest photo studio in Europe during the late 1920’s and the 1930’s. Many of his entertainment star portraits appear on Ross Verlag postards. It is thought that Binder was of Swiss origin. He was of the Jewish faith. He studied engineering but did not complete his studies. From 1908 to 1910 he studied photography at a school in Munich, Germany. After the completion of his photography studies, he went to Berlin and in 1913 opened his first photography studio. Before long, he became one of the premier photographers in Berlin. He primarily focused on fashion and celebrity photography. Since Berlin was the capital of the European film industry, Binder photographed all the stars of the European film industry including, Lilian Harvey, Conrad Veidt, and Lya De Putti. Many of his images were used in popular film portrait postcards. His photographs could be seen in postcards published by Ross Verlag and Photochemie. Binder died in 1929 but new photo cards bearing his signature continued to be published until 1937. It is thought that the real photographer of these new postcards was Hubs Floeter (1910-1974) who was employed at the studio as an operator. The studio continued to be owned by Binder’s widow, Mrs. Binder Alleman and their two daughters. The studio was managed by the Jewish Elisabeth Baroness Vonhedlis Stengel who was later deported to the Theresienstadt concentration camp. In 1938 the Nazi’s closed Binder’s studio and it was later taken over by an Aryan photographer, Karl Ludwig Haenchen . The postcard was published by Ross Verlag (Berlin) as part of a series (no533/3). Note the “May” logo in the lower right corner of the image. Miss May was working for May-Film at the time this photograph was taken. The stamp box seen on the reverse of this postcard has an interesting story attached to it. “NBC” (Neue Bromsilber Convention) was a price cartel established in 1909 that continued until the 1930’s. The purpose of the cartel was to ensure that the minimum price charged for postcards was kept at a sufficiently profitable level. A number of postcard publishing companies joined the cartel in an effort to stave off the effect of competition on the pricing of postcards. This vintage real photo portrait postcard has excellent clarity and is in very good condition (see scans).
Postcard 2 was also published by Ross Verlag. Once again, the photographer is Alex Binder. The postcard is part of the same series (533/2) as Postcard 1. The “May” logo can be seen on the bottom left corner of the image. This unposted postcard is in good condition (see scans).
Postcard 3 was published by Ross Verlag (Berlin) as part of a series (no230/3). Note the “May” logo in the lower right corner of the image. Miss May was working for May-Film at the time this photograph was taken. This vintage real photo portrait postcard has excellent clarity. The postcard has small stains in it’s top right corner. Overall, the postcard is in Good Condition (see scans)
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Buy this Vintage Real Photo Postcard (includes International shipping outside the US) 3356
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Buy this Vintage Real Photo Postcard (includes shipping within the US) #3715
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Buy this Vintage Real Photo Postcard (includes shipping within the US) #5113
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These vintage real photo postcards feature beautiful German film actress Elga Brink. The IMDb reports that she appeared in sixty-nine films between 1922 and 1951. Brink was blonde and slender. She began her career in silent films. She often played supporting roles. She appeared in comedies, science fiction, drama, and even in a sex education film. She was recognized for her roles in “Comedians of Life” (1924), “Love in Intoxication? (1927), and “Marriage in Trouble” (1929). At some point she was married to director Georg Jacoby. After the second world war she mostly did stage work until her retirement from the entertainment world. She then worked as a clerk in a Hamburg law firm.
Postcard 1 was published by NBC as part of a series (No. 7375/6). The stamp box of this postcard has an interesting story. “NBC” (Neue Bromsilber Convention) was a price cartel established in 1909 that continued until the 1930’s. The purpose of the cartel was to ensure that the minimum price charged for postcards was kept at a sufficiently profitable level.This color tinted photo postcard portrait captures the beauty of Elga Brink. She is very expressive in this photograph. She appears quite amused by something. She is bundled up for winter weather. (SOLD)
Postcard 2 was published by Superfot as part of a series (No. 637/6). The stamp box of this postcard states Fotocolore. This photo postcard portrait captures the beauty of Elga Brink. She is very expressive in this photograph. She appears to be looking into the heavens. (SOLD)
Postcard 3 was published by Iris Verlag as part of a series (No. 620). On the bottom right corner of this postcard is the logo for Sascha-Films. The company was the largest Austrian film production company of the silent film and early sound film era. The film company was established in 1910 in Bohemia and in 1912 it moved to Vienna. Sascha remained in business through the 1960’s although it went through many changes of ownership and company names through the decades. (SOLD)
Postcard 4 was published by Superfot as part of a series (No. 645/1). The stamp box of this postcard states Fotocolore. This photo postcard portrait captures the beauty of Elga Brink. She is very expressive in this photograph. She has the appearance of a “deer in the headlights”. This close-up portrait is almost too close for comfort. The card is uncommon or rare. (SOLD)
This vintage real photo postcard features British born Austrian film actress, Vivian Gibson (1898-1981). Her early education included dance training. She is most associated with “Tense Moments From the Opera” (1922), “The Man Who Sold Himself” (1925), and “The Gypsy Baron” (1927). She began her film career in England, she also appeared regularly in German productions. Although she was a sucess in silent film, she was unable to make the transition into sound films. She retired and went to Vienna where she authored books. Little is known about her private life beyond that she never married. The IMDb gives Gibson 57 film credits between 1916 and 1932. This vintage postcard was published by Ross Verlag (Berlin, Germany) as part of a series (No.1827/1).Gibson’s portrait for this card was taken by the Lindner studio. He was probably a German photographer but I could not confirm his background. This postcard is in excellent condition (see scans).
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This vintage real photo postcard features a uniformed Austro-Hungarian army soldier posing with his young child. I believe the soldier holds the rank of Corporal in the military. This photo was taken in 1917; during World War I. One can’t help but wonder what the impact of the war was on both father and child. This photo postcard has light corner wear and is in overall good condition (see scans).
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This carte de visite portrait features actress Julie Marberg. She appears quite young in this photograph. She is wearing flowers in her hair and it appears that she is also wearing a hat or bow. Cdv photographs of Miss Marberg can be found in the collections of the Vienna Museum, as well as the Vienna Theater Museum. This photograph was taken by Moriz Muller Jr.. He operated a photo studio in Vienna, Austria. The reverse of the photograph displays a number of European photography awards the studio won in the 1870’s. This photograph has been trimmed to fit into an album or frame. SOLD
This carte de visite portrait features a handsome well dressed gentleman with a carefully manicured beard and mustache. The photographer of this cdv photo is Rudolf Krziwanek (1843-1905). He operated a photographic studio in Vienna, Austria between 1870 and 1905. He also ran a summer studio in Ischl (Austria) between 1879 and 1900. He took portraits of the Hapsburg Court. His photographs are part of the collections in the J. Paul Getty Museum, the National Portrait Gallery (UK), and the New York Public Library. At this point in time, there are three of Krziwanek’s photos in the Cabinet Card Gallery. Krziwanek was also an inventor. In 1905, he received a patent for a device which was used in an “air gas system”. He committed suicide that same year. Print on the reverse of the photograph states that the studio was next to the Cafe Weghuber, a popular coffeehouse. The establishment was in business between 1806 and 1865. It was founded as Cafe Eichhorn and renamed Cafe Weghuber in about 1840. Later, a park was built in front of the cafe and it became a venue for concerts and large parties. Since the Cafe Weghuber went bankrupt in 1865, it is safe to say that this photo was taken before 1865. This carte de visite photograph has excellent clarity and is in excellent condition (see scans).
Buy this Carte de Visite Photograph (includes shipping within the US) 3428
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$35.50
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Postcard 1
THE CABINET CARD GALLERY 