CARTE DE VISITE PORTRAIT OF A BEAUTIFUL YOUNG WOMAN IN PENZANCE, ENGLAND

This Carte de Visite features a very attractive and well dressed young woman. She appears to be in her teenage years or slightly beyond them. Her dress is very fancy and pretty. She is wearing a nicely decorated hat and is accessorized with a necklace and collar pin. Her hair is braided and it falls over her right shoulder. She is holding something in her hands and I am at a loss to identify what it is. Perhaps it is a handkerchief or a purse. The photographer of this cdv portrait is Robert H. Preston who operated a studio in Penzance. The town and port of Penzance are located in Cornwall, England. Robert Hawker Peniel Preston (1837-1931) was partners with Samuel Poole in the early part of his career. Later he operated his own studio until 1901. At some point, his son Richard Preston, worked with him in the photographic studio. Robert Preston married Harriet Snell Body and they had at least seven children. The advertising on the reverse of this carte de visite declares that Preston was one of the official photographers of the Prince and Princess of Wales.

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Published in: on July 25, 2017 at 3:29 pm  Comments (5)  
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TWO PORTRAITS OF BEAUTIFUL STAGE ACTRESS ALICE CRAWFORD (VINTAGE REAL PHOTO POSTCARDS)

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These vintage real photo postcards feature a beautiful actress named Alice Crawford (1882-1931). Miss Crawford was born in Bendigo, Australia. Her sister, Ruby Crawford was also an actress. Miss Crawford came to England with actor Wilson Barret in 1902 after appearing with him in Australia. Her London debut was in 1902 in in the play “The Christian”.  She was in the revival of the play in 1907. Other stage credits include “Antony and Cleopatra (1906), Matt of Merrymount (1908), and “The Passing of the Third Floor, Back” (1908). The New York Times (1909) announced her arrival in New York to perform in “These Are My People”. She is credited with film roles in “False Ambition” (1918) and Glorious Adventure (1922). There are fifteen portraits of Alice Crawford in the National Portrait Gallery, eight of which are by the photographer of the top photo postcard (Alexander Bassano}. Bassano  (1829 –1913) was a leading royal and high society photographer in Victorian London. Crawford was married to George Valentine Williams. He was wounded twice in WW I and was awarded the Military Cross. He later worked as a journalist, mostly in trouble spots. During WW2 he conducted “confidential work” for the British Government. He is best known as an author of Detective Fiction. He died in 1946. This postcard captures Miss Crawford in costume for her role as “Diantha Frothingham” in “Matt of Merrymount” (1908). Alice Crawford certainly qualifies as a “stage beauty” and she has an amazingly engaging smile. Bassano photographed the actress for Rotary Photo’s, Rotary Photographic Series (no.1852 R).                                          

The second photo postcard features Miss Crawford looking quite beautiful. Her hair is long and flowing and she has a flower hair band. Her eyes are beautiful and she appears to be holding back a smile. Like the first postcard, this card is also published by Rotary Photo and was part of a series (no. 1852 K). In fact both postcards seen here are part of the same series.  The postcard’s photograph was taken by the Dover Street Studio.  The studio was active between circa 1906 and circa 1912. The gallery specialized in taking theatrical portraits and was located in London, England. They were the successors to the Biograph Studios as well Adart (a studio that took advertising photos). Examination of the reverse of this postcard (see second postcard below) reveals that it was postmarked in 1907. The message on the back of the postcard is quite interesting because it contains comments about the photo on the postcard. The writer reports that she was charmed by a postcard from the addressee and she asks her how she likes “this one”. The writer also states that she was planning to go see “The Thief” at the St. James Theater. Billboard (1907) contains a review of the musical and describes it as an English version of Henry Bernstein’s “Le Voleur”.  The play was produced by Mr George Alexander and it’s cast included Mr. Alexander, Irene Vanbrugh, and Lillian Braithwaite. 

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PORTRAIT OF LILY ELSIE: BEAUTIFUL AND TALENTED STAGE ACTRESS (VINTAGE RPPC)

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This vintage real photo postcard features celebrated stage actress Miss Lily Elsie (1886-1962). At the time of her portrait sitting for this image, Miss Elsie was also known as “Mrs. Ian Bullugh”. More about that later. Lily Elsie was a very popular English actress and singer. She was most known for her starring role in the London production of “The Merry Widow (1907)”. The show ran for 778 performances. A critic for The Pelican (1907) wrote that “the youthfulness, the dainty charm and grace, the prettiness and the exquisite dancing with which Miss Elsie invests the part…. I share the opinion of most of the first-nighters, who considered it could not have been in better hands, and could not have been better handled…. The night was a genuine triumph for Miss Elsie, and she well deserved all the calls she received”. She began as a child actress and before her big break had appeared in a number of Edwardian musical comedies. She was charming and beautiful and became one of the most photographed actresses of her time. Lily Elsie’s dad was a theater worker and her aunt was well known actress Ada Reeve. Shortly after the turn of the century she joined George Edwardes’ company at the Daly Theater. Some of her early appearances included “A Chinese Honeymoon”, “Lady Madcap”, “The Little Michus (1905)”. In the years between 1900 and 1906 she appeared in 14 shows. After the “Merry Widow” she appeared in  26 more shows including “The Dollar Princess” (1909) and “A Waltz Dream” (1911). She clearly was an actress who was in demand. Men paid her much attention but apparently she did not enjoy the attention. Lucile, her costume designer for “The Merry Widow” stated that Elsie was “absolutely indifferent to men and had once said that she disliked “the male character”. She added that men would only behave well if a woman “treated them coldly”. Now, some words about her marriage. In 1911 she he left the cast of a play in which she was performing to marry Major John Ian Bullough (1885–1936). Major Bullough was the son of a wealthy textile manufacturer. He was formerly married to actress Maude Darrell who only survived one year after their 1909 marriage. The marriage between Elsie and Bullough was reported to be very unhappy. Elsie’s health began to deteriorate and her husband pressured her to quit the stage and she was ready to do so. She returned to the stage during the war years (World War I) and was active in fund raising for the war effort. She next took a ten year break from the stage only to return once again. Her final performance took place in the Daly Theater in the play “The Truth Game” (1929). In addition to her theater career, Elsie made recordings, and appeared in two films, including D. W. Griffith’s “The Great Love” (1918). Also appearing in that film was Lillian Gish. In 1930 Elsie’s marriage ended in divorce. Her health began to deteriorate more and she developed hypochondriasis causing her to spend much time in nursing homes and sanitariums. Due to her psychological problems she had brain surgery. Her final years were spent at St. Andrews hospital in London. This postcard is part of a series (Arcadian no. A 26). The photographer of this image of this beautiful actress is the well known celebrity photographer, Rita Martin. She was considered one of the best British photographers of her time. She opened her studio in 1906. Martin’s sister, Lallie Charles was an esteemed society photographer. Many of Rita’s photographs can be found in the National Portrait Gallery. To view more photographs by Rita Martin in the cabinet card gallery, click on the category “Photographer: Martin”.

The second postcard of Miss Elsie provides a terrific close-up photograph of the beautiful Miss Elsie. She is wearing a dark jacket, a frilly high collared blouse and a ribbon bow tie. Her accessories include a long necklace, a pin low on her blouse, and a corsage. The postcard is part of the Rotary Photographic Series (no. 4159 J) published by Rotary Photo. The photograph was taken by the Foulsham & Banfield Studio. Foulsham & Banfield were well known celebrity photographers. Frank Foulsham and A. C. Banfield operated a studio in the 1900’s through the 1920’s.

The third postcard features Lily Elsie clutching a bouquet of flowers and glancing sideways at the photographer. She looks absolutely beautiful. She is wearing a fancy beaded dress and a bracelet. She stands in front of a window. This photograph, like the second postcard’s photo, was taken by the Foulsham & Banfield studio. The portrait postcard was published by Rotary Photo and is part of a series (11840 F). The postcard was printed in Britain.

                                              

                                                       Wedding Photo (1911)

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TWO PORTRAITS OF BEAUTIFUL BRITISH ACTRESS/SINGER: WINIFRED BARNES (PHOTOS BY RITA MARTIN)

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These vintage real photo postcards feature British actress Winifred Barnes. She is absolutely beautiful and photographer, Rita Martin did a fine job of capturing both her beauty and personality in these photographs. It is not surprising that Rita Martin produced such fine photo postcards. Miss Martin was well known for her expertise in taking portraits of theater stars and other celebrities. Other images by Rita Martin can be seen by clicking on the Cabinet Card Gallery’s category “Photographer: Rita Martin”. Barnes made her theatrical debut in a minor role in “Our Miss Gibbs” at the Gaiety Theater in 1909. Great Britain’s National Portrait Gallery has ten portraits of Winifred Barnes including one by Rita Martin. Her obituary appears in the New York Times (1935). The article describes her as a former chorus girl who became a star. She was one of George Edwardes’s leading actresses. Edwardes (1855-1915) was an English theatre manager and producer who received much credit for his contribution to British musical theatre. Many of Barnes’s major roles occurred during the first World War. She scored a huge success in the production of “Betty” (1915) at Daly’s Theatre. After her 1924 marriage to barrister, Roy Faulkner, she became a successful poultry farmer. She also became widely known for her cooking expertise. Both of these photo postcards were produced by Rotary Photo of London. The two postcards are part of a series (A. 1123-1) and (11867 A).

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MISS EVELEEN RAINE: PRETTY THEATRE ACTRESS (PHOTO BY ELLIOTT AND FRY)

rayneThis cabinet card portrait features stage actress Eveleen (Evelyn) Rayne. She became titled when she married George Fitzwilliam in 1888. She died in 1925. The Elliott & Fry studio produced this image. This Victorian photographic studio and photographic film manufacturer was founded in 1863 by Joseph John Elliott and Clarence Edmund Fry. For an entire century the studio took and published images of leading Victorian luminaries from the fields of science, public service, art, politics as well as celebrities of the day. To view other photographs by this studio click on the category “Photographer: Elliott & Fry”.

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Published in: on December 7, 2016 at 12:00 pm  Leave a Comment  
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MISS GERTIE MILLAR: BEAUTIFUL AND TALENTED BRITISH STAGE ACTRESS

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This vintage real photo postcard features beautiful English actress and singer Gertrude (Gertie) Millar (1879-1952). She was well known for her performances in Edwardian musical comedies. She began acting as a child (age 13) and was a well known star of musical comedies for two decades. Her first husband, Lionel Monckton, was the composer of many of her shows and songs. Monckton died in 1924 and Millar later married the 2nd Earl of Dudley, making her the Countess of Dudley. Some of Millar’s earlier appearances involved roles in “A Game of Cards” (1897), “Cinderella” (1899), “The Messenger Boy” (1900), and “The Toreador” (1901) at the Gaiety Theatre. By this time some of the songs she performedad become big hits. Gertie Millar was quite beautiful and was one of the most photographed women of the Edwardian period. Evidence of her popularity is the fact that there are 88 photographs of Miss Millar in England’s National Portrait Gallery. Many of these images appeared on postcards which became a popular collectors item.Gertie Millar was tall, thin and attractive with dark hair and large and very clear eyes. In addition she has been described as tough, determined and ambitious. Miss Millar appeared in many theatrical productions as the twentieth century progressed. In fact, between 1901 and 1910 Millar was the leading star of the Gaiety Theatre. Millar’s appearances included “The Orchid” (1903), “The Girls of Gottenberg” (1907), and “Our Miss Gibbs” (1909), “Gipsy Love” (1912). Gertie Millar went to the United States to star in the “Girls of Gottenberg” (1908) on Broadway. In 1914 she appeared in a film entitled “The House of Bondage”. After appearing in a number of less successful theatrical productions, Gertie Millar left the stage in 1918. Her husband died in 1924 and two months later she married the 2nd Earl of Dudley. The speed at which she remarried may reflect the unhappy state of her relationship with Mr. Monckton. The website “Stage Beauty” informs us that this theatrical couple had problems for many years. In fact the couple had unfortunate theatrics in their personal life. Mr Monckton was a jealous man and Miss Millar was a woman who attracted lots of male attention. This was a bad combination. A major dramatic incident occurred in  1905 when a young German nobleman who was infatuated with Gertie, broke into her marital residence and committed suicide by shooting himself in the head  at her dressing table. Gertie denied any involvement with the obsessed man but her husband refused to believe her denial. In 1910 her romantic life was in the news again because of speculation about her involvement with the Duke of Westminister. This publicity was considered a major cause of the Duke’s estrangement from his wife. This postcard portrait was taken by celebrity photographer, Rita Martin. She is considered one of the best British photographers of her time. Rita had a specialty in photographing actresses. Her sister was celebrated society photographer Lallie Charles. To learn more about Rita Martin and to view more of her photographs, click on the category “Photographer: Rita Martin”. This postcard portrait is part of the “Lilywhite Series” (no. L 22). The postcard has a postmark from Shipley, England (1918) and is addressed to someone in Penrith, England. The postcard has an interesting message which includes the following first line; “Hope you have not got this one (postcard) of Gertie …..”. Click on the you tube video below to hear Gertie Millar sing “Moonstruck” from the musical comedy “Our Miss Gibbs” (1909).

 

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PORTRAIT OF SIX ARMED HUSSAR SOLDIERS IN UNIFORM

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This vintage real photo postcard features six soldiers standing at attention. Each of the men are holding sabres. Note the soldiers elaborate hats. The men appear to be Hussars. A Hussar is a soldier who was a member of one of several types of light cavalries operating during the 18th and 19th centuries. The term originally is derived from the late medieval cavalry of Hungary but the term later applied to light cavalry units of other European armies of the time. This postcard was produced in Great Britain by photographer Fred Arthur. Initial research reveals that he had a studio in Liverpool.

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Published in: on September 10, 2016 at 12:00 pm  Comments (1)  
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YOUNG GIRL IN TYROLEAN COSTUME WITH MANDOLIN IN BECKENHAM, ENGLAND

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This exceptional cabinet card portrait features a young girl wearing a Tyrolean costume and playing a mandolin. She looks absolutely adorable. The photograph comes from photographer F Valery who operated a studio in Beckenham, England. When Frederick Valery went home to his wife and family, he was no longer Frederick Valery. Instead he became James Frederick Lowrie. Apparently, Frederick Valery was Lowrie’s “nom de camera”. Lowrie was born in London in 1853. He was married to Millie (1855-?) and the couple had two sons and one daughter. Lowrie was a photographer from at least 1901 through 1907. The British Journal of Photography (1906) reported the “sudden death” of Mr. Lowrie. He had two studios, one in Beckenham, and the second one in Bromley. The journal states that Lowrie “dropped dead” while photographing a girl in his Bromley studio. He was 53 years old at the time of his death. His cause of death was heart disease. If this image is typical of his work, Lowrie certainly was a gifted photographer.

Published in: on April 16, 2015 at 12:00 pm  Comments (3)  
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THE HONORABLE LORD ASHBOURNE: CHANCELLOR OF IRELAND AND FATHER OF THE WOULD BE ASSASSIN OF MUSSOLINI (CAB CARD)

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The London Stereoscopic Company produced this cabinet card portrait of the Honorable Lord Ashbourne. The title Lord Ashbourne was created in 1886 for Edward Gibson (1837-1913), the Lord Chancellor of Ireland. Gibson was appointed Ireland’s attorney general in 1877. His daughter, the honorable Violet Gibson (1876-1956) is known for her attempted assassination of Italy’s Benito Mussolini in 1926. She shot him three times while he sat in a car but merely lightly wounded him. After nearly being lynched by a mob, she was deported to England where she spent the rest of her life in a mental institution. An image of the verso of this cabinet card can be found below. The advertising reveals that the London Stereoscopic studio was photographer used by Britain’s royal family. It is also stated that the studio has won medals for photography in many cities throughout the world. It is also interesting to note that the advertising advises customers that free photography lessons, studios, and darkrooms were available to their clients. To view other images by the London Stereoscopic studio, click on the category “Photographer: London Stereoscopic”.

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TWO ENGLISH BOYS AND THEIR YORKSHIRE TERRIER

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W. H. De Lan took on the challenge of photographing the two boys and their dog featured in this cabinet card portrait. Dogs tend to have difficulty comprehending photographer’s instructions so producing a good photograph of a dog is quite a respectable feat. The compliant dog in this photograph appears to be a Yorkshire Terrier. The boys in this image are well dressed and the seated child has a pocket watch. Research yielded little information about W. H. De Lan. One source stated that he operated his studio in Bridge End which is a village in Northumberland, England. A second source reported that he was a photographer in Bradford, a borough of West Yorkshire.

Published in: on July 22, 2014 at 12:10 pm  Leave a Comment  
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