This post mortem cabinet card image features an older bearded man partially covered with flowers. The card on the bottom right hand corner of the image likely has the words of a prayer or a religious reading. The image has amazing clarity. The deceased gentleman is lying at an unusual angle. The photographer of this cabinet card image is the Kandel studio which was located in Schwabach, Germany. The town is near Nuremberg and in the center of the Franconia region in North Bavaria. Hopefully, visitors to the Cabinet Card Gallery will not find this image offensive. Photographs of deceased family members were commonplace during the nineteenth and early twentieth centuries in America and Europe. The images helped surviving loved ones through the grieving process. In addition, sometimes the post mortem photographs were the only images possessed by the deceased’s family.

Published in: on March 13, 2017 at 7:18 pm  Comments (3)  
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babyThis cabinet card features a very beautiful baby wearing a long gown. Her hair is styled beautifully and her eyes are wide open. This sweet baby looks like a doll. She is either wearing flowers on her gown or else someone has placed flowers on her. At first I thought this was a lovely portrait of a baby girl. However, the longer I have owned this image, the more I think that this is a post mortem portrait. The little girl’s expression and the size and placement of the flowers has led me to believe that her poor soul had departed before the photographer took this photograph. This photograph really tugs at my emotions. The image was taken by the Rodgers & Manson studio (Gem Gallery) in Elwood, Indiana.


Published in: on December 25, 2014 at 12:02 pm  Comments (5)  
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This cabinet card is a postmortem photograph of a young girl. The image is upsetting and sad, but served as a remembrance of a family member for their grief stricken family. Note the flowers and cross lying on the child’s bed and the religious statues and candles on the side table.   The photographer of this cabinet card was R. Dechavannes, whose studio was located in Paris, France. To view other photographs by Dechavannes, click on the category “Photographer: Dechavannes”. Hopefully, visitors to the cabinet card gallery will not find this image offensive. A website  called “Ostrobogulous Cackleberries”, has an interesting article about the practice of postmortem photography. The writer states that during the Victorian era, photographing the recently deceased was “extremely prevalent”. The author points out that the practice existed before the invention of the camera. Instead of photographing the dead, artists painted their portraits immediately following their death. In many cases, the postmortem photo was the only image a family possessed of the departed family member. Many of the Victorian memorial photographs were of infants and children. The mortality rate of children during that time was very high. The writer offers a description of how the dead were posed and there seems to be a great deal of approaches to the practice. Postmortem images could be full body or facial close-ups. Coffins were not frequently included in the picture. The dead were often posed as if they were sleeping and sometimes were presented as life-like. In some photos they were braced or tied into chairs or propped up against other family members to look as alive as possible. According to the article, the popularity of postmortem photography faded in the early twentieth century. Funerals moved from the home parlor tot the funeral parlor. Society stopped “embracing mortality” and we became the death denying culture of today.