PORTRAIT OF A LITTLE GIRL IN A STUDIO SNOWSTORM


This vintage real photo postcard features a a little girl
dressed in her winter clothing using her umbrella to 
protect her from falling snow.The little girl is adorable
and is wearing a very cute expression.The postcard is 
a New Years card. On the message side of the postcard 
is a sweet note from Aimee Banchet to her "Godmother and 
Uncle". Google Translate came up with a rough translation 
indicating that the card is a message from a niece 
to her Aunt and Uncle wishing them much love and happiness 
upon the New Year. The card is addressed to Mr and 
Mrs Martin who resided in the town of Chonon les Bains, 
France.The town is located in the Auvergne-Rhône-Alpes
region of eastern France. The postcard is from the early 
1900's.The logo for the postcard publisher appears to
be "H.B.". Two postcard publishers used those initials; 
Hutson Brothers Ltd (London,England) and Hoursch & 
Bechstedt (Cologne,Germany).  

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Published in: on August 22, 2017 at 12:00 pm  Comments (2)  
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PORTRAIT OF ONE OF THE MOST BEAUTIFUL WOMEN OF FRANCE (PHOTOGRAPHED BY ALFRED NOYER)

This vintage real photo postcard is part of a series named “Les Plus Belles Femmes de France” (The Most Beautiful Women of France). This series is about gem stones, and the model for this image represents “Topaze” (Topaz). There were a number of different series published. One of the more popular series was one in which models represented different French Provinces by wearing traditional clothing from that particular area of the country. This postcard was edited by well known photographer Alfred Noyer. The celebrated photographer supervised a large photo studio in Paris. The Noyer Studio operated from 1910 until the 1940’s. Many of his early postcards were reproductions of artworks. He also produced illustrated patriotic postcards during World War I. With the onset of the 1920’s he began producing postcards of children and women. Many of the postcards he produced of women were nudes or risque images. Some of his postcards list his name while others are simply marked “AN”.

Published in: on August 20, 2017 at 12:00 pm  Comments (1)  
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SWEET BABY GIRL SITTING ON A PILLOW

This vintage real photo postcard features a very cute baby sitting on a pillow. The little princess is bright eyed and is smiling for the photographer. Note the loose necklace worn by this sweet little girl. The photographer of this image is unknown. His name and address are printed on the reverse of the postcard but time has made the print illegible.

Published in: on August 18, 2017 at 12:00 pm  Leave a Comment  

PORTRAIT OF GERMAN ACTRESS LISSI ARNA (PHOTOGRAPHED BY THE CELEBRATED MANASSE STUDIO)

This vintage real photo postcard features German actress Lissi Arna (1900-1964). She is known for the films “Harbor Drift” (1929, The Squeeker (1931), and Under the Lantern (1928). She appeared in German silent films and entered US films in 1930. She was an exotic femme fatale in German silents She was married to a doctor in 1939 and the couple lived in Venezuela until his death. She appeared in Hollywood in German language versions of American films. She was in the US for only one year and failed to get significant offers from any of the major studios. In the sound era she gradually lost her popularity and was confined to supporting roles through the 1930’s. The IMDb credits her with 62 films between 1915 and 1962. View the YouTube video below to see Lissi Arne appearing in “Under the Lantern” (1928).This postcard was published by Ross Verlag as part of a series (no. 4199/2). Miss Arna’s portrait was taken by the Manasse studio which was located in Vienna, Austria. There also was a branch of the studio in Berlin. The Manasse studio was in existence between about 1922 and 1938. The studio was run by Olga Solarics (1896-1969) and her husband Adorja’n von Wlassics (1893-1946). Olga was known for her interest in photographing nudes. The studio flourished in Vienna during the 1930’s. Many of the portraits taken by the studio had an erotic flavor. The studio attracted some of the leading ladies of film and theater. The studio was also involved in producing photographs for advertising. This husband and wife team of photographers were very talented and very successful in their profession.

PRETTY PRIMA DONNA: MINNIE ASHLEY

This vintage real photo postcard features theater actress Minnie Ashley (1878-1946). She was one of the great “stage beauties” of the end of the 19th century. She was a talented singer and dancer and she was featured in the madcap musical “1492” (1892). In Boston she performed with the Museum Company and in New York she was a member of the Augustin Daly Company. She had many successes including her performance in “A Country Girl”, “Wang”, and “San Troy”. Her acting resulted in a medical problem. The prolonged exposure to theatrical arc lights caused vision problems. In 1902 she left her acting career and married politician William Astor Chanler who was an affluent grandson of John Jacob Astor. Medical treatment did not help her vision problems and Miss Ashley than put her efforts into sculpting. Chanler and Ashley separated in 1909. She made an attempt at returning to the stage in 1911 but soon opted to pursue her sculpting. During her artistic career she worked under the name of Beatrice Ashley Chanler. In addition to the sculpting, she was active in philanthropy. The book “Famous Prima Donnas” (1900) by Lewis Clinton Strang, devotes a chapter to Minnie Ashley. He describes her as having “artless girlishness, remarkable personal charm, and skill as an imaginative dancer scarcely equalled on the American stage”. He adds that these talents explain her “sudden success” in musical comedy. He describes her dancing as “artistic in every sense” but asserts she was not exceptionally talented in the realm of acting and singing. However, Strang is very complimentary of Ashley’s appearance. He states “nature was indeed good to her when it endowed her with a most fascinating personality, a pretty piquant face, and a slim graceful figure. This postcard was published by the Rotograph Company (New York) and was part of a series (no. B 174).                                                                                                The second postcard has the same portrait of Miss Ashley except the image is color tinted. It became common practice around 1902 to hand color photo postcards. Rising labor costs led to the decreasing use of this practice after the 1930’s.  This postcard, like the one above it, was produced by the Rotograph Company (New York) and was part of a series (H.B. 14/30). The postcard was mailed and has a 1910 postmark from Warren, Ohio.

                                                                                                                                          REVERSE OF TOP POSTCARD
ashley 2                                                                                                                                      REVERSE OF BOTTOM POSTCARD

THREE PORTRAITS OF PRETTY EUROPEAN STAGE ACTRESS LIANE HAID

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These vintage real photo postcards features European film star Liane Haid (1895-2000). In the top postcard she poses holding a tennis racket and wearing a hair band to keep her hair out of her eyes. She is quite beautiful but how can we interpret her facial expression. To me, it looks like she is rolling her eyes as if she is bothered by something. Who is Liane Haid? She was born in Vienna, Austria and received training in both dance and singing. She gained the nickname of “Sweet Viennese Girl”. Haid was a prima ballerina, dancer, singer and stage actress. She worked in Budapest and Vienna as a dancer. Her stage career was mostly in Berlin and Vienna. She became a popular pin-up star through the 1920’s and 1930’s. Her first movie role was in a World War I propaganda film. She was employed by UFA and appeared in a number of comedy films  alongside other movie stars including Willi Forst, Bruno Kastner, and Georg Alexander. UFA was a major German Film producer and distributor that operated between 1917 through the end of World War II. Liane Haid refused a number of Hollywood offers but in 1942, she escaped Nazi Germany and went to Switzerland according to Wikipedia, “because of the regime, because everything was bombed, and because all the good directors had left”. Soon thereafter she got married and retired from films. She was married three times. The IMDB web site states that she has 92 film credits from 1915 through 1953. Notable films include “Lady Hamilton” (1921), “Lucrezia Borgia” (1926), and “The Song is Ended” (1930). The photographer of this terrific image was Alexander Binder (1888-1929). He had the largest photo studio in Europe during the late 1920’s and the 1930’s. Many of his entertainment star portraits appear on Ross Verlag postards. It is thought that Binder was of Swiss origin. He was of the Jewish faith. He studied engineering but did not complete his studies. From 1908 to 1910 he studied photography at a school in Munich, Germany. After the completion of his photography studies, he went to Berlin and in 1913 opened his first photography studio. Before long, he became one of the premier photographers in Berlin.  He primarily focussed on fashion and celebrity photography. Since Berlin was the capital of the European film industry, Binder photographed all the stars of the European film industry including, Lilian Harvey, Conrad Veidt, and Lya De Putti. Many of his images were used in popular film portrait postcards. His photographs could be seen in postcards published by Ross Verlag and Photochemie. Binder died in 1929 but new photo cards bearing his signature continued to be published until 1937. It is thought that the real photographer of these new postcards was Hubs Floeter (1910-1974) who was employed at the studio as an operator. The studio continued to be owned by Binder’s widow, Mrs. Binder Alleman and their two daughters. The studio was managed by the Jewish Elisabeth Baroness Vonhedlis Stengel who was later deported to the Theresienstadt concentration camp. In 1938 the Nazi’s closed Binder’s studio and it was later taken over by an Aryan photographer, Karl Ludwig Haenchen . Haenchen continued to produce celebrity portraits for postcards. His publishers included Film-Foto-Verlag. After World War II the studio was taken over by the Hasse und Wiese company.                                                          The second vintage postcard portrait of Miss Haid was also the work of Alexander Binder. The actress looks beautiful in her art deco lace headdress. Her eyes can be described as spell binding. The postcard was published by Germany’s Ross Verlag and is part of a series (no. 544/4). Also credited for this photograph is “Micco Film”. Before working for Micco Film, Haid was employed by Kunstfilm. She was very successful working for the company but in 1920 she sued the company for physically exploiting her (placing her in dangerous situations) and for making her financially responsible for her own makeup and costuming. Haid’s husband, industrialist Fritz  von Haymerle, built her a studio (Micco-Film) in Vienna to further promote her career.                                                                               The third real photo postcard, seen above, was produced by publisher Ross Verlag (Berlin). Once again, Liane Haid appears beautiful in her portrait. The photograph was taken by the Ring studio in Vienna, Austria. A logo for Micco-Film appears in the lower right hand corner of the postcard. 

haid-1              REVERSE OF TOP POSTCARD

haid-1                                                                                                REVERSE OF SECOND POSTCARD

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 REVERSE OF BOTTOM POSTCARD

ENGLISH THEATRE ACTRESS PAMELA GAYTHORNE AND HER NOT SO SUBTLE HAT

This vintage real photo postcard features English stage actress Pamela Gaythorne. She is quite attractive and wearing much jewelry and lace. Note her not so subtle hat. It looks as if a seagull is resting on her head.  Miss Gaythorne is captured in this image as she appeared in “The Fascinating Mr. Vanderveldt. She appeared in this theatre production with Violet Vanbrugh and Arthur Bourchier. The IBDB reveals that Miss Gaythorne appeared in, and often starred in, 12 Broadway productions. Her Broadway career spanned from “Keeping Up Appearances” (1910) through “This Fine-Pretty World” (1923). The New York Times (2/14/1911) reviewed a play named “Nobody’s Daughter”. Gaythorne appeared in this play and in writing about her, the reviewer wrote that he “heartily commends” her performance. The article adds that she played her character with “delightful spontaneity, charm, variety, and suggested youth and spirit, while touching the more sentimental passages with manifest sincerity”. The photographers of this image was Foulsham and Banfield, a prolific celebrity postcard portrait studio. The postcard was produced by Rotary Photo and is part of a series (no. 4107 A). The message on this card is from Bob to Miss Marion Lipman and states “I will come in and see you when I go to the city”. Also written in the message section is what appears to be “The Empire Confectionary”. Perhaps a Cabinet Card Gallery visitor can throw some illumination on that term and also ascertain what nation the stamp of this postcard represents. The postcard is postmarked 1906.

INCREDIBLY CUTE GIRL AND HER TEDDY BEAR

This little girl is one of the cutest kids that I have ever seen featured in a real photo postcard; and I have seen lots of real photo postcards. She has a terrific grin and engaging eyes. She is sitting on an attractive fabric covered bench and holding a teddy bear. She is leaning against an interesting pillow with a bow and arrow type design. The child’s and the photographer’s name are not identified and the location of the studio is unknown.

Published in: on June 26, 2017 at 4:56 pm  Comments (1)  
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PORTRAIT OF TWO YOUNG CHILDREN: THE BABY IS SMOKING A CIGAR

 

This vintage real photo postcard captures two siblings posing for their portrait. They are standing in front of a doorway of what appears to be a business. There is a “closed” sign on the door’s window. The older sibling is a little girl wearing a flower topped hat and holding a dainty purse. The younger sibling is sitting in a stroller of some sort and appears to have a cigar in his/her mouth. The baby is holding some sort of stick and is strapped into the stroller. There are some hints to the identity of these children. Below the image are the names “Russel and Leone Lannier”. On the reverse of the postcard is the name “Clayton Allen”. This evidence was not enough to facilitate a successful identification of these children. The stampbox on this postcard shows the logo “Kruxo” which indicates that it was produced sometime between 1908 and the 1920’s. Kruxo photo paper was made by Kilborn.

PORTRAIT OF A HANDSOME WESTERN MAN IN SPOKANE, WASHINGTON

A handsome man poses for his portrait at “Casper’s Studio” in Spokane, Washington. An inscription on the reverse of this vintage real photo reveals that the gentleman’s name is Vincent Vergel Matson (1885-1978). Matson dressed up for this photograph. He is wearing a western vested suit and western hat. Matson was born is South Dakota. The 1900 US census finds him living with his family on the Blackfoot Indian Reservation in Teton, Montana. The 1910 census lists him as living in Edwards, Montana and working as a farmer. By 1920, he moved again. This time he was residing in North Bonners Ferry, Idaho and working as a laborer. He was still working as a laborer at the time of the 1930 census and he was living in a Boarding House in Spokane. He was living in Kalispell, Montana at the time he registered for the draft in 1942. He was listed in the 1943 Kalispell directory as a laborer. At the time of Matson’s death in 1978, he was living in Beaverhead, Montana. My research did not find any record of Matson ever marrying. One has to wonder if Matson was a bit of a drifter. He appears to have moved around a lot, not letting the grass grow under his feet. He had no wife or kids, and could take on labor work wherever he lived. This postcard has an AZO stamp box indicating that it was produced between 1904 and 1918.