The top Cabinet Card is an image of two Salvation Army workers photographed by Suddard of Fall River, Massachusetts. The young couple are both in uniform; he has a tambourine and she is holding a trumpet. It is interesting to note that he is wearing a late 1800’s version of an embossed tee shirt. His shirt’s lettering states “NO CROSS NO CROWN”. A present day, non religious meaning of this saying would be “no pain, no gain”. The motto on the shirt was a widely used expression and an early user of the phrase was William Penn, the founder of the Quaker colong of Pennsylvania. The second photograph, also by Suddard, shows the same couple in a different studio setting. Once again, the couple is attired in a salvation army uniform. The gentleman is wearing a different style uniform than he wore in the top photograph. In the bottom photograph, the woman has taken possession of the tambourine and the man is holding papers. These two cabinet cards were purchased more than two years apart and I am fairly certain that they were purchased from different sellers. Amazingly, these images have ended up together again. A third cabinet card image by Suddard can be found elsewhere in the Cabinet Gallery. It can be accessed by clicking the category “Photographers: Suddard”.
A young man, wearing a salvation army uniform, poses for his portrait at a studio in Philadelphia, Pennsylvania. The man has long hair and a great mustache. The photographer of this image was Frank A. Kroneberger (1847-?). The photographer’s studio was located at 1313 and 1315 Columbia Avenue. Kroneberger was born in Maryland and was of German heritage. He appears in the 1900 census as living in Philadelphia and working as a photographer. He was listed as being married to Henrietta Kroneberger since 1870 and as having three daughters (age 16 to age 21). Kroneberger had longevity in the field of photography. He is listed in various directories (from 1877 to 1918) as being a photographer. He appears to have started his career in Chester, Pennsylvania. To view other images of Salvation Army workers, click on the category “Salvation Army”.
This photograph presents a bit of a mystery. What organization does this couple represent? Their uniforms appear to be salvation army garb. However, many salvation army workers wore the letter “S” on their collar while this couple has the letter “F” on their collars. Many salvation army members wore a collar badge with “Salvation Army” written on it. The gentleman in this image doesn’t appear to be wearing such a badge, but the woman may have one, but it is unreadable. The individuals each have a bar on their shoulders which may indicate a higher than basic rank. Note the wire rim glasses that the gentleman is wearing and the magazine that he is holding. The reverse of the photograph has the name Swanson written on it. The photographer who produced this image is James E. Purdy.The reverse of the photograph indicates that Purdy was the successor to Hastings, the former operator of the studio. Purdy’s studio was located at 146 Tremont Street, in Boston, Massachusetts. He operated his studio in Boston between 1896 and 1930. He was a popular photographer in Boston. He was considered to be in the same caliber as the celebrated photographer, Chickering (to view photographs by Chickering, click on cabinet card gallery’s category “Photographer: Chickering”). One of the many famous people he photographed was Winston Churchill, who was in Boston (1900) lecturing about the Boer War. This is not the same Winston Churchill who so ably led Great Britain.
This photograph, by Dillon, features two young woman in their Salvation Army uniforms. Dillon’s studio was located in Chicago, Illinois. The woman’s Salvation Army brooches are worn at their collar. Note that one of the woman is wearing spectacles. The name “Walker” is written twice on the back of the photograph. The names appear directly above and below each other which likely indicates that each woman is named Walker, and that they are sisters. To view other photographs of Salvation Army workers, click on the category “Salvation Army”. The photographer of this image may have been S. W. Dillon, who was the Vice President of the Chicago Photographers Club, according to an article in The Photo Beacon (1897).
A handsome young man poses for this portrait in his Salvation Army uniform. His embroidered shirt is labeled “Salvation Army” and has three crosses beneath the lettering. The gentleman’s hat also is labelled “Salvation Army”. The photographer is F. I. Stofflet of Bangor, Pennsylvania. Frank Stofflet was the subject of a law journal article (1894). Stofflet was the defendant against T. J. Stofflett in a case involving violation of a “no compete clause”. )To view other cabinet card images of Salvation Army workers; click on the category “Salvation Army”.
Two young women in Salvation Army uniforms, pose for their portrait at the Carter Art Studio, in New York City, New York. Note that one woman is wearing Salvation Army pins on both collars and that both women are wearing Salvation Army badges at their collar. The woman appear to be in their twenties, and one wonders what motivated them to join the Salvation Army. Did they have religious convictions that drew them to the organization? Were they hoping to help people or change the world in a positive way? Did they see joining the Salvation Army as a way to be able to live in exciting New York City. Unfortunately, the answers to these questions are lost to history. To see a collection of images of other Salvation Army workers;click on the Cabinet Card Gallery’s category “Salvation Army”.
This cabinet card is a portrait of a young couple in their Salvation Army uniforms. The woman is wearing a pin on her collar, and the man is wearing a hat that identifies them as Salvation Army members. There is a great deal of familiarity between the couple which is illustrated by the woman resting her hand and part of her arm on the man’s shoulder. The photographer, Somiesky, was located in Pottstown, Pennsylvania. To see other photographs of Salvation Army members, click on Cabinet Card Gallery’s category of “Salvation Army”.
A young woman dressed in her Salvation Army uniform poses for her portrait in a Brooklyn, New York photographic studio (262 Columbia Street). The woman appears to be holding a bible and her Salvation Army badge is evident on her collar. The name of the photographer is difficult to interpret but it appears to be Thelou & Co. Research reveals that another photographer, named Leeds, also operated at the Columbia Street address, and that in 1883, the studio was put up for sale.
This cabinet card photograph features a couple dressed in Salvation Army Uniforms. They are likely a married couple considering the familiarity evident by the woman resting her hand on the mans shoulder. The man is holding his hat on his knee and is wearing a Salvation Army Badge. The photograph was taken at Lachman’s Studio in Pottstown, Pennsylvania. A photographic journal (1894) cites a studio called Isaac S. Lachman & Son located in Pottstown. Anthony’s Photographic Bulletin (1901) reports the “recent death” of Isaac Lachman.