MARGARET HALSTON: BEAUTIFUL SHAKESPEARIAN ACTRESS AND FILM STAR

Margaret Halston, in her role as Desdemona in Othello, is the subject of this real photo postcard published by Percy Guttenberg of Manchester, England. The postcard is part of the “Revival Series” (no.122). Margaret Halston (1879-1967) was an English actress born in London, England as Clara Maud Hertz. A number of references mention that she was of Jewish descent. She was known for both theater, film, and television performances. Among her popular performances was in “Tell Your Children” (1922), “The Holly and the Ivy” 1952, and “Touch and Go” (1955). She began her acting career in amateur theatre and she made her professional stage debut at the Haymarket Theater in 1895. Her roles became larger over time until she became a leading actress appearing in plays such as  ‘Hamlet   ‘ (1896), “Antony and Cleopatra” (1897), and “The Taming of the Shrew” (1897). At the turn of the century she became part of Frank Benson’s theatre group and took numerous roles in Shakespearian theatre. It is reported that she acted in almost all of Shakespeare’s plays. She later worked in George Alexander and Herbert Beerbohm-Tree’s theater groups. She became involved in film in 1916 when she made her debut with “A Bunch of Violets”. Over the next few years she appeared in a small number of silent movies. She adapted well to sound films and appeared in a number of them. IMDB credits her with appearing in sixteen films between 1917 and 1956. The site also lists three television credits between 1938 and 1955. Miss Halstan was certainly an entertainment star. It is interesting to note that she twice played in the role of “Queen of Transylvania” in the theatrical production of “My Fair Lady” (1957-1958, 1961-1963). There are three portraits of her in the National Portrait Gallery.

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STAGE ACTRESS LOUISE LEWIS IN SHAKESPEARE’S “AS YOU LIKE IT” (VINTAGE REAL PHOTO POSTCARD)

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This vintage real photo postcard features actress Louise Lewis who played in Shakespeare’s “As You Like It”. Miss Lewis did not reach stardom in her career but her stage experience did merit an appearance on this theatrical picture postcard. Preliminary research found meager biographical material about this actress, but an article in the Los Angeles Herald (1898) reports that the Calhoun Opera Company at the Los Angeles Theater was presenting “La Grande Duchesse” and that Louise Lewis was a member of the ensemble. It is not certain that the Louise Lewis pictured on this postcard is the same one referenced in the Herald article. This postcard appears to have an American origin and is part of a series (no. 13). This particular postcard was distributed by the Souvenir Post Card Shop in Cleveland, Ohio.

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Isabel Irving: American Stage Actress

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Isabel Irving (1871-1944) was an American actress born in Bridgeport, Connecticut. Her stage career began in 1886. She performed in many performances of Shakespeare. She was also in more than 30 Broadway plays between 1894 and 1936.  These plays included “Merry Wives of Windsor” (1917) and “Uncle Vanya” (1930). The first cabinet photo was done at the studio of Napoleon Sarony in New York.  Sarony was a very famous photographer of his time and known for his photos of theatrical performers and other celebrities. The second photograph comes from the studio of William McKenzie Morrison who was located in the Haymarket Theatre building in Chicago, Illinois. The third cabinet card portrait features Miss Irving photographed by celebrated New York photographer Benjamin Falk. The fourth cabinet card was produced by Pach Brothers studio in New York City. To view a photograph of Isabel Irving’s sister, write “Evangeline Irving” in the search box and press search. To view other photographs by any of the four cited photographers, click on the category “Photographer: Falk, Photographer: Sarony, Photographer: Morrison, or Photographer: Pach Brothers.

JULIA MARLOWE: ESTEEMED AMERICAN STAGE ACTRESS

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Julia Marlowe (1865-1950) was born in England and as a young child moved to the United States with her family. In her early teens she began her theatrical career with a juvenile opera company. She began playing Shakespeare in her home town of Cincinnati, Ohio. She made her Broadway debut in 1895 and by the end of her career, had appeared in more than 70 Broadway productions. Her first husband was actor, Robert Tabor. Their marriage lasted six years. In 1904 she appeared in “When Knighthood was in Flower”. Great success in this play brought her financial independence. Earlier, in 1903, she appeared in ‘The Cavalier” and “Ingomar”. The New York Sun wrote about her performance in “Ingomar”; “There is not a woman player in America or in England that is – attractively considered- fit to unlace her shoe”. In 1904 she began a partnership with actor E. H. Sothern. They toured the United States performing various plays of Shakespeare. They were managed by Charles Frohman and later, the Shubert brothers. They were considered to be among the major Shakespearian actors of the day. In 1906, Marlowe played in “Jeanne d’Arc” and also as Salome in “John the Baptist”. Later, Sothern and Marlowe played in London but were not terrific box office successes there. In 1911 Marlowe and Sothern married each other. In 1920 and 1921, they made eleven phonograph recordings for the Victor Company. The top Cabinet Card was produced by Newsboy as a premium for their tobacco products. The photographer was Falk and the image is from 1892.

The second portrait of Julia Marlowe has a notation on the reverse of the card stating “Julia Marlowe Tabor”. Therefore, this photograph was likely taken during the time of her marriage to Tabor (1894-1900). The photographic studio that produced this portrait is  Klein & Guttenstein of 164 Wisconsin Street, in Milwaukee,  Wisconsin.  Klein and Guttenstein were leading photographers of their time. Wilson’s Photographic Magazine (1902) reveals that the two men  were very active in the Photographers Association of Wisconsin and other photography organizations. The photographers were considered part of a network of photographers skilled at producing publicity images of theatrical and vaudeville stars to be used in national magazines and other publications. The New York Public Library has a collection of portraits of actress Blanche Bates; produced by Klein & Guttenstein. The University of Pennsylvania Library has one of Klein & Guttenstein’s portraits of Julia Marlowe.

The third portrait of Julia Marlowe in the cabinet card gallery collection is photographed by Sarony, the famed celebrity photographer located in New York City.  This cabinet card is signed by the actress and dated 1890. Additonal photographs by Sarony can be viewed by clicking on the category “Photographers: Sarony”.

The fourth portrait of Miss Marlow features her in role in the production of “Countess Veleska”. The play was adapted for a German work, “The Tall Prussian”, by Rudolph Stratz. The play opened in New York in 1898 at the Knickerbocker Theatre. The review in the New York Times (1898) stated that the “drama was made wholly interesting by the personal charm and sincerity of Miss Marlowe”. In a sarcastic tone, the reviewer comments about Marlowe’s co star, Bassett Roe. The reviewer states that Roe has only two qualities of the man he was playing, “height and good looks”. The reviewer continues his scathing description of Roe; “The only time he actually warmed up was when he accidentally set his hair on fire. Even then he would have let it burn if Miss Marlowe had not gone to his rescue.” The photographic studio that produced the “Countess Veleska” cabinet card was Pach Brothers of New York City. Pach Brothers were photographers known for their photographs of celebrities of their era. To see additional photographs by the Pach Brothers, click on this site’s category of “Photographers: Pach Brothers”.

The fifth portrait of Julia Marlowe appears to be a photograph of the actress in costume for an unknown stage production. The image was photographed by Ye Rose Studio of Providence, Rhode Island. The reverse of the card indicated that the studio was opened in 1886. The studio was located in the Conrad building in downtown Providence. The building still exists. Other photographs by the Ye Rose Studio can be viewed by clicking on the category “Photographer: Ye Rose”.

Portrait number six is an excellent example of the beauty of Julia Marlowe. This image, from 1888, captures Ms. Marlowe at the young age of twenty-three. The photographer of this portrait was B. J. Falk, a celebrity photographer located in New York City, New York. To view other photographs by Falk, click on the category “Photographer: Falk”.

The seventh portrait is another example of a B. J. Falk image. The photograph features a costumed Julia Marlowe in the production of “Cymbeline“. Cymbeline is a play by William Shakespeare that was based on legends about the early Celtic British King,  Cunobelinus. The play deals with themes that include innocence and jealousy. Ms. Marlowe plays Imogen, the King’s daughter. Her expression in the photograph shows fear and concern as she looks at someone or something in the distance. Her left hand shades her eyes while her right hand clutches her belted dagger. A stamp on the reverse of  this cabinet card reveals that it was formerly owned by Culver Pictures of New York City, New York. Culver Pictures has been collecting photographs and illustrations from the 19th and first half of the 20th century, since 1926. These pictures are used in books, films, and other forms of media. At the time that this cabinet card was stamped by the company, Culver Pictures was located in New York City.

Portrait number eight is a close-up photograph of Miss Marlowe. The photographer of this cabinet card is the studio of Rose & Sands whose gallery was located in Providence, Rhode Island. Note that photograph number five also came from the Rose studio, but at that time, the gallery was called, the Ye Rose studio. The Wilson’s Photographic Magazine (1899) reports that Rose and Sands were the proprietors of Ye Rose. A humorous headline in a photography magazine stated “Providence Provides for All, And Rose Provides for Providence”.  Print on the reverse of this cabinet card reveals that the Rose & Sands studio was opened in 1886 and that it specialized in “High Class Portraits from Cabinet to Life Size”. Also of interest, like photograph number seven, there is a stamp on the reverse of the photograph with the name “Culver Pictures Inc”.

Photograph number nine features the beautiful Miss Marlowe displaying a mischievous smile. Note her engaging large eyes. She is wearing a somewhat revealing dress (for the cabinet card era) and has a wonderful hat atop her head. This cabinet card photograph was published in 1888 by Benjamin Falk of New York City.  The image is marked with the number sixty-nine.

Portrait number ten is a closeup of Julia Marlowe with her head covered, but with her pretty face very visible. She is likely in costume for this photograph. The photograph is taken by B. J. Falk of New York City and has a copyright date of 1888. The cabinet card is marked number “86”.

The eleventh photograph captures Miss Marlowe staring hypnotically at a flower. Someone, has written below her name that the image features her in the role of Parthenia in the production of “Ingomar”.  The New York Times (1904) reviews the play and Miss Marlowe’s performance on opening night at the Empire Theater in New York City. The newspaper reports that Frederick Halm’s play was “impossibly romantic and deliciously sentimental piece of old-fashioned theatrics. Tyrone Power played Ingomar and he was described as “vigourous and picturesque” but the article added that his voice was “not at its best”. The review pointed out that Marlowe’s appearance in this play was to be her last appearance as an independent star before joining E. H. Sothern’s Shakespearean repertory. In regard to Marlowe’s acting in this play, it was written that she played a “dear little prig – adorably dear” (prig can be defined as smug or arrogant) and she presented “a masterpiece of harmonious, modulated, and sustained acting”. The 1904 performance of Julia Marlowe in “Ingomar” marked a return performance for this accomplished actress. The New York Times (1888) wrote a very positive review of the opening night performance in Washington D.C.. The appreciative audience included three Supreme Court Justices and a number of members of the Chinese Embassy. This cabinet card was produced by the previously mentioned Ye Rose Studio of Providence, Rhode Island and it likely dates back to her 1888 performance in the role.

The twelfth cabinet card was produced by Benjamin Falk of New York City. He posed Miss Marlowe next to a spinning wheel. Her low cut dress makes this image a bit risque for the cabinet card era. If Falk or Miss Marlowe thought that looking up at the camera would create a “fetching appearance”, I would contend that their efforts failed. Rather than “fetching”, she appears dazed. The actress was a beautiful woman and provocativeness was not necessary to enhance her image. This photograph was produced in 1888 and was part of a series (#23).

Cabinet Card number thirteen is part of a series that includes Cabinet Card number ten. Both cards were photographed by B. J. Falk and have a copyright date of 1888. Both portraits are close-ups but this one is captures Marlowe looking at the camera while number ten offers a profile view. Falk really captured the actresses eyes. Her eyes are beautiful and they are haunting at the same time. This photograph is marked number number 83 of the series.

PORTRAIT OF ENGLISH STAGE ACTRESS ADA CAVENDISH (PHOTOGRAPHED BY SARONY)

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This cabinet card features English actress Ada Cavendish (1839-1895). She was noted for her performances in Shakespeare plays and for popularizing the plays of Wilkie Collins in America. Cavendish made her stage debut in 1863. She began her career doing musical burlesques. As she progressed professionally she played a number of heroine roles in the works of Shakespeare. There are many references to Cavendish in the theatrical literature of her era. Gentlemen’s Magazine and Historical Review (1872) provides the following description of Miss Cavendish. She looks like a lady and walks and dresses like one.Some of the clever actresses now on stage dress, walk,and talk like shop girls”. Celebrated photographer Napoleon Sarony produced this image. Cavendish may be dressed for a role in this portrait. Note her fancy clothing and “big” jewelry. To view other photographs by Sarony, click on the category “Photographer: Sarony”.

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Published in: on February 27, 2014 at 11:53 am  Comments (1)  
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THEATER ACTRESS HENRIETTA CROSMAN (PORTRAIT BY SARONY)

crossman_0004Henrietta Crosman was a renowned American stage and film actress and she is captured beautifully in this cabinet card photographed by Napoleon Sarony. To learn more about Sarony, a famous celebrity photographer, click on the category “Photographer: Sarony”. Sarony’s subject, Miss Crosman was born In West Virginia. Her father was a civil war Major and her mother was the niece of composer Stephen Foster. She was educated in several locations as her father was stationed in a number of posts while pursuing his military career. She began acting in New York City when she joined a local theater company in 1883. Her next experience with a theater company included a national tour. In 1889 she performed Shakespeare for the first time. She performed at the Daly Theater. In the 1890’s she joined Daniel Frohman’s stock company. She excelled in adventure romances and popular drawing farces. By 1900, she had reached stardom. Her appearances included roles in such plays as “As You Like It” (1902), “Sweet Kitty Bellairs” (1903), and “The Real Thing” (1911). Crosman avoided motion pictures until 1914. She then signed a deal with Adolph Zukor’s Famous Players. Her husband, Maurice Campbell became a noted director. Crosman appeared in both silent films and “talkies”. She was in a total of 22 films between 1914 and 1937 including “Charlie Chan’s Secret” (1936),

ENGLISH STAGE ACTRESS: ELLEN TERRY (THERE AIN’T NOTHIN LIKE A DAME!)

Dame Ellen Terry (1847-1928) was an English stage actress. The top cabinet card is from the studio of Campbell, in Elizabeth, New Jersey. Ellen Terry was the leading Shakespearian actress in Great Britain. She was born into a family that was immersed in the theatre; and future generations continued theatrical pursuits; including grand nephew, John Gielgud (actor, director, producer). Ellen Terry began playing Shakespeare roles as a child and continued to do so. In 1878 she joined Henry Irving’s company. She toured Britain and the United States with great success. In 1903 she took over management of London’s Imperial Theatre and her focus included the plays of George Bernard Shaw and Henrik Ibsen. In 1916 she began acting in films and in 1925 she was made a “Dame Grand Cross of the Order of the British Empire”. Terry’s romantic life, including marriages and love affairs, make interesting reading. Research about the photographer of this cabinet card discovered his obituary in the New York Times (1912). The Times reports that Alfred S. Campbell (1839-1912) was a pioneer in the development of art photography. Among his accomplishments was the publication of an edition of the bible that was illustrated with photographs he took in the Holy Land. He emigrated to the United States on the invitation of famed photographer, Napoleon Sarony in 1866. Among his “intimate friends” were Henry Longfellow, Thomas Nast, and William Cullen Bryant . Visitors to the Cabinet Card Gallery can see photographs by Sarony under the category of “Photographer: Sarony” and can see a portrait of William Cullen Bryant under the category of “Journalist”. To view other photographs by Campbell, click on the category “Photographer: Campbell”.

The second cabinet card features Ellen Terry in the role of “Beatrice” in William Shakespeare’s play, “Much Ado About Nothing”. The Window & Grove studio of London,England, published this photograph. The studio operated in London from the 1870’s to at least 1908.

CELEBRATED ACTRESS ADA REHAN AND HER LABORADOR RETRIEVER (PAGE INCLUDES ADDITIONAL PORTRAITS OF MISS REHAN)

Ada Rehan was a well known and respected American actress. The top cabinet card portrait of Ms Rehan and her dog was published by Napoleon Sarony, a famous celebrity photographer in New York City, New York. Ada Rehan was born in Ireland and came to the United States at six years of age. She grew up in Brooklyn, New York. She began acting as a child. From 1873 until 1875 she became more active in acting at Mrs. Drew’s Theatre in Philadelphia, Pennsylvania. She then joined John Albaugh’s company and appeared in Baltimore, Albany and numerous other cities. In 1879 she joined Augustin Daly’s company upon his opening of his New York theater. She worked with his company for twenty years and appeared throughout Europe. The IBDB reveals that Ada Rehan appeared in 12 Broadway productions.  Some of the Broadway and non Broadway plays she appeared in include a number of Shakespeare productions such as “As You Like It” and “Twelfth Night”. Rehan also acted in “The School for Scandal”, “Foresters”, “Cinderella at School”, and “Our English Friend”. She retired from the stage in 1906 and lived in New York City until her death. It is interesting to note that Ms Rehan’s dog is on a leash. The leash is made of metal links. She is holding the leash with both hands. This is the first leash that I have observed in the many cabinet card photographs of dogs that I have seen. The dog at the end of the leash in this image appears to be a laborador retriever.

The second portrait of Miss Rehan was published by Newsboy of New York. The image was number 68 in a series of photographs. Newsboy distributed these images as premiums for their tobacco product sales.

The third image of Miss Rehan is a bust portrait by Louis Thors of San Francisco, California. Thors was born in Holland in 1845. He was of French descent and educated in France. He was fitted for service in the Merchant Marine and he served in that capacity for a number of years before coming to California in 1876. By 1880 he had established his photography business. One source states that his studio had more than twelve “apartments”. He won a Bronze Medal at the Paris Exposition in 1889. His wife, Gertrude M. Thors was also a photographer. Camera Craft: Photographic Association of California (1910)  printed Thors’s obituary. He was described as one of the highest esteemed photographers in San Francisco. He died of stomach cancer at age seventy-two. He worked in the photography business in San Francisco for over forty years. He left the city after the San Francisco fire and worked in St. Louis for two years before returning to California. The obituary reports that after his immigration to the United States, his skill as a painter earned him employment with photographers Bradley and Rulofsen (click on category “Photographer: Bradley and Rulofsen” to view some of  their photographs). In addition, the death notice asserted that besides his talents as a photographer, Thors had a charming personality and high moral character. To view other photographs by Thors, click on the category “Photographer: Thors”.

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LILY HANBURY: ENGLISH THEATRE ACTRESS

Lily Hanbury (1874-1908) appears on this Cabinet Card by Sarony of New York City. Sarony was one of the celebrated photographers of Theater Stars of the day. Hanbury was an English Stage Performer. She was born and educated in London. Her theatrical debut was in 1888 when she appeared in W. S. Gilbert’s “Pygmalion and Galatea” at the Savoy Theatre. She played on most major English stages and in such productions as “The Three Musketeers”, “The Stranger”, “Lights O London”, and Ibsen’s “Enemy of the People”. She became very popular with her performances in Shakespeare, acting in plays under the management of both Wilson Barrett and Beerbohm Tree. Tragicially, Hanbury lost her life at a young age when she died of complications after delivering a still-born baby. She was cremated and buried in the Jewish Cemetery at Willieden, England.

SWASHBUCKLING THEATRE ACTOR AND MURDER VICTIM: WILLIAM TERRISS

William Terriss (1847-1897) was an English theatre actor known for his swashbuckling roles. He played Robin Hood and a number of Shakespeare roles. He was also known for his early demise; the victim of a murder. His killer was a disgruntled and deranged actor who held a grudge against Terriss for getting him dismissed from a role he played in one of Terriss’s productions. Interestingly, Terriss still helped him financially and theatrically after his dismissal. Terriss was murdered outside of the Adelphi Theatre where he had arrived to prepare for that evenings performance of “Secret Service”. Terriss’s daughter, Ellaline Terriss was a star of Edwardian Musical Comedy and his son, Tom, was a well known film director,writer and actor. William Terriss was an adventurer and an outdoorsman in real life, not just in theatrical roles. Before entering acting in 1867 he pursued merchant service, medicine, sheep farming in the Falklands, and Tea Planting in Bengal. The photographer of this Cabinet Card was Falk, a well known celebrity photographer in New York City.