This vintage photograph features an adorable young boy dressed in a sailor styled outfit. He seems to be holding back a smile. The photograph was taken by the Wark studio in Marion, Ohio. James Wark was born in Ireland in 1847. At age 19 he immigrated to the United States and apprenticed for photographer George W Manly (Akron, Ohio). He then worked as a photographer in Kent, Ohio (1871-1891).He is known to have moved to Marion about 1895 and was an active photographer until about 1901. Wark was a busy man in Kent. In the mid 1880’s he he served three terms as Franklin Township’s clerk. He served as mayor of the town between 1886 and 1887. As mayor, Wark had complicated and controversial issues to manage. These controversies included the construction of a municipal waterworks and a resolution to ban saloon traffic in Kent. He relocated to Marion in the Mid 1890’s.  He was a popular resident there and picked up the nickname of “Daddy” Wark. He photographed four generations of clients over his more than sixty year career. He closed his studio in 1933 at 86 years of age. He died in 1934. This photograph measures about 5 1/4″ x 7 3/4″.

Published in: on November 25, 2017 at 12:00 pm  Comments (1)  
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This cabinet card portrait features a woman dressed in black and wearing a black mantilla. Perhaps this is a mourning photograph. The photograph was taken at the studio of George Anthony Henry Eggers in Dunkirk, New York. Eggers and his wife Josephine had a son who was a noted artist. George W. Eggers (1883-1958) accomplishments in art included his talent as an art administrator. He directed three art museums (Art Institute of Chicago, Denver Art Museum, Worcester Art Museum). Photographer, George Eggers parents emigrated from Germany in the early 1850’s. By 1870, George was working as a photographer. He worked with a local doctor, who was an avid photographer, to publish a two volume set of photograph books which can be seen at the Dunkirk Historical Museum. George worked as a photographer until about 1890. At age 80, he designed and built a model schooner for his grandson (see image below).The boat was five feet long, built to scale, and was very detailed.

Published in: on November 24, 2017 at 12:00 pm  Leave a Comment  
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This cabinet card portrait features  a pretty teenage girl posing at the Hennigar studio in Middletown, Connecticut. She is well dressed and is adorned with flowers. She is wearing a ring and holding a feathered fan. This photograph presents a sharp image of the young lady and the dark background contributes to that sharpness. The photographer directory “Langdon Road” lists a number of photographers with the name “Hennigar” that worked in the Middletown area. There was a Hennigar studio in Lambertsville, New Jersey in the 1870’s. A studio called “Hennigar Brothers” operated in Middletown from at least 1892 through 1901. Who were the principals of Hennigar Brothers studio? The answer is unclear but this is what is known. George Wainwright Hennigar  (1832-1910) was a photographer in Middletown in the 1860’s and 1870’s and is listed as a photographer there in the 1900 census. The New York Public Library has a stereo card photograph by George in it’s collection  The photo captures a damaged steam ship after a collision with a bridge. John W. Hennigar was located in Lambertsville before moving his business to New Rochelle, New York. He was listed in the New York City directories of  1867 and 1868. Morton W. Hennigar (1855-1927) had a studio in Middletown between 1877 and 1909. Charles L. Hennigar (1842-1897) was a photographer in Middletown from at least 1868 through 1872. In 1876 he is listed in the Brooklyn, New York directory as a photographer. The 1880 US census reports that he was a photographer in New York City. It is likely that George W. Hennigar is the photographer that took this photograph. He was present in Middletown around the time that this photograph was taken (1880’s or 1890’s).

Published in: on November 4, 2017 at 10:03 am  Leave a Comment  
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This vintage photograph features two very adorable young siblings (sisters?) posing for their photograph at the Young & Carl studio in Cincinnati, Ohio. Both children are extremely photogenic. Young & Carl operated their Cincinnati studio between 1895 and 1915. This photograph measures about 5 1/4 ” x 7 1/4″.

Published in: on November 1, 2017 at 12:00 pm  Leave a Comment  


This interesting vintage real photo postcard features two women at the beach. Hopefully its not too hot, because if so, these ladies are shvitzing. The wicker seats placed on this beach also serve as shelters. Beach umbrellas must have been popular sometime after this photograph was taken. Note the gentleman in the background of this photograph. He is wearing a white shirt, white apron, and white cap. He is likely a cook or a waiter attending to the culinary needs of the beachgoers. Printed on the reverse of the postcard is the word “briefkaart” which is the Dutch word for “postcard”. Therefore this portrait was likely taken somewhere in the Netherlands.

Published in: on October 24, 2017 at 10:46 pm  Comments (3)  
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This cabinet card portrait features an adorable little girl with a terrific smile. She is holding her china head doll. The close-up view of the child makes this image quite special. The photographer of this photograph was Fred Jorns who operated a studio in Girard, Illinois. Frederick W. Jorns (1857-1943) was once partnered with William L Harrod in operating a studio in Girard. In addition they operated the Jorns and Harrod Palace Art Car. This was a mobile studio that travelled the rails stopping in towns in Illinois, Indiana, and Kentucky. The studio car was pulled by an engine from the Cincinnati-Chicago and St. Louis Railroad. An 1892 photo of the studio rail car can be seen below. Fred is the gentleman wearing the suit. Jorn’s father, Gustav Jorns, immigrated from Germany in 1848. He married in 1856 and learned the photography business from his brother-in-law. Gustav established a photo studio in Springfield, Illinois. Gustav’s son, Fred learned the photography business from his father and set up his own studio in Girard. Fred married Lena Hann in 1884 and a portrait of the couple can be seen below.The couple travelled together on the Palace Art Car leaving their three children with relatives. Jorns sold his photography business around 1901 and became a grocer. He later resided in the Oklahoma Territory and then Houston, Texas. Please note the cabinet card portrait below which captures Fred Jorns reclining on a chaise. Initial research was unsuccessful in determining whether Fred Jorns operated his studio alone before he partnered with William Harrod or visa versa.


This scallop edged vintage photograph features two teenage boys. The boy in the dark shirt and tie is quite handsome. They are both wearing suspenders. The photograph was taken by the Drysdale studio in Brainerd, Minnesota. James S. Drysdale (1862-1914?) operated his own studio but at one time he was a partner in the Quam & Drysdale gallery. Drysdale had a studio in both Brainerd and St. Cloud between about 1894 and 1899. The Quam and Drysdale studio was located in Walker, Minnesota (1900). Drysdale returned to Brainerd in 1901 and operated a studio there until 1904. Drysdale appears in the 1900 US census. Data indicates that he was Canadian born, immigrated in 1880, and a naturalized US citizen. At the time of the census he was living on the Chippewa Reservation in Cass, Minnesota. The census reports that his race was “White”. Although he was listed as married (1899), he was living independently.

Published in: on July 16, 2017 at 11:56 am  Comments (2)  
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This scallop-edged cabinet card features a young boy posing for his photograph at the Swan studio in Norway, Maine. Some may argue that the child is actually a girl. However, it was common for young boys to wear skirt type clothing and have long hair. John Wesley Swan (1857-?) appears in the 1884 Portland, Maine city directory as a photographer. The 1900 US census reveals that Swan was Canadian born and lived in Norway with his wife (Annie) and their two daughters. Swan married his wife in 1883. According to Anthony’s Photographic Bulletin (1900), Swan’s studio was destroyed by fire and he lost a large number of valuable negatives of scenery in the area of Norway. The journal also states that the “loss was large and the insurance is said to be small”. Swan was the official photographer of the Grand Trunk Railway system. He won a gold medal at the Paris Exposition according to Photo-Era magazine (1900). At one point in his career in Norway, Swan had a partner in his business (Swan & Cobb). John Wesley Swan was involved in a bizarre incident that made the annals of the history of Norway. The book,  “A History of Norway, Maine: From the Earliest Settlement to the Close of the Year 1922”, tells a  mysterious story about Mr. Swan. While on a trip to Boston in 1893, Swan disappeared for a period of about six months. The writer states that Swan “claimed to have been sand-bagged and robbed in Boston and when he partially recovered consciousness found himself in New Orleans”. His memory had “left him” and he wandered around until his memory returned while he was in Texas. Swan returned to Norway and explained his disappearance to his friends and family, and community. According to the writer, many doubted the validity of his explanation.

Published in: on July 15, 2017 at 12:00 pm  Comments (3)  
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This vintage photograph features a smartly dressed pretty woman with her adorable young daughter. The little girl’s expression is absolutely priceless. The photograph was taken by the Reed studio in Bemidji, Minnesota. Bemidji is a Ojibwe (Chippewa) word that means “a lake with crossing waters”. The town was chartered and organized in 1896. The town has been called the “curling capital” of the United States. An inscription on the reverse of the photograph has the name “Mary Keining”. This is probably the name of the mother in this portrait. The photographer of this photograph was a well known American artist and photographer named Roland (Royal Jr.) W. Reed (1864-1934). He was part of an early 20th century group of photographers of Native Americans known as pictorialists. The pictorialist movement was influenced by the 19th century art movement of Impressionism. The pictorialists emphasized lighting and focus. They tried to recreate images as they may have been rather than as it was. A group of pictorialists took photographs of Native Americans and Native American life as it was before the damage wrought on the culture by reservations. Roland Reed was born in Wisconsin. He grew up with a strong caring interest in Native Americans and a desire for adventure. His first job when he left home was working in a Minnesota sawmill. In 1885 he worked for the Canadian Pacific Railroad and became familiar with the Plains Indians. He soon returned to Minnesota and used it as a home base for five years of exploration and adventure which included traveling to Tennessee, Arkansas, New Mexico, and finally Montana in 1890. He worked for the Great Northern Railway and utilized his artistic talent doing portrait sketches of Piegan and Blackfeet Indians as well doing landscape sketches and paintings. In 1893 he apprenticed with photographer Daniel Dutro in Havre, Montana. The pair eventually became partners in a studio and they also sold Native American photographs to the Great Northern Railway. For a short duration in 1897, Reed worked for the Associated Press in Alaska photographing the Klondike Gold Rush. He returned to Havre but in 1899 he opened a photo studio in Ortonville, Minnesota. He quickly developed a reputation for being an outstanding photographer of local landscapes and children. His business grew and he opened another studio in Bemidji. He frequently would leave his Bemidji studio to go photograph the Ojibwe Indians on nearby reservation. In 1907, he sold both of his studios and went to live near the Ojibwe Red Lake Reservation so he could focus on his work documenting Native Americans. He pursued this interest full time for two years. In 1909, Reed returned to Montana and opened a studio in Kalispell (the town near the western entrance of today’s Glacier National Park. He operated the studio there and also sold copies of his Native American photographs and Native American arts and crafts. While in Kalispell he spent six years on a major project of ph0tographing the Plains Indians, including the Blackfeet, Piegan, Boood, Flathead and Cheyenne. While in Montana he became part of the state’s community of artists. Included was western artist Charlie Russell. In 1913, Reed spent several months photographing the Navajo and Hopi in Arizona. That same year, Reed opened a branch of his photography studio in San Diego, California. After just a few years, he retired to Ortonville, Minnesota.  It didn’t take too long for wanderlust to set in. In 1916 he built a cabin near Cable, Wisconsin where he spent half his time between there and Ortonville. In 1920 he relocated to Denver, Colorado, where he opened a new studio and remained in business for seven years. In 1930 he retired again, this time to San Diego. During this time he worked on a book of his photographs titled “Reed’s Photographic Art Studies of the North American Indian”. While visiting Colorado Springs in 1934 he was killed in an accident. Reed’s work photographing Native Americans were funded by himself. He had little interest in having his photography utilized for advertising. He is known to have turned down an offer of fifteen thousand dollars for 200 negatives in order to ensure they would not be used commercially. In 1950, National Geographic Magazine licensed the rights to approximately forty of his photographs. A portrait of Roland Reed can be seen directly below.


This cabinet card portrait features an older gentleman with an interesting “billy goat” beard. The Cabinet Card Gallery has an interesting collection of photographs of men with remarkable beards. You can access these images by clicking on the category “Beards and Mustaches (Only the Best)”.  This particular photograph was taken by photographer, Jonathan Millard Brainerd (1851-1926). Brainerd operated a studio in Rome, New York and was a friend of famed photography entrepreneur, George Eastman. Brainerd has another photograph in the Cabinet Card Gallery and you can see that image, as well as learn more about him, if you click on the category “Photographer: Brainerd”.