A GENTLEMAN ADMIRES HIS HORSE IN LISBON, OHIO

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This vintage real photo postcard features a well dressed young man holding the reins of a horse in the middle of a Lisbon, Ohio dirt road. The gentleman is wearing some sort of accessory covering his wrist below his elbow. The arm guard appears to be made out of leather. I do not know the purpose of the accessory. My guess is that it keeps his jacket sleeves in place while he is interacting with the horse. Perhaps an equine-wise visitor to the Cabinet Card Gallery will leave a comment explaining the arm guard’s purpose. The horse in this image is beautiful and the man is more of a “dandy” than a “cowboy”. The photograph was taken in 1912 and that date is stamped on the image. Lisbon is located near the eastern border of Ohio in the central portion of the state. The town was named after Portugal’s capital. It is the location of the first Ohio newspaper. It was the northern most western town involved in military action during America’s civil war.

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Published in: on February 25, 2017 at 12:00 pm  Leave a Comment  
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RELAXED COWBOY WITH A WRY SMILE AND A PIPE

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A relaxed cowboy with a wry smile poses for this vintage real photo postcard. The image is taken in a photographic studio likely located in the western United States. The cowboy is wearing a vest and a pocket watch. He is holding a pipe. His lace shoes seem to have kicked around a lot of dust in their time. The postcard’s AZO stamp box indicates that it was produced sometime between 1904 and 1918.

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Published in: on January 18, 2017 at 12:00 pm  Leave a Comment  
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THE ROBERTS BROTHERS RIDE INTO TOWN BRINGING THEIR SPECIAL BRAND OF LAWLESSNESS

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Look who’s riding into town! Its the Roberts brothers. Someone better go get the sheriff. George and Paul Roberts are spoken about in the same conversations that occur about such criminal brothers as Jesse and Frank James, and Jim, Cole, John, and Bob Younger. This vintage real photo postcard featuring the Roberts brothers, shows them with their “game face” on. They may be small in stature but they were scary dudes. Enough with the horse s**t. This real photo postcard is actually quite interesting. These boys look comfortable on their horses. The kids are on large horses, not small ponies reserved for inexperienced child riders.They appear to know what they are doing. One of the boys has a whip. No cowboy hats for these guys. One is wearing a wide brim bowler while the other is sporting a cap. Note the dirt streets. The town may actually be a frontier town in the “old west”. Also take notice of the boy standing on the sidewalk. He seems truly interested in the horseback riders, or perhaps, the photographer. The young bystander is wearing knickers. The AZO stamp box on this postcard reveals that it was likely published sometime between 1904 and 1918. The cameraman was a studio photographer who was willing to take difficult photographs in the outdoors.

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Published in: on December 29, 2016 at 12:00 pm  Leave a Comment  
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GEOFFREY: THE UNCONVINCING COWBOY

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The reverse of this vintage real photo postcard indicates that the cowboy pictured on the front is named Geoffrey. My guess is that Geoffrey is a studio cowboy. His clothing, gun, holster, fringed chaps, and ten gallon hat were likely borrowed from a photography studio’s prop department. Geoffrey is not a convincing looking cowpoke or gunslinger. He has soft hands and a soft face. He certainly hasn’t been on too many cattle drives. However, this postcard is quite nice. The subject is well posed and the close-up perspective works well. An inscription on the card’s reverse reveals that he postcard photo was taken in 1922. The stamp box discloses that the publisher of the postcard stock was Vester & Company from Great Britain.
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Published in: on November 14, 2016 at 12:00 pm  Comments (1)  
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TWO COWBOYS WEARING WOOLY CHAPS: ONE OF THEM IS TIED UP (VINTAGE REAL PHOTO POSTCARD)

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This vintage real photo postcard captures two cowboys in an interesting scene. One of the cow pokes is tied up as if he’s a criminal. “They hang horse thieves around these parts” says the cowboy to his prisoner. Heaven forbid! Although this image is a studio photo and the cowboys almost definitely borrowed their cowboy outfits from the photographer’s prop room, the men’s costumes are terrific. Their western hats, neckerchiefs, belts, and wooly chaps make the image look authentic. The rope is a nice touch. The photographer who took this photograph was certainly seeking realism. The AZO stamp box on the reverse of this postcard informs us that the image was produced sometime between 1904 and 1918. This photo postcard reminds me of one of my favorite cabinet cards in the Cabinet Card Gallery. You can view the cabinet card by clicking the link below.

TWO NATIVE AMERICAN OR POSSIBLY AFRICAN AMERICAN COWBOYS

 

Published in: on August 29, 2016 at 1:05 pm  Comments (1)  
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PORTRAIT OF THE MOST HANDSOME MAN IN BUTTE, MONTANA

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Take a look at this handsome devil. He just might be the most handsome man in Butte, maybe the most handsome man in the entire state of Montana. He is well dressed and has a magnificent mustache. His hat and tie are terrific and so is his expression. He exudes confidence and intelligence.  The photographer of this image is the Dusseau studio in Butte, Montana. A. J. Dusseau’s first name was listed as “Angelo” in some sources and  as “Alrick” in other sources. Perhaps one of these names is incorrect, or possibly Mr. Dusseau used both names during his lifetime. Dusseau was born in Burlington, Vermont in 1842. He worked as a carpenter for a railroad in Wisconsin and in 1865 he was employed as an assistant engineer on a steamer in Missouri. He then moved to Cheyenne, Wyoming. In 1869 he moved to Helena, Montana, where he worked as a musician for five years. In 1874 he relocated to Deer Lodge, Montana, and opened a photographic gallery which he moved to Butte in 1877. While living in Butte, he led the Silver Coronet Band and Orchestra for three years.In 1881 he married Amanda Henault of Missouri.  He operated a studio in Montana through the 1880’s and 1890’s. His Butte studio was located above the post office on the corner of Main and Granite Streets. After Butte, he ran studios in Helena, Havre, and Fort Assinaboine.  At times he worked with partners. One of these partners was named Thompson and they began working together in 1902. It is interesting to note that Montana did not become a state until 1889. Dusseau was truly a pioneer photographer in the “Big Sky State”. Judging by Dusseau’s varied job history, he must have had a thirst for adventure. To view other images by Dusseau, click on the category “Photographer: Dusseau”.

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Published in: on July 27, 2016 at 12:00 pm  Comments (2)  
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COWBOY WEARING CHAPS AND HOLDING A PISTOL IN PORTLAND, OREGON (REAL PHOTO POSTCARD)

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This vintage real photo postcard features a cowboy wearing frilly chaps, a holster, a bandana  and a cowboy hat. In one hand he is holding a pistol and in the other he has a pair of gloves decorated with a five point star. The cowpoke in this studio image appears ready to head out on the next cattle drive. The cowboy in this photograph has an ethnic appearance. Perhaps he was Hispanic or Native American. This photograph was taken at the Mazeograph Studio in Portland, Oregon. Charles E. (Cal) Calvert operated his studio between 1906 and 1930. As the advertisement on the reverse of the postcard attests, Calvert’s specialty was creating fast postcards. Studio backdrops and set-ups awaited customers, so they simply had to place themselves in the scene. This arrangement coupled with quick development techniques, allowed subjects to be able to procure a postcard image of themselves in less than ten minutes. The postcard itself was made by Cyko and the stamp box indicates that it was produced between 1904 and the 1920’s.

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Published in: on August 11, 2015 at 12:02 pm  Leave a Comment  
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THE MAGNIFICENT SEVEN: MEET THE MEN OF SLEEPY EYE, MINNESOTA

SLEEPYEYE_0001Members of the cast of the American Western movie “The Magnificent Seven” (1960) pose for a group picture in Sleepy Eye, Minnesota. These seven gunmen were hired to protect a small Mexican agricultural village from a gang of marauding bandits. The cast included Charles Bronson (back row left), Steve McQueen, Yul Brynner, James Coburn, Robert Vaughn, and Eli Wallach. Wait a minute! Even though the Charles Bronson guy really looks like Charles Bronson, how could the cast of a 1960 movie appear in a turn of the century cabinet card photograph? In addition, what would Hollywood actors be doing in Sleepy Eye, Minnesota if they are in a film where the locale is Mexico? Besides that, is there really a town called Sleepy Eye? It’s time for a confession. The men in this photograph are not members of a movie cast even though I could almost swear that the guy in the back row is Charles Bronson. In regard to the existence of a town named Sleepy Eye; yes it does exist. The town of Sleepy Eye is named after Chief Sleepy Eye, or Ishtakhaba. He was a chief of the Sioux tribe and happened to have droopy eye lids. He was one of four Sioux Indians to meet President James Monroe in 1824 in Washington D.C.. This image was produced by Sleepy Eye photographer S. C. Madsen who also had a studio in New Ulm, Minnesota. He operated in Sleepy Eye between 1884 and 1892 and had a studio in New Ulm in 1888. Since this cabinet card advertises the New Ulm studio on the reverse of the photograph, this photograph was likely taken in 1888. Who are the men in the picture? Unfortunately, they are not identified. They appear to be businessmen from town but that of course is just a guess (two of the men have papers in their shirt pocket). Three of the men in the bottom row have their arms crossed resting on their abdomen. The fourth gentleman apparently didn’t get the message from the photographer who posed them. The man on the far right of the top row must have just finished the all you can eat buffet at the Silver Dollar Saloon judging by the tightness of his shirt.

TWO WARMLY DRESSED MEN EN ROUTE

The subjects of this photograph are two warmly dressed men.  The seated man is wearing a fur coat and an interesting cap.  Is it a buffalo coat? He is holding a walking stick or cane. Look at his hands. They seem to be the hands of a man who works outside in the elements. The standing man is well dressed and his wardrobe includes a long coat. One wonders what line of work these men pursued. The man in the fur looks like a trapper. The man in the long coat looks like a rancher. If only assessing occupations of people in photographs was so easy.  This photograph was produced by Shepherd’s Automatic Studio. The location of the studio is listed as “On Route” which likely indicates that the photographer responsible for this image was a travelling photographer.

 

Published in: on November 5, 2012 at 12:01 am  Comments (3)  
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THREE MEN MODEL WESTERN FASHION IN LA JUNTA, COLORADO

Three men, dressed in western fashion, pose for photographer D. W. Carpenter, in La Junta, Colorado. The men may be ranchers or businessmen, judging by their clothing. They seem less likely to be cowpokes. The men are dressed in their finest clothing and wearing three different types of neckwear. A standard necktie, a bandana type tie, and a bow tie, are all represented. To of the men are wearing  pins. The gentleman standing on the left in the image has a pin with a portrait of a woman. The seated man’s pin has words on it but they are not decipherable with available magnification. The two standing men are displaying some affection, not commonly seen among males on cabinet cards of this era. La Junta, Colorado, is located on the Arkansas River, in southeast Colorado. The town was formed in 1881 and was a railroad town (Santa Fe Railroad) that became a center of trade. It is interesting to note that this photograph was taken not long after the formation of La Junta.

Published in: on January 9, 2012 at 12:01 am  Comments (1)  
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