TINTYPE PORTRAIT OF TWO WELL DRESSED PRETTY WOMEN

This tintype portrait features two well dressed young women wearing fancy hats. The ladies are quite pretty. They are well adorned with jewelry. They seem unusually relaxed while having their photograph taken. I would love to know their story. This image is the second tintype to appear in the Cabinet Card Gallery. A tintype, also known as ferrotype, is a photograph made on a thin sheet of metal coated with a dark lacquer or enamel. They were very popular during the 1860’s and 1870’s.

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Published in: on March 23, 2017 at 12:00 pm  Comments (2)  
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ABSOLUTELY BEAUTIFUL YOUNG WOMAN IN BOSTON, MASSACHUSETTS

I do not think it is an exaggeration to state that the young woman seen in this cabinet card portrait, is exquisitely beautiful. She is well dressed and well coiffed. She has lace at her collar and at the bottom of her sleeves. Her hair was meticulously prepared for this portrait. She is wearing star earrings and a ring. She is holding a folded fan decorated with feathers. John L. McCormick and his partner Sumner B. Heald (1835-1900) operated the Boston studio that produced this excellent portrait. Both McCormick and Heald are no strangers to the Cabinet Card Gallery. The two photographers have a number of photographs in the gallery that can be accessed by placing their last name in the site’s search box. Take a look at their work and learn a little bit more about McCormick and Heald. Interestingly, Heald supervised the portrait studio operated by famed Boston photographer, George K. Warren (1824-1884). Warren also has a large presence in the Cabinet Card Gallery. Heald oversaw the celebrity and theatrical portraits produced by the Warren Studio.

PORTRAIT OF A WELL DRESSED SERIOUS OLDER WOMAN IN CAMDEN, MAINE

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This vintage photograph features a portrait of a striking well dressed older woman. She is wearing a fancy dress, a boa, and leather gloves. She is also wearing jewelry including a necklace, watch, and earrings. Note her pretty, but very busy, hat. The woman is also wearing a very serious expression. She does not seem to be having a lot of fun having her portrait taken The photographer of this image is William V. Lane (1849-1903). He operated a studio in Camden, Maine.  He came to Camden and opened his gallery in 1883. He also had a branch gallery in Vinalhaven, Maine.  He resided in Camden for 15 years; and then moved to Boston, Massachusetts. While in Camden, Lane was the Chairman of the Board of Assessors and in that capacity, he promoted a new opera house in town.  He also served as the President of the Business Men’s Association and had a one year stint as Road Commissioner. To view other images by William Lane, click on the category “Photographer: Lane”.  This vintage photograph measures 5″ x 7″.

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Published in: on February 18, 2017 at 12:00 pm  Comments (2)  
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A PROFILE PORTRAIT OF A PRETTY WOMAN IN KANSAS CITY, MISSOURI (PHOTOGRAPHED BY A CIVIL WAR PHOTOGRAPHER)

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This cabinet card photograph features a profile view of a pretty young woman. She is wearing a high collar blouse and jacket. The young lady’s hair is worn up in a sweep and she is wearing earrings. The photograph was produced by the Carpenter Photographic Rooms in Kansas City, Missouri. Marion S. Carpenter was a daguerreotypist in Dayton, Ohio in 1850. He than conducted his photography business in Cincinnati at the Palace Art Studio between 1857 and 1865. During the Civil War he was a staff photographer for the United States Government. He photographed Abraham Lincoln on three occasions. After the war he went to Kansas City, Missouri where he continued to operate a photography business. The Bulletin of Photography (1913) notes his passing at age 84 while living in Kansas City. The notification indicates that he was still actively involved in business in 1913, the year of his death.

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LOVELY YOUNG WOMAN AND A BOOK IN BOSTON, MASSACHUSETTS

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This cabinet card portrait features a lovely young woman holding an open book or magazine. She is nicely dressed and has accessorized herself with a bracelet, collar pin, and broach. She is displaying what appears to be a half smile. This photograph was taken at the Hardy Studio in Boston, Massachusetts. Amory Nelson Hardy (1835-1911) was born in Cumberland, Maine. He was married to Angeline Davis (1833-1920). In the beginning of his photography career he worked in Bucksport, Maine. He then moved to Boston and had a studio on Washington Street (1868, 1879-1887) and Winter Street (1873-1878). These dates are only a partial representation of his career. This photograph was taken at the Washington Street studio. To view other photographs by Hardy, click on the category “Photographer: Hardy”.

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Published in: on February 2, 2017 at 10:01 pm  Comments (1)  
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PORTRAIT OF A PRETTY WOMAN IN CHICAGO, ILLINOIS

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This vintage photograph features a portrait of a pretty young woman wearing a lace collar and lace bib. Note her collar pin and her lovely eyes. This photograph comes from the studio of George F. Riel of Chicago, Illinois. He was a talented photographer. You can make your own judgement about his talent by clicking on the category “Photographer: Riel”. You will be able to view more of his images and learn more about him.

Published in: on January 20, 2017 at 12:00 pm  Leave a Comment  
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PORTRAIT OF A YOUNG WOMAN IN PORTSMOUTH, NEW HAMPSHIRE

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This cabinet card portrait features a lovely young woman with curly hair. She is wearing a ribbon around her neck as well as earrings and a collar clasp. The photographer’s use of lighting makes this image notable. The dark background against the woman’s white clothing makes a contrast which highlights the portrait. The young lady sort of “pops out” of the darkness. The photographer of this photograph is L. V. Newell & Company. The studio was located in Portsmouth, New Hampshire. To learn more about Mr. Newell and to view more of his images, click on the category “Photographer: Newell”. His other work in the Cabinet Card Gallery also demonstrates his mastery of lighting and his ability to create crisp and clear images.

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Published in: on January 9, 2017 at 12:00 pm  Leave a Comment  
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PRETTY AND CEREBRAL YOUNG WOMAN IN DES MOINES, IOWA (PHOTOGRAPHER MURDERED AND SENSATIONAL CRIMINAL CASE FOLLOWS)

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The young woman featured in this cabinet card portrait isn’t just another pretty face. She is also cerebral. Her pose indicates that she’s deep in thought. She is reasonably well dressed and wearing a necklace, ring, and a pair of earrings. Wearing all that jewelry when your standing next to a bale of hay seems a bit incongruent, but at least she is holding a handkerchief to wipe away sweat from any farm yard labor she may encounter. This cabinet card was produced by Pearson & Nesbit who operated a studio in Des Moines, Iowa. Research revealed a tragic story associated with one of these photographer partners, Oliver E. Pearson (1857-1896). The website iowaunsolvedmurders.com features an article providing details of Mr. Pearson’s murder. Nancy Bowers is the author of the article. Pearson was pushed from a height at his studio in Des Moines.  The motive for his murder was related to a business dispute. First, some biographical details about Mr. Pearson. As a boy, Oliver Pearson showed much interest and talent for drawing and photography. After high school he obtained a two year apprenticeship with Des Moines photographer George Washington Stiffler. By 1880, Pearson established his own gallery which he named Pearson’s Portraits. In addition to being a talented photographer, he also drew. Some of his art and photos were entered and won honors in art competitions. His most noted photo was that of a small dog named “Doc”. This dog was the mascot of the 23rd Iowa Infantry regiment during its participation in the civil war. In 1895, Pearson joined brothers Charles F. and Henry W. Wilcox in a business deal. Henry sold ads for a local newspaper while Charles managed the Iowa Historical Illustrative Company. The pair published the “Des Moines Illustrated Souvenir”, an elaborate pictorial volume that celebrated the people and the city of Des Moines. A page in the book was devoted to Pearson. The text begins by praising him and his work but than the writer began to denigrate him. For example, some of his work “bearing his name do not do him credit as they were made by his assistants”. It seems that there was some trouble between Pearson and the Wilcox brothers. Just months after the publication of the volume, the Wilcox brothers climbed the outside steps to enter Pearson’s second floor gallery. Pearson was the only one in the gallery to greet his visitors. The reason for the visit and what exactly happened is unknown. However, witnesses did view the end of the meeting because a pushing and shoving match occurred on the second floor landing outside the photography studio (see photo below). Oliver Pearson was seen falling over the railing down to the concrete below. He fractured his skull in the fall and witnesses carried him home and called for medical assistance. Pearson died from his injuries. Charles and Henry Wilcox were immediately arrested. The businessmen and other associates of Pearson were in an uproar about his violent demise. He was a well liked and well connected citizen. His family received much support from the community. The Des Moines Daily News reported that it was amazing that angry community members didn’t raid the jail and lynch the Wilcox brothers. What caused Pearson’s murder? Some local papers reported that the brothers had gone to visit Pearson because the photographer believed that the pair owed him money and they wanted to settle the matter. The Des Moines Daily News interviewed the brothers who claimed that Pearson started the violence and that he had lost his balance, slid down the rail and fell off the landing. Although the coroner believed that Pearson was murdered, a grand jury did not indict the Wilcox brothers due to lack of evidence. The jury could not rule out that his death may have been accidental. Pearson left behind his wife Susie and three young daughters. His widow sued the Wilcox brothers for twenty-five thousand dollars but lost the case. Research concerning Carroll E. Nesbit (1859-1949), Pearson’s partner in the studio that took this cabinet card photograph, tells a pretty tame story compared to Pearson’s sensational story. Nesbit appears in the 1880 US census as a young photographer working in Des Moines. His name also appears in several Des Moines business directories as late as 1903. By 1910 he had moved to South Hood River, Oregon where he worked as a farmer. The 1940 US Census also finds him farming in Oregon. Upon Nesbit’s death, he was buried in Idlewild Cemetery in Hood River.

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PORTRAIT OF A STRIKING WOMAN IN EUGENE, OREGON

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The young woman in this post cabinet card era photograph is strikingly attractive. She has wonderful eyes. She appears to be a teenager. The striking young lady is wearing a high collared and ruffled dress as well as a necklace. The photograph was taken at the Winter Photo Company in Eugene, Oregon. The photographer, John A. Winter was born in Ohio sometime around 1831. He was active in the photography business in Eugene between 1864 and 1869, and again between 1873 and 1900. During his career he also operated photography businesses in Albany, Brownsville, and Jefferson; all towns in Oregon.In 1864 he advertised that he intended to “devote his whole time to making pictures”. In 1865 he began his career operating photographic studios. A number of times during his career he was plagued with poor health. At one point he owned a sheep ranch in addition to a photography studio. Winter employed the bartering system in his business. One of his ads promises to trade portrait taking for firewood. From 1888 to 1900, Winter was the photographer of Oregon State University. Winter’s son, Clarence L. Winter was a photographer in Eugene between 1891 and 1906. However, a letter from C. L. Winter appears in the Photographic Times (1887) indicating that he likely began working in Eugene earlier than the aforementioned date. It is not clear whether John A. Winter or Clarence L. Winter is the photographer who produced the picture of this lovely young woman. Perusing the Cabinet Card Gallery’s collection of photographs by Mr Winter, it is clear that he had photographic talent. This photograph measures about 4 1/4″ x 4 1/2″. To view other photographs by Winter, click on the category “Photographer: Winter”.

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PORTRAIT OF A PRETTY WOMAN WITH MUSSED HAIR IN JOHNSTOWN, NEW YORK

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This cabinet card portrait features a pretty young woman wearing a dark dress full of distractions. The buttons on the dress are quite prominent and she is also wearing a collar jewelry and a corsage. Hanging from her chain necklace is a ring. One can hypothesize that the ring belongs to her husband or her beau. The woman’s hair is mussed but I imagine that we are looking at a hairstyle and not laziness or apathy on her part. This photograph was taken at the Kibbe studio in Johnstown, New York. William H. Kibbe (1846-1910) was born in Johnstown. As a school student he exhibited a great deal of talent via his pen and pencil sketching. He then worked briefly as a paint shop decorator but soon found more satisfying work at the studio of renowned engraver Vistus Balch. While working there he assisted in the production of engravings from drawings by Felix Octavius Carr Darley who was famous for his illustrations appearing in Charles Dickens’ novels. During this time Kibbe became acquainted with Napoleon Sarony’s portraits which contributed to his becoming an apprentice with photographer James F. Ryder. From this apprenticeship, Kibbe learned about every aspect of operating a photography studio and in 1871 he opened his own studio at 123 West Main Street in the “Kibbe building”.  His studio was decorated with his own oil and watercolor paintings and he was often joined there by his wife and son (Arthur Fonclair Kibbe) who would assist him. Kibbe was a major contributor to several photographic journals. His obituary appears in Wilson’s Photographic Magazine (1910). A portrait of Mr. Kibbe can be seen below.

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Published in: on November 17, 2016 at 12:00 pm  Comments (3)  
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