lost bride
lost bride 2
This vintage real photo postcard features a very attractive couple posing for their wedding portrait at the “Photographie des Arts” operated by F. Clement in Parc-Saint-Maur, France. This postcard’s stamp box indicates that it was produced sometime around 1916.The postcard is in excellent condition.
lost bride 1
Published in: on October 6, 2017 at 2:00 am  Leave a Comment  
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Wedding photos are not an unusual find in the hunt for vintage photographs. This particular photograph is a bit special. It caught my eye because of the terrific expressions on the faces of the bride and groom, particularly the bride. The bride’s expression is priceless. I interpret her expression in two ways. First, she seems to be quite spunky. She has “personality galore”. Second, she shows a look of satisfaction, as if she is thinking “I finally snared the man I wanted to marry”. The groom also has a flair for the dramatic. He appears scared and uncomfortable. One of his legs is lifted off the floor in an awkward position (flamingo style). Is he using his knee as a platform for the bouquet of flowers that his bride is holding? I am truly uncertain as to the reason he is posed in this manner. Despite the groom’s weird “yoga pose”, I think the photographer did a great job composing this wedding portrait. I admire his ability to capture the vivid facial expressions of this young couple. The photograph was produced by the Pulaski Photo Art Company of Chicago, Illinois. The President/Manager of Pulaski was Max Prusinski (1883-?) and the Secretary of the company was John Prusinski. Interestingly, this studio produced another wedding portrait which can be found in “The Cabinet Card Gallery”. The image can be seen below. At the time I posted this photograph, I noted what an excellent job the photographer did in capturing the bride’s personality. In my description of the image I wrote “She is exhibiting a playful smile and appears to be a vivacious young woman”. The bride in the image below also appears to be quite spunky. It is likely (based on a small sample of two photos) that the photographer (s) from the Pulaski studio strived to spice up wedding portraits by capturing the personalities of the wedding couple.


Published in: on May 20, 2017 at 12:00 pm  Comments (2)  
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This cabinet card portrait captures a young couple on their wedding day, or at least in their wedding clothing. They are dressed beautifully for their special day. The bride is wearing a garland of flowers.  Her white gloves are draped over the wicker chair and she is holding her hat. The bride is pretty and appears somewhat happy as she poses for this photograph. Her new husband wears an expression that looks like he either ate too much at his wedding, or that he is having second thoughts about getting married. Lets hope he just overate. The photographer of this wedding portrait is W. A. Baldridge (1860-1924) who operated a photo studio in Rosedale, Indiana. He is listed in the 1880 US Census as living in Florida, Indiana and working as a clerk. The 1920 US Census finds Baldridge living in Summit, Ohio and operating a photography business.

Published in: on January 14, 2017 at 12:00 pm  Comments (1)  
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This cabinet card image captures a wedding that appears to involve two couples. It is only a hypothesis but I believe the participants in this double wedding include two brides (seated), two grooms (seated), four members of the wedding party (standing). The men are all wearing top hats and tails. One of the seated grooms is wearing light colored pants with his dark jacket. All the men are wearing boutonnieres and smoking cigars. The brides are wearing white gowns and flowers in their hair. Interestingly, the two grooms are sitting very close to one of the brides while the second bride seems distant, almost an afterthought. It is notable that this wedding party portrait was taken outside. Although the location that this photograph was taken is unknown, the image was with a group of other photographs that were from England. Therefore, it is likely that this is an English cabinet card. This cabinet card was trimmed in order to fit into an album or frame. There is glue residue on the reverse of the image.





Published in: on October 28, 2016 at 12:00 pm  Comments (6)  
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child wedding

child wedding 1

This vintage photograph features two beautiful children in a wedding portrait. The bride and groom in this image were likely participants in a “Tom Thumb Wedding”. Such wedding were not uncommon after the 1863 wedding of P. T. Barnum’s side show actor Tom Thumb and Lavinia Warren (also a dwarf/little person). Ten thousand guests attended General Thumb’s wedding and the couple were received by President Lincoln. Now, back to the children in this image. A number of people held weddings between very young children. There were fake ceremonies but real receptions. Quite often these events were held as money-makers for charities. The bride and groom in this image are well dressed and coiffed. The bride is amazingly well poised.They truly look like a miniature wedding couple. To view other vintage “Tom Thumb” photographs, click on the category “Tom Thumb Wedding Portraits”.



Published in: on August 30, 2016 at 12:00 pm  Leave a Comment  
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This carte de visite is a wedding portrait that was taken by the Kratzert studio in Saalfeld, Germany. Like many wedding photographs of the time, we see the groom sitting and the bride standing. The couple appear to be relatively young. The pretty bride is wearing a wedding gown with a high collar. She is wearing a necklace and holding a bouquet of flowers. The groom is well dressed in his three piece suit and is displaying a poor version of a pensive expression. He appears to be uncomfortable, while his bride seems significantly more relaxed. The couple were photographed at a studio in the town of Saalfeld, which is the capital of the Saalfeld Rudolstadt district of Thuringia. The town is located in the valley of the Saale River.








Published in: on August 27, 2016 at 12:00 pm  Leave a Comment  
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This post cabinet card era photograph features a young wedding couple in Syracuse, New York. The groom is formally dressed with a tuxedo/suit, white collar dress shirt, bow tie, and white gloves. He is wearing a flower on his lapel. The bride is wearing a wedding dress, holding a bouquet of flowers and wearing flowers on her dress and in her hair. She is also wearing a necklace. Both the bride and groom are displaying serious expressions as they embark on the beginning of their marital life together. The photograph was taken by James Krawczyk. His obituary appears in Utica’s (New York) Daily Press (1959). In 1959, Krawczyk had moved to Utica and died just a week later at the age of 71. The article reports that he had been born in Poland in 1888 and came to Utica in 1902. He then moved to Syracuse in 1910. While living in Syracuse, he operated a photography studio for 33 years, retiring in 1958. Krawcyk was involved with a number of Polish organizations in Syracuse. This photograph measures 6″ x 9″.

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syracuse 2

Published in: on August 18, 2016 at 3:30 pm  Leave a Comment  
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This cabinet card features a bride and groom posing for their portrait at the Pulaski Photo Art Company in Chicago, Illinois. This photograph is a bit unusual relative to other wedding portraits of it’s era. The uncommon but refreshing variable in this image is that the bride is showing her personality. She is exhibiting a playful smile and appears to be a vivacious young woman. Her groom, seems to lack that same energy, and presents a more reserved personality. The bride and groom are well dressed and three bouquets of flowers as well as a the groom’s corsage mark the festive occasion. A book entitled “Certified List of Domestic and Foreign Corporations” (1909) reveals that the Pulaski Photo Art Company replaced the Koscinszko Photo Art Company in Chicago. The President/Manager of Pulaski was Max Prusinski (1883-?) and the Secretary of the company was John Prusinski. Max Prusinski was born in Poland. An advertisement in “The Neighbor” (1919) discloses that the studio continued to operate at 957 Milwaukee Avenue. The 1930 US census reports that Max Prusinski was still employed as a photographer.


minneapolis wedding

This cabinet card features a bride and groom and a couple from their wedding party. The brides gown is a bit unusual. One can find many dark colored wedding dresses but this one seems to be made from an unusual material. Perhaps someone can leave a comment that identifies the fabric. The bride is wearing a very long veil and is also wearing many flowers from her waist to the top of her dress. This photograph was taken by the Oswald Brother’s Studio in Minneapolis, Minnesota. The studio was located at 1227 and 1229 Washington Avenue North from at least 1887 through 1895. Prior to that address, the Oswalds operated out of a gallery at 116 Thirteenth Avenue North. A later location was 1221 Washington Avenue North. Charles Otto Oswald (1859-1940) and Emil C. Oswald (1864-1944) were Swiss born.

minneapolis wedding 1

Published in: on October 23, 2015 at 11:18 pm  Comments (1)  
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young couple

A well dressed young wedding couple pose for their portrait in Lawrence, Massachusetts. Both subjects are wearing corsages and the young man is holding what appears to be a program or certificate. The photograph shows no affection or emotional connection between the groom and the bride. A fitting wedding present may have been a gift certificate for marital therapy. The photographer of this image is S. R. Page. Mr. Page appears in the US census of 1900 and the data indicates that he was born in Canada in 1865. He immigrated to the United States in 1894 and was married to a woman named Felinne. The census also indicates that he worked as a photographer. The 1897 Lawrence City Directory reports that Page worked as a photographer at the same address as seen on this cabinet card.

Published in: on June 23, 2015 at 4:39 pm  Comments (3)  
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