A young well dressed couple pose for their portrait at the Allen Nield studio in England. The woman in this photograph appears to be only semi conscious but she is probably just at a loss as to how to pose for the camera. Nied had four studios at the time that this photograph was taken. There were two galleries in Leeds, and one each in Manchester and Stockport.
Four women wearing lovely dark dresses, pose for their portrait at the Walter studio in Manchester, Iowa. The ladies are a bit “touchy-feely” as they assume an affectionate pose. The photographer of this photograph is Harvey L. Walter. “The History of Delaware County, Iowa” (1878) and Langdon Road Photographer Directory both mention Mr. Walter. He was born in 1833 in Ohio and moved “west” in 1853. He married Mary Fuller in 1864 and moved to Manchester in 1871. At one point he was partners in a firm in Manchester called Walter & Weidman. They were active in the 1870’s and 1880’s. Their studio was located on Franklin Street and was above Ford Brothers Store.
This cabinet card features a well dressed gentleman with neatly combed hair and a wiry gray beard. The photographer of the image is W. R. Call and his studio was located in Manchester, New Hampshire. Whiting Rexford Call (1839- ?) finished public school and became in succession, a school teacher, grocery clerk, and photographer. He opened his photography studio in 1867 and it was still operating forty years later. The 1882 Manchester Directory listed the studio’s address as 895 Elm Street. To view other photographs of interesting beards, click on the category of “Beards (Only the Best).
This cabinet card features a well dressed young couple posing for their portrait in the studio of Stephen Piper in Manchester, New Hampshire. The studio was located at 804 Elm Street. The husband is seated, his jacket has just the top button fastened, and he is wearing a pocket watch. His wife is standing behind the table, an ideal position for displaying her beautiful figure (enhanced by her corset). The photographer and the subjects apparently decided to use cabinet cards as props. The young woman is displaying them on the covered table. One wonders if these are cabinet card portraits of family menbers that the couple brought from home, or if they are just cabinet cards of random people that were lying around the gallery. Piper (1835-1903) was a photographer in Manchester from 1866 to at least, 1887. He was born in Sanborton, New Hampshire. His obituary in the Manchester Union Leader nearly filled the entire front page of the newspaper. Even more remarkable for the time, was the fact that his picture was also on the front page. Piper was clearly considered an important citizen of Manchester, at the time of his death.
A young girl poses for her portrait in the studio of Charles Henry Lindsay in Nashua, New Hampshire. Note her lace collar and her cute curls. She has a great half smile and is very focused on the photographer and camera. The photographer of this image had quite a journeyman career. The Granite State Monthly (1916) wrote a glowing article about his skills and described his career experiences. Lindsay learned his profession in the studio of Frank O. Everett, in Nashua. He began working for Everett around 1872 and stayed in his employ for about three years. He then moved to Concord, New Hampshire to become an operator for Benjamin Carr. He ultimately purchased Carr’s business and conducted it successfully until it was destroyed in a fire. He then worked with Stephen Piper in Manchester until 1879, when he moved to Nashua and opened his own studio. In 1889 he went to Boston and worked for some well known photographers. From 1894 until at least 1915, he operated a studio in Manchester, New Hampshire. At some point, his son, Ira Frank Lindsay, joined him in operating the Manchester studio. Lindsay’s career certainly was one that had many starts and stops, and forced him to make many relocations. This cabinet card was produced during Lindsay’s Nashua tenure between 1879 and 1889.
Meet Walter Burnham, who is posing for his portrait at the studio of Langley, in Manchester, New Hampshire. The studio was located at 780 Elm Street. Burnham has movie star looks and an interesting mustache which curls upward at each end. The mustache earns him a place in the Cabinet Card Gallery category of “Mustaches (Only the Best)”. Click on the category for other interesting or unusual mustaches.
A young boy poses in the studio of Brown, Barnes and Bell for a portrait. He is wearing a knit sailor outfit and holding a toy shovel. The tool is most likely a studio prop and not revealing any information about the child. The photograph was taken in 1886 as determined by the logo on the reverse of the card. Richard Brown, Robert William Barnes and Joseph Bell built a dynasty of photographic studios that reached around the world. At the time of this photograph, the studio had locations in London, Edinburgh, Leeds, Liverpool, Manchester, and New Castle. All of these studios were located in England so the international expansion had not begun yet. The studio advertised themselves as photographers to “Her Majesty The Queen” and the Prince of Wales, and several members of the Royal Family.