An unidentified well dressed young woman poses for her portrait at Kellie’s Elite Studio in Quincy, Massachusetts. Apparently, once a person is photographed at Kellie’s, they become part of the elite. The studio advertises prominently in the Quincy Directory (1902).
A member of the Salvation Army poses for his portrait at the Dodge studio in Ipswich, Massachusetts. He is wearing a “S” pin identifying his affiliation with the religious/community service group. He is also wearing a ribbon which asserts that “Jesus is Mighty to Save”. The Cabinet Card Gallery has a wonderful collection of photographs of Salvation Army members and to view them, click on the category “Salvation Army”. George K. Dodge is listed as a a photographer in a number of Ipswich business directories from 1888 through 1896. He may have served in the 99th New Hampshire infantry as a musician between 1861and 1862. His military service is likely but not confirmed.
Photographers Seeley & Warnock took this photograph of a cute dog posing in their studio in Bridgeport, Connecticut. What a pose? The photographers have captured this adorable canine exhibiting a smile (with his/her mouth open). The lighting utilized in this photograph could have been better, but lets remember that dogs are tough customers for a photographer. On the reverse of the cabinet card is advertising that states “Instantaneous Portraits of Children A Successful Specialty”. Note that photographing children is not only a “specialty” but it is a “successful specialty”. Additional printing on the reverse of the cabinet card indicates that it was produced in 1892. Preliminary research found no information about Mr. Warnock but there is an abundance of information about Mr. Seeley. Henry James Seeley was well known in Grand Army of the Republic circles. He was a department commander (Connecticut) and served in national offices of the organization. He was born in Jericho, Vermont in 1849. At the age of fifteen he enlisted in the 10th Indiana Battery, Light Artillery. After serving with the unit he was transferred to the gunboat Stone River which was operating on the Tennessee River. His next post was Fort Johnson in Huntsville, Indiana. Seeley entered and left the military as a private. After mustering out of the military in 1865, he taught school in Carbondale, Illinois. He then went to Vermont to further his education and then had teaching stints in Rome (NY), Worcester, Fall River and Bridgewater (MA). In 1872 he moved to Bridgeport where he studied photography and finally settled down. He opened a photography studio there in 1872 at 922 Main Street. He spent the next forty-five years or more working as a photographer.
An older man poses for this cabinet card photograph by Frank Lawrence who operated a studio in Worcester, Massachusetts. Advertising on the reverse of the image reveals that the studio was located at 492 Main Street. The gentleman in this photograph is nicely dressed and groomed (despite his longish locks). He has a very strong countenance. He looks like the sort of man that you would not want to alienate. He has an appearance that strongly suggests determination and grit. Research found an advertisement in the Worcester Directory (1867)for Lawrence’s studio which trumpeted that he produced both Sphereotypes and Ambrotypes. A stereographic photograph by Lawrence of the great flood of Worcester (1876) was also discovered. His name appears in Worcester business directories through 1886.
A little girl wearing a lace dress sits on a cement post and poses at the Homer & Company studio in Boston, Massachusetts. She is wearing a necklace and a bewildered expression. Research yielded very little information about the photographer who produced this cabinet card. It is known that the photographer was named George H. Homer and that he actively operated his studio between 1883 and 1885. He also may have worked as a photographer in other years.
This cabinet card features stage and film actress Mabel Trunnell (1879-1981). The reverse of the photograph is inscribed “Yours Truly, Mabel Trunnell 1898″. Therefore, this image captures Miss Trunnell at about age nineteen. Mabel Trunnell was born in Dwight, Illinois. She began her career as an actress of the stage but at age thirty-two she began to appear in films. In 1911 she appeared in “A Modern Cinderella, In the Days of Chivalry” and in “The Star Spangled Banner”. Her last film was in 1923 when she was in the movie “The Love Trap”. Her filmography on IMDb indicates that she acted in 199 different films. At the age of forty-four she returned to the stage. She was married to Herbert Prior, an early British film star. Trunnell was one of Hollywood’s first movie stars as was identified with Edison Studios. A magazine article in “The Moving Picture World” (1915) reviews one of her performance. The reviewer wrote “Mabel Trunnell becomes more attractive as the course of time silvers her hair”. An interesting sociological comment was also made by the reviewer which was in regard to the admirable strength portrayed by Trunnell’s character. The reviewer notes “most of us are tired of seeing women pictured as incurable weaklings”. The reviewer was certainly a man who was ahead of his time. This cabinet card was produced by the Barrows studio in Fort Wayne, Indiana. It appears that Miss Trunnell was photographed in a costume from one of her performances. She is dressed very much like a maid and seems a bit troubled in her pose. The photographer, Frank Rufus Barrows operated a studio in Fort Wayne between 1880 and 1900. He is considered one of the city’s most prolific photographers and had several locations while in business there. He was born in Sturgis, Michigan in 1854. He came to Fort Wayne in 1880 and partnered with Frank H. Clayton in operating a photographic studio. In about a years time he became the sole proprietor of the studio. He had many photos appear in Fort Wayne Illustrated (1897). He left Indiana for Medford, Massachusetts and operated a studio there until 1910 when he moved to Eugene, Oregon where he died in 1920.
The salty gentleman featured in this cabinet card photograph appears to be a uniformed US merchant ship captain. The seaman is wearing a badge depicting an anchor on his chest. He also has stars on his sleeves and is wearing lapel pins. H. F. Hatch of New Bedford, Massachusetts is the photographer. An advertisement on the reverse of the image advertises that the gallery sells one dozen cabinet cards for five dollars. Such a deal! Henry F. Hatch is listed in the 1880 census. The document reports that he was born in Massachusetts in 1837. He was married to Etta Hatch and they were living together in New Bedford with their daughter Cecila (age 18). Henry was working as a photographer. Business directories from New Bedford indicate that he worked as a photographer from at least 1865 through 1895. Research uncovered an 1880′s advertising trade card for Hatch’s studio. The advertising copy on the card must have put fear in the hearts of the young mothers of New Bedford. The trade card’s copy stated that “Hatch loves to take babies”. It would be amazing if the trade card encouraged any parents to take their babies to the studio. However, it is not amazing that a New Bedford photographic studio produced a portrait of a ship captain. New Bedford is nicknamed “The Whaling City” because in the nineteenth century it was one of the most important whaling and fishing ports in the United States.
This cabinet card photograph features a middle aged man dressed in a fraternal robe and turban. It is unknown what fraternal organization his costume represents. To view a collection of other fraternal member photographs, click on the category, “Fraternal Group Members”. The gentleman in this photograph has a bold and thick mustache. To see other interesting mustaches, click on the category “Mustaches (Only the Best)”. The photographer of this portrait produced an exquisite image. The subject is well posed and the photograph has great clarity. The image was produced by the Hastings studio in Boston, Massachusetts. The studio had a branch in Newport, Rhode Island. George H. Hastings was born in Massachusetts in 1850. He operated a studio (Ritz & Hastings) with Ernest Ferdinand Ritz from sometime in the 1860′s until the 1880′s. He had his own studio from the 1880′s through sometime in the 1890′s. The 1880 US census finds Hastings living with his brother and mother and working as a photographic artist.
This cabinet card features a portrait of Massachusetts Senator Josiah Bennett. His mustache is very notable and earns him a spot in the cabinet card gallery category “Mustaches (Only the Best)”. Be sure to check out the collection of extraordinary mustaches. This portrait was taken in 1885 by the Bushby & Macurdy studio located on Washington Street in Boston. Asa Bushby was born in South Danvers, Massachusetts in 1834. He was a self taught portrait painter and after returning from the Civil War, he became a photographer. He opened a studio in Peabody, and then moved to Lynn, and later to Boston, Massachusetts. At some point in his career, he partnered with George W. Macurdy. He is listed in the 1889 Boston business directory. At the end of the 1880′s he moved to Tacoma, Washington and died there in 1897. Civil war buffs may be interested to know that Asa Bushby served in the 1st Regiment Massachusetts Heavy Artillery (company D). He entered, and later left the regiment as a private. Josiah Bennett served as a state senator. He was served on a committee that addressed state prison issues. Hopefully, further research will yield more information about Mr. Bennett.
This cabinet card captures the beauty of actress Kate Everleigh. The image is risque for the cabinet card era. Preliminary research reveals no personal details of the life of Miss Everleigh. However, there are many articles citing her theatrical appearances. In fact, her portrait appears on the front page of “The Illustrated Sporting and Dramatic News” in both 1885 and 1886 editions. She is also referenced in the book “A History of the New York Stage” (1903) for appearing in Reese and Farnie’s burlesque production of “Oxygen” and Lydia Thompson’s Company’s production of “Bluebird”. Everleigh also appeared in the original London cast of “Erminie” (1885). The magazine “The Theatre” (1885) cites her appearances in “Nemesis” and “Family Ties”. Miss Everleigh also performed in the United States. She is mentioned as a performer in a burlesque show in San Francisco called “The Mother, The Maiden, and The Musicianer” (1880). This is a high quality photograph and not surprisingly, comes from a well respected studio in Boston, Massachusetts. The studio is Warren’s Portraits and it was located at 465 Washington Street. Warren’s Studios photographed many celebrities and notable people in Boston. To view other photographs by Warren, click on the category “Photographer: Warren”.