The gentleman is this cabinet card portrait has a wonderful mustache. It has been perfectly trimmed and maintained. He posed for this photograph at the studio of Oliver Boudnas De Morat which was located at the southwest corner of 8th and Market in Philadelphia, Pennsylvania. De Morat was a pioneer photographer. An article in “Photographic Mosaics” (1867) makes mention of his endorsing a certain photographic product. He is also cited in “The Philadelphia Photographer” (1870). He is considered to have been among the most prolific producers of cdv portraits. He was born in Montreal, Canada in 1836 and died in Philadelphia in 1902. To view photographs of unusual and interesting mustaches, click on cabinet card gallery’s category “Mustaches (Only the Best).
Meet Pauline Huber Ely. You are looking at what appears to be her graduation picture. She is wearing a fancy dress and holding a rolled scroll that is likely a diploma. She also has a hand fan at her side.The photographer is Husted & Company which was located in Philadelphia, Pennsylvania. Draper and Husted were partners in a studio during the 1860’s and 1870’s. Joseph Husted was featured in a brief article in the American Journal of Photography (1887) which praised his child portrait work.
This cabinet card features an African American man posing for his portrait at the Prentzel & McCollin studio in West Philadelphia, Pennsylvania. He is likely dressed in his Sunday’s best for this photograph. Cabinet card portraits of African Americans are not commonplace. To view a collection of such images, click on cabinet card gallery’s category “African Americans”. One source identifies the photographers as Frank Prentzel and Carl J. McCollin. No confirmation could be located. In fact, research found several sources mentioning a cabinet card era photographer in Philadelphia named Thomas McCollin.
It is not the quality of the image that makes this photograph special. This is a unique photograph because of the identity of the subject. Meet Dr. Anna S. Kugler. Anna Sarah Kugler (1856-1930) provided 47 years of service ministering to the spiritual and physical health of the people of southern India. She was the second female missionary and the first female medical missionary sent by the General Synod of the Evangelical Lutheran Church of the United States. She was born in Ardmore, Pennsylvania in 1856. In 1879 she graduated from Women’s Medical College in Philadelphia. She did her internship at Norristown State Asylum in 1880. Two years later, after receiving a cleric’s invitation to come work in India to help resolve the major health issues faced by poor Indian women, Kugler decided to take on the challenge. She sailed for India in 1883 and was disappointed that her appointment as a missionary was directed at teaching, not providing medical care. She hoped to change the church’s mind on that matter. During her first year in India she found time to see over 400 patients and still take care of her teaching responsibilities of the Muslim harem women. In 1884 she became the director of the Hindu Girls School, a post she kept for three years. Finally, in 1885, she was appointed a medical missionary. In 1893 she opened a hospital and dispensary in Guntur, India. Over time she established specialized pediatric, maternity, and surgical units in the hospital. After Kugler’s death, the hospital was named after her. Have you heard this quote? “Well behaved women seldom make history”. Women who went to medical school in the 1870’s were likely not considered well behaved because they were entering into a man’s profession. Going to India and working with the poor was also probably seen as outside the realm of being a woman. Thank goodness Dr Anna S Kugler ignored gender boundaries because she accomplished great things and certainly “made history”. This photograph was produced by the Phillips studio in Philadelphia, Pennsylvania. To view other photographs by Mr. Phillips, click on the category “Photographer: Phillips”. Phillip’s subjects among his images in the Cabinet Card Gallery include theater great, Ethel Barrymore. At the time of this photograph, Phillips operated his studio at 1206 Chestnut Street. A biographer called Henry C. Phillips (1843-1911) “A pillar of photography in Philadelphia”. He began working as a photographer while still in his teens. He opened his first studio on Chestnut Street in 1862. He partnered with Samuel Broadbent between 1868 and 1874. (To view other photographs by Broadbent, click on the category “Photographer: Broadbent). After that partnership and another brief one, he opened his 1206 Chestnut studio and it operated for 36 years under Henry and than his two sons, Howard and Ryland. Henry Phillips was a portrait artist and on the side, he was a celebrity photographer. He did not like to use painted backdrops in his portraits. He preferred to photograph faces and figures against neutral or blank backgrounds. Photographs from the studio that utilized painted backgrounds were usually the work of Ryland.
A curly haired woman in a white dress poses a bit provocatively in the studio of Chandler & Scheetz in Philadelphia, Pennsylvania. She is radiating bling. Note the amount of jewelry that she is wearing. She has a brooch, necklaces, earrings, bracelets, and a ring. She is appears to be holding a purse. To view other photographs by Chandler & Scheetz and to learn more about these photographers, click on the category “Photographer: Chandler & Scheetz”.
Regular visitors to the Cabinet Card Gallery know that this writer has a bit of an obsession with photographs of interesting beards and mustaches. The fellow posing for this cabinet card earns a spot in the “Beards (Only the Best) category. You can view the beard collection by clicking on the aforementioned category. A. M. Gorman of Philadelphia, Pennsylvania, produced this image of an interesting looking gentleman. Research yielded some surprising information about the photographer. A. M. Gorman is a female photographer whose full name was Annie M. Gorman. She was listed as a photographer in the 1881 Philadelphia city directory. She also appears in the 1880 US census which lists her occupation as photographer. At the time of the census she was 36 years old and single. To view other women photographers, click on the category “Female Photographers”.
A handsome well dressed and devilish looking man poses for his portrait at Lindenmuth’s studio which was located at 24 North 6th Street in Allentown, Pennsylvania. He looks terrific in his three piece suit and his well groomed beard and handlebar mustache. Writing on the reverse of the photograph dates the image as being produced in 1899. The photographer of this portrait is primarily known for his work as an artist. Arlington Nelson Lindenmuth (1856-1950) was an American landscape and portrait painter who lived and painted in Allentown and the Lehigh Valley region of Pennsylvania. The Pennsylvania native was a member of the “Baum Circle”., the group of artists either were taught by or influenced by Pennsylvania impressionist painter, Walter Emerson Baum. Lindenmuth was also one of the earliest professional photographers in the Lehigh Valley area. He opened his first studio in Allentown in 1881. Prior to that, he operated studios in Tamaqua, Philadelphia, and Pottstown. All three cities are in Pennsylvania. As early as 1862, Lindenmuth was also employed as a traveling sales representative for Eastman Kodak. To view other photographs by Lindenmuth, click on the category “Photographer: Lindenmuth”.
One wouldn’t think that a man could wear a checkered tie with a checkered jacket and still look dashing, but theater actor H. J. Montague is able to accomplish this feat. The photographer of this cabinet card portrait is theater specialist, Jose Mora. To view more of his celebrity photographs, click on category “Photographer: Mora”. The reverse of this image has an address and a return address as if it had been mailed. However, there is no stamp or postmark. The photograph is addressed to a “Jane Mure” in Philadelphia, Pennsylvania. The script is written in very ornate calligraphy. Surprisingly, both the return and sending addresses have Philadelphia zip codes. Since zip codes are from the twentieth century (1963), it appears that someone may have added the ornate script to give the card more character but wasn’t aware, or not thinking about, the relative recent introduction of the zip code system. Henry James Montague (1844-1878) was the stage name of Henry James Mann. He was an American actor born in England. He appeared in T W Robertson’s comedies in London and in 1870 was a founder of London’s Vaudeville Theater. He came to the United States in 1874 and made quite a splash. He became a matinee idol. George Odell wrote that Montague was “a perfect specimen of refined English Manhood”. He was said to have “made other leading men seem boorish, ill dressed and possibly a bit vulgar”. Montague died quite young, about 34 years old. According to the New York Times (1878) while playing a role in a San Francisco production, he fell extremely ill from a “hemorrhage of the lungs”. He required medical attention from some theater goers and was taken to a hotel to recuperate. He rallied only briefly. During a visit from friends he became acutely ill and his last words as he was dying were reported to be, “It’s no use, I am going boys; God bless you”. The New York Times covered his funeral. Attendees of his funeral include the “A” list of that era’s theater world. Mourners included Lester Wallack, Kate Claxton, Rose Coghlan, and Maud Granger. The afore mentioned three actresses all have portraits that can be viewed in the Cabinet Card Gallery by utilizing the search box.