The gentleman in this cabinet card portrait looks amazingly like Abraham Lincoln (1809-1865), the 16th President of the United States. As much a I would like this to be an early photograph of Lincoln, it most certainly is not. This photograph was produced several years after Lincoln’s death. The photographer of this image was George Pine (1840-1906). For part of George’s photography career he operated a studio with his brother Robert G. Pine. Records indicate that Pine conducted his business at the 27 & 29 East State between 1878 and 1888. He operated out of several addresses over the course of his career and all of his galleries were located in Trenton, New Jersey. I was able to confirm that he ran the studios from at least 1872 through the early 1900’s. George was born in New Jersey. An 1867 business directory indicates that he and his brother had a gold and silver plating business before entering the field of photography. The 1880 US census reveals that George lived in Trenton with his wife Theodosia Burroughs Pine (1842-1900). The couple were living alone. The Trenton Evening Times (1906) ran George’s obituary. He died in Trenton although he did spend some years in Florida where his wife passed away. At the time of his death he was the curator of the Cadwalader Park Museum. The article states that after a successful photography career, George had become a “prominent naturalist”. Cadwalader Park is located in Trenton.The park is nearly 100 acres and is the city’s oldest park (construction began in 1887). The park was designed by Frederick Law Olmsted (creator of New York City’s Central Park).




This cabinet card features a well dressed gentleman with a noteworthy mustache. In fact, the mustache is so noteworthy, that it joins other cabinet cards featuring fantastic mustaches in Cabinet Card Gallery’s category of Mustaches (Only the Best). Click on the category and view the other mustaches. The photographer of this image is Henry C. Lovejoy (1838-1901) of  Trenton, New Jersey. Lovejoy had a series of studios in Trenton between 1869 and 1900. A Trenton Times (1891) newspaper article interviewed Lovejoy about many issues pertaining to portrait photography. He stated that “the great art, however, is in placing a person in position. This can only be acquired by long practice and experience.” He added “the photographer must also by a physiognomist” because different people will photograph better in different positions. A physiognomist is an expert at the art of judging human character from facial features. Later in the same article, Lovejoy provides interesting comments about post mortem photography (photographing the dead).


Mr  A. W. Sibley poses for his portrait at the studio of E. S. Dunshee in Boston, Massachusetts. Mr Sibley is well dressed and his hair and beard are very styled. His beard comes to a point and is eligible for the Cabinet Card Gallery’s category of “Beard (Only the Best)”.   Please visit this beard hall of fame.  Interestingly, unlike most hall of fame inductees, Mr Sibley lacks a mustache. Photographer Edward Sidney Dunshee was born 1823 in Bristol, Vermont and died in 1907 in Philadelphia, Pennsylvania.  In 1857 he and Cornelius Dunshee (his father) were photographers in Falls River, MA. He produced ambrotypes and daguerrotypes there. He next operated out of New Bedford, MA. One of his New Bedford clients was Henry David Thoreau, who sat for a portrait in 1861.By 1873 he and Thomas Rice Burnham operated as Dunshee and Burnham in Boston, MA. Between 1873 and 1876 he and Edward Byron Dunshee were in business as E. S. Dunshee and Son and located on Tremont Row in Boston, MA.  By 1880, Edward Sidney Dunshee had moved to Philadelphia and apparently, after some time, his son took over the business. It appears that E. S. Dunshee had his last studio in Trenton, New Jersey (1894-1901). This Cabinet Card is dated 1885 and appears to be a product of the studio when it was operated by the son in the business, Edward Byron Dunshee. To view other photographs by E. S. Dunshee, click on the category, “Photographer: Dunshee”. Dunshee’s photography resume is confusing because different sources offer slightly different histories. In addition, the fact that his father and son were photographers, further clouds the accuracy of his biographical material. Clearly some writers have confused and entangled each of the Dunshee’s life story.