ADORABLE BROTHER AND SISTER IN RICE LAKE, WISCONSIN

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This cabinet card portrait features an adorable and well dressed brother and sister. The cute little girl sits in a chair holding an open book in her lap. Her younger brother stands beside her holding his hat by his side. The photographer of this fine image is Homer C. Reed. The “History of Baron County” (1922) reveals that Reed bought the Rice Lake studio of T. H. Webster in 1893. The Wisconsin Photographers Index, compiled by the Wisconsin Historical Society reports that Webster operated his Rice Lake studio until 1928. Homer Reed was born in Michigan and began his photography career in Forest City, Iowa. He married Adda A. Smith in 1895 and she served as an assistant in his photography studio.

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Published in: on November 15, 2016 at 12:00 pm  Leave a Comment  
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JENNIE HALL HUTCHINS: PROFILE PORTRAIT OF A PRETTY WOMAN FROM EAU CLAIRE, WISCONSIN

 

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This cabinet card portrait features a pretty young woman named Jennie Hall Hutchins. The identification is made by an inscription on the reverse of the photograph. The inscriber describes her as “Grandpa’s half sister”. Preliminary research did not yield any further information about Miss Hutchins. The photographer of this image is no stranger to the Cabinet Card Gallery. At the time of this writing, the gallery has four other photographs by Frederick Bonell.  In addition to having a studio in Eau Claire (the location where this photograph was taken), he also conducted business in Chippewa Falls, Wisconsin. One source states that Bonell worked as a photographer between 1879 and 1890. To view other photographs by Bonell,  click on the category “Photographer: Bonell”.

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Published in: on February 10, 2016 at 12:00 pm  Comments (3)  
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TWO YOUNG WOMEN WEARING FANCY HATS IN EAU CLAIRE, WISCONSIN

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Two young women pose for their portrait at the Bonell studio in Eau Claire, Wisconsin. The women are beautifully dressed and their nice figures are assisted by the corsets that they are wearing. Note their fancy hats. The Cabinet Card Gallery has several photographs by Frederick Bonell. To view these photographs and to learn more about Mr. Bonell, click on the category “Photographer: Bonell”.

Published in: on January 14, 2016 at 9:21 pm  Leave a Comment  
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FOUR VERY COOL LOOKING YOUNG MEN IN ASHLAND, WISCONSIN

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This cabinet card portrait features four well dressed hatted young men posing for their portrait at the J. A. Jones studio in Ashland, Wisconsin. The men present themselves with an air of confidence. That is particularly true of the fellow seated on the right of the photograph. All four men are wearing vests and the two men in the front row appear to be wearing identical striped shirts. It is my theory that the men work in the same business and that is what brings them together for this group portrait. The photographer of this image is John A. Jones. He operated a photography studio in Ashland between 1893 and 1916. A man with the same name had a studio in Hurley, Wisconsin between 1919 and 1922, although I am uncertain that they are one and the same person. Apparently, Mr. Jones of Ashland was a bit of an entrepreneur. Motor Age (1909) reported that Jones bought a sixteen passenger truck to establish a sightseeing stage line between Ashland and Odanah, the seat of the big Indiana Reservation of northern Wisconsin.

Published in: on August 31, 2015 at 12:00 pm  Leave a Comment  
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WEDDING PHOTO OF A SLOUCHING GROOM AND HIS AUSTERE BRIDE

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This cabinet card photograph is a wedding portrait featuring a slouching groom and an austere bride. The wedding couple are both adorned with flowers. The groom in this photo is probably trying to project a relaxed appearance but instead comes off as sloppy. He is slouching while leaning on a chair and his hand is partially in his pocket. This is not a spectacular pose. His bride is wearing a pretty dark wedding dress with a long veil. She is also wearing a rather frosty expression. The photographer of this portrait is the Dawson studio which was located in New London, Wisconsin. J. C. Dawson’s studio was in business in New London from 1877  through 1914. After his death in 1914, the studio continued to operate under it’s name with a new proprietor. Dawson also had a studio is Oshkosh between 1891 and 1893. He operated a third studio in Hortonsville in at least 1893. Dawson (1856-1914) was married to Almeda Dawson in 1880. The 1900 US census found him living in New London with his wife, two daughters (ages 15 and 18),  father, and one boarder.

 

Published in: on April 4, 2015 at 11:20 am  Comments (1)  
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PORTRAIT OF AFFECTIONATE BUDDIES IN ASHLAND, WISCONSIN

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This terrific vintage photograph exudes warmth and friendship. These guys look like buddies. They seem to be quite happy to have an opportunity to have their friendship preserved in a photograph. During the cabinet card era men were more comfortable with physical displays of affection between them. At least it appears that way after viewing many cabinet card portraits of pairs and groups of young men. The young men in this portrait appear quite self-confident and charismatic. The photographer that produced this image is either Carl or Christian (Christopher) Raven (1854-?). Both men are listed as photographers in Ashland County, Wisconsin. According to one source, Carl operated a studio between 1905 and 1906 while Christian worked as a photographer between 1897 and 1908. Christian was born in Germany, immigrated to the United States in 1867 and was married to Lizzie Raven. Whichever Mr. Raven took this photograph, he certainly had an eye for creating a spirited image.

Published in: on March 28, 2015 at 12:00 pm  Comments (3)  
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VERY PRETTY FASHIONISTA IN SPARTA, WISCONSIN

richardsonThis cabinet card features a very pretty woman wearing a feathered hat. The feathers are likely ostrich feathers. She is wearing a beautiful dress and has flowers pinned to it in two places. She is wearing something that looks like a scarf wrapped around her neck and running down the dress’s front. Her hat is also beautiful. This woman would be considered a fashionista if she lived during the present era. She exudes stylishness. The woman has curly hair and an inquisitive expression. The Richardson Brothers photography firm produced this cabinet card and is mentioned in the Wisconsin Business Directory (1919).The brothers first names are cited as “Fred” and “Frank”. The “Commemorative Biographical Record of the Upper Wisconsin ……….” (1895) provides a different first name than Frank. It states that H. N. Richardson was born in 1854 in Sparta, Wisconsin. His father was a wagon maker turned farmer. H. N. was the youngest of five children.At age 21 he left the family farm and went to work in a Sparta marble works. At 23 years of age he moved to Sioux Falls, South Dakota and was employed for three years n a Marble Works there before returning to Sparta. He joined his brother Frank in a photography business named “Richardson Brothers”. The brothers operated the gallery together for four years. Then H. N. moved to Stevens Point, Wisconsin and established his own studio. He eventually developed branches in Plainfield, Scandinavia, and Hancock (all in Wisconsin). H. N. Richardson married Miss Jennie A. Linneman of Minnesota and they had four children. The “St. Louis and Canadian Photographer (1900) reported that Richardson Brothers Studio in Sparta was destroyed by fire. Research also revealed that at one time Fred Richardson was partners with Fred Foster in a studio in Sparta named “Richardson and Foster”.

FOUR YOUNG SIBLINGS AND A HARMONICA IN STURGEON BAY, WISCONSIN

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Four young children pose for their portrait at the O. R. Moore gallery in Sturgeon Bay, Wisconsin. It is close to certain that the children are siblings. The two oldest kids are girls and they appear to be wearing dresses made from the same fabric. It is not uncommon to see siblings wearing identical clothing in cabinet card photographs. One would guess that the reason for this practice was simply economics. The older girl is securely holding her youngest sibling securely on a chair. The baby has a harmonica in her/his hands. This image was taken in 1895. In 1891 Orville R. Moore worked as an operator for Sturgeon Bay photographer W. A. Drumb before opening his own studio. He opened his own studio by 1898. Some years later he sold his business and it became the Rieboldt Studio. Moore is mentioned in a number of photography journals. The “Photographic Times” (1898) cites him as competing in a photography competition sponsored by the Photography Association of Wisconsin. The “Bulletin of Photography” (1924) reports that Moore had returned to Sturgeon Bay after a fifteen year absence and opened a new photography studio.

Published in: on February 19, 2015 at 11:50 am  Comments (2)  
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THE ROTHSCHILD PARK TROLLEY AND TWO CONDUCTORS IN WAUSAU, WISCONSIN

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This wonderful vintage photograph gives us a view of an important mode of transportation in America’s past. The Rothschild Park trolley was operated by the Wausaw Electric Railway. This photograph features a trolley car and two uniformed conductors. In 1906 the Wausau Street Railway Company was organized to bring electric transportation to Wausau. Sometime around 1915 the railway became the Wisconsin Valley Merrill Railway and Lighting Company. Note the sign stating “Rothschild Park” on the front of the trolley car. The story of Rothschild Park is quite interesting. The park was located, unsurprisingly, in Rothschild, Wisconsin which was about six miles from Wausau. Rothschild Park was owned by the Wausau Electric Railway and must have been quite a fun place to visit. The park offered 40 acres of water, islands and land. Attractions included a roller coaster, dance floor, catering hall, and more. In 1912 it cost ten cents to get to the park from Wausau. The photographer of this terrific image is unknown.

INTERESTING COUPLE IN MIWAUKEE, WISCONSIN

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A young to middle aged couple pose for their portrait at Miller Brothers studio in Milwaukee, Wisconsin. The studio was located on the corner of 3rd and Chestnut Streets. They pose in a studio setting that screams “rustic”. The wood fence, shabby chair, and country backdrop help create the rural feel. The man in this photograph is wearing an interesting beard (see the category “Beards (Only the Best)”. He is holding a book in his left hand and coupled with his attire, the image creates an impression that he is an educated man. The woman is wearing a very plain dress and a serious expression.

Published in: on November 17, 2014 at 6:56 pm  Comments (1)  
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